
In 1920s Britain, a determined young woman named Clarice Cliff defies convention to become a celebrated ceramic artist. Working in the bustling pottery industry of Stoke-on-Trent, she challenges traditional styles and forges her own path, ultimately rising to prominence and leaving an indelible mark on the art world. Her innovative designs and unwavering spirit break the rules and inspire a generation.
Does The Colour Room have end credit scenes?
No!
The Colour Room does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Colour Room, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Matthew Goode
Colley Shorter

Adrian Rawlins
John

Luke Norris
Guy Shorter

Bill Paterson
Gordon Forsythe

Kerry Fox
Ann Cliff

David Morrissey
Fred Ridgeway

Tony Pitts
Jack Walker

Darci Shaw
Dot Cliff

Phoebe Dynevor
Clarice Cliff

Rachel Shenton
Annie Shorter

Bronwyn James
Betty

Doreene Blackstock
Vera

Oliver Huntingdon
Reg

Conrad Nelson
Sid

Heather Forster
Nancy

Laura White
Gladys

Safia Oakley-Green
Elsie

Anna-Kate Golding
Peggy
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See how The Colour Room is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where The Colour Room stands among top-rated movies in its genre.
The Colour Room delivers an uplifting biographical drama that highlights Clarice Cliff’s pioneering spirit through solid craftsmanship and engaging performances. Reviewers commend the film’s period atmosphere, vibrant visual palette, and clear narrative pacing, while noting occasional lapses in historical detail and visual effects. The consensus points to a satisfying, if imperfect, portrayal that resonates with audiences seeking inspirational stories. Consequently, the film earns a respectable overall rating.
The Movie Echo Score Breakdown for The Colour Room
Art & Craft
Artistic execution stands out as a strength, with direction and production design delivering a vivid 1920s aesthetic. Critics praise the attractive cinematography, color‑rich costumes, and effective editing that maintain a swift pace, though some note unconvincing CGI kilns and occasional period‑authenticity gaps. Overall, the visual craft supports the narrative and merits a solid rating.
Character & Emotion
Character work offers a mixed but generally positive impression, highlighted by Phoebe Dynevor’s nuanced portrayal of Clarice and Matthew Goode’s competent presence. Reviewers acknowledge solid chemistry and supportive performances from the supporting cast, yet some mention underused roles and a forced romance subplot. In sum, the acting delivers sufficient emotional resonance to anchor the story.
Story & Flow
Storytelling proceeds with a clear, measured pacing that keeps the biopic accessible and engaging. The plot emphasizes Clarice’s ambition and gender barriers, delivering inspirational themes praised by many, though critics note historical liberties and a somewhat superficial treatment of personal relationships. Overall, the narrative offers a coherent, if occasionally uneven, account of the protagonist’s rise.
Sensory Experience
Sensory elements contribute appreciably, with a vibrant color palette and period‑accurate set pieces that evoke the 1920s pottery world. Sound design complements the visual style, and the musical score underscores emotional beats without overwhelming scenes. While some CGI effects appear dated, the overall audiovisual experience supports the film’s atmosphere and enhances viewer immersion.
Rewatch Factor
Rewatch potential is moderate, with the film offering an enjoyable, straightforward narrative that appeals to viewers interested in biographical and period stories. Its visual charm and inspirational message encourage repeat viewings, though the limited depth and occasional pacing issues may reduce its longevity for some audiences. Consequently, the movie provides a modest but worthwhile incentive for a second watch.
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