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A Woman of Substance 1985

Runtime

285 mins

Language

English

English

An emotionally charged dynastic saga tracing Emma Harte’s rise from a kitchen maid at the turn of the twentieth century to a respected businesswoman and grandmother by the 1980s. Beginning with a modest shop, she relentlessly expands her retail empire, diversifies into Leeds’s booming textile industry, and builds a legacy of poverty‑to‑prosperity, passion and power.

An emotionally charged dynastic saga tracing Emma Harte’s rise from a kitchen maid at the turn of the twentieth century to a respected businesswoman and grandmother by the 1980s. Beginning with a modest shop, she relentlessly expands her retail empire, diversifies into Leeds’s booming textile industry, and builds a legacy of poverty‑to‑prosperity, passion and power.

Does A Woman of Substance have end credit scenes?

No!

A Woman of Substance does not have end credit scenes. You can leave when the credits roll.

Meet the Full Cast and Actors of A Woman of Substance

Explore the complete cast of A Woman of Substance, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.


Full Plot Summary and Ending Explained for A Woman of Substance

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Read the complete plot summary of A Woman of Substance, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


In 1970, Emma Harte [Deborah Kerr] is a formidable, self-made business titan whose empire spans Harte’s Department Store in London, as well as vast holdings in property and oil. On a business trip she tells her granddaughter, Paula McGill Amory [Miranda Richardson], that she will be her successor, a declaration that will set off decades of ambition, loyalty, and feuds within the family.

Back in London, Emma learns that her two sons, Kit and Robin, are scheming to force her into retirement and dissolve the very enterprises she built. In response, she rewrites her will, removing any lingering doubt about who controls the family fortune, and makes a stark decision to pass the wealth instead to her grandchildren.

The tale then jumps to the early 20th century, following teenaged Emma as she leaves the world of servitude at Fairley Hall in rural Yorkshire. The young Emma, who shares a cramped, hardworking life with her father Jack and brothers Winston and Frank in a family that owns mills and a brickyard, becomes entangled with Edwin Fairley, the Fairleys’ younger son. After Emma becomes pregnant, Edwin refuses to marry her, and Shane “Blackie” O’Neill [Liam Neeson], an Irish navvy who works at Fairley Hall, suggests she start anew. Emma relocates, inventing a new life for herself and telling landlady and friends that she is married to a sailor at sea.

Her fortunes begin to shift when Abraham Kallinski rescues her from an anti-Semitic mob and introduces her to his wife Janessa and their sons, David and Victor. Emma finds a job in their textile factory, while Blackie helps her connect with Laura O’Neill [Diane Baker], who welcomes Emma into her home and helps her establish a foothold at Thompson’s Mill. Emma gives birth to Edwina, and, after a time, Freda briefly takes the baby, but Emma regains control and, driven by ambition, rents a shop in Armley where she sells fabrics, clothing, and luxury foods. The business thrives and expands to multiple stores, turning Emma into a shrewd, uncompromising entrepreneur.

Trouble arises when Edwin Fairley’s brother Gerald arrives, forcing Emma to confront threats to her daughter and her future. After a violent confrontation, she marries her landlord, Joe Lowther [Jonathan Duttine], for protection, and the couple have a son, Kit. Emma then goes into a productive partnership with the Kallinskis, while her private life remains turbulent—she endures tragedy when Joe is killed in the Battle of the Somme, and Laura, now married to Blackie, dies in childbirth, leaving Emma to take in Bryan.

In 1918 Emma falls in love with Australian Army officer Paul McGill [Barry Bostwick], who is wounded in battle and later returns to his estranged wife. Emma seeks solace in a relationship with Arthur Ainsley, marrying him and bearing twins, Robin and Elizabeth, before Paul returns and complicates everything. Emma and Paul’s bond deepens, and Emma ultimately bears Daisy—the daughter who will loom large in the family’s destiny. The Fairleys’ bitterness lingers, but Emma’s growing power allows her to acquire their holdings, including Fairley Hall, with plans to demolish it for a public park and to claim a symbolic victory over those who doubted her.

As the 1930s approach, Paul travels to Australia to request a divorce and is nearly killed in a car crash; he survives but dies within a year, leaving Emma and Daisy a substantial stake in Sitex oil. Emma’s empire endures the blows of war and fortune alike, and her children go on to marry and to start their own lineages—Edwina, Kit, and Robin each have offspring; Elizabeth marries several times and has four children, while Daisy has two, including Paula.

Returning to the 1970 birthday gathering, Emma invites the entire clan to her Yorkshire estate and delivers a shocking revelation: she has rewritten her will once again, disinheriting her children for deceit and awarding everything to her grandchildren. Paula is named to inherit the Harte’s Department Store empire, a move that sparks anger and grudging acceptance among Emma’s offspring, who sign agreements not to contest the will. Emma also blesses Paula’s engagement to Jim Fairley, Edwin’s grandson, signaling a dramatic closure to Emma’s lifelong feud with the Fairley side and setting a new course for the family’s future.

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A Woman of Substance Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


businesstextile industrystoreshopkitchen maidinheritancelast will and testamentmatriarchfamily gatheringgrandmother granddaughter relationship1930swheelchaircar accidentself made womandysfunctional marriage1920smanortold in flashbackwidowdeath of husbandsoldiermilitary draftmother daughter relationshipworld war onebusiness takeovertextile millauctionforbidden love1910sdepartment storehusband wife relationshipdressmakermarriage of conveniencemarriage proposalattempted rapeshop ownertextile factorybrother sister relationshipunwed motherworking classupper class1900sjewfirepregnancyclass distinctioncavemale female relationshipfemale protagonistupward mobility

A Woman of Substance Other Names and Titles

Explore the various alternative titles, translations, and other names used for A Woman of Substance across different regions and languages. Understand how the film is marketed and recognized worldwide.


Barbara Taylor Bradford's A Woman of Substance Des Lebens bittere Süße Toda una mujer אשת נכסים Egy gazdag nő Emma Harte - L'espace d'une vie Uma Mulher de Fibra Kariera Emmy Harte Женский характер Το Τίμημα της Δόξας Zámožná žena Inte för vinnings skull

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