
A bump on the head whisks auto mechanic Hank Martin from 1905 to Arthurian England in 528 A.D. Befriended by Sir Sagramore le Desirous, Hank leverages his modern knowledge to gain influence. He instantly falls for Alisande, the king’s niece, sparking jealousy in her betrothed Sir Lancelot, and his meddling in the kingdom’s politics brings even greater upheaval.
Does A Connecticut Yankee in King Arthur’s Court have end credit scenes?
No!
A Connecticut Yankee in King Arthur’s Court does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of A Connecticut Yankee in King Arthur’s Court, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Alan Napier
High Executioner

Roger Moore
Bidder (uncredited)

Jim Davis
Slave Overseer (uncredited)

Cedric Hardwicke
King Arthur

Olin Howland
Sam - Connecticut Postman (uncredited)

Rhonda Fleming
Alisande La Carteloise

George Kirby
Tailor (uncredited)

Bing Crosby
Hank Martin

Colin Campbell
Executioner (uncredited)

Mary Field
Peasant woman

Richard Webb
Sir Galahad

Charles Coleman
Richard - Lord Pendragon's Aide (uncredited)

Frederick Worlock
Lord Mayor (uncredited)

William Bendix
Sir Sagramore

Jimmy Hawkins
Boy (uncredited)

Fred Aldrich
Peasant (uncredited)

Virginia Field
Morgan Le Fay

Robert Graham
Boy (uncredited)

Larry Thompson
Watchman (uncredited)

Timmy Hawkins
Boy (uncredited)

Bob Morgan
Henchman (uncredited)

Vernon Dent
Guard (uncredited)

Henry Wilcoxon
Sir Lancelot

Russell Saunders
Acrobat (uncredited)

Reginald Sheffield
Auctioneer (uncredited)

Julia Faye
Lady Penelope

Dorothy Phillips
Townswoman (uncredited)

John George
Peasant (uncredited)

Ann Carter
Peasant girl

Paul Scardon
White Haired Peddler (uncredited)

Babe London
Fat Woman (uncredited)

Leonard Mudie
Lord Mayor's Aide (uncredited)

Art Foster
Axeman (uncredited)

Loretta Russell
Aristocrat (uncredited)

Al Bain
Footman (uncredited)

Chet Brandenburg
Peasant (uncredited)

Anton Northpole
Footman (uncredited)

Harry Wilson
Guard (uncredited)

Olaf Hytten
Tailor (uncredited)

Lester Dorr
Townsman (uncredited)

Jimmie Dundee
Henchman / Sergeant at Arms (uncredited)

Joey Ray
Townsman (uncredited)

David Stollery
Billy (uncredited)

Eric Alden
Jailer (uncredited)

Fred Zendar
Peasant (uncredited)

Lucille Barkley
Page Girl (uncredited)

Joseph Vitale
Sir Logris

Frances Morris
Townswoman (uncredited)

Ottola Nesmith
Tourist (uncredited)

Alec Harford
Little Man (uncredited)

Hugh Prosser
Sir Bedivere (uncredited)

John 'Skins' Miller
Skins / Idiot #1 (uncredited)

Larry Lawson
Henchman (uncredited)

Murvyn Vye
Merlin

Joseph Marr
Bidder at Auction (uncredited)

B.G. Norman
Boy (uncredited)

Richard Keene
Royal Cook (uncredited)

Fred Sweeney
Peasant (uncredited)

Victor Travis
Peasant (uncredited)

George Douglas
Sergeant at Arms (uncredited)

Gordon Richards
Tour Guide (uncredited)

John Goldsworthy
Guard (uncredited)

Vesey O'Davoren
Castle Servant (uncredited)

Georgie Nokes
Boy (uncredited)

Doreen McCann
Girl (uncredited)

Tay Dunn
Sir Persant (uncredited)

George Cathrey
Sir Kay (uncredited)

Anthony Jowitt
Bidder at Auction / Townsman (uncredited)

Art Stewart
Lancelot's Man at Arms (uncredited)

Donya Dean
Noblewoman / Slave (uncredited)

Tony Cirrillo
Idiot #2 (uncredited)
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Challenge your knowledge of A Connecticut Yankee in King Arthur’s Court with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actor plays the modern mechanic who is transported to King Arthur's court?
Bing Crosby
Cedric Hardwicke
Henry Wilcoxon
Murvyn Vye
Show hint
Read the complete plot summary of A Connecticut Yankee in King Arthur’s Court, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
American mechanic Hank Martin somehow wakes up in the world of King Arthur, a legendary time and place far from his own. He is immediately swept up by danger, captured and condemned to die, and then, almost by luck, he earns a dramatic reprieve when he proclaims himself a wizard. A single, expertly timed display—the lighting of a match—seems to confirm his odd claim in the eyes of the aging king and his court, turning fear into astonishment. Impressed by this uncanny display, King Arthur rewards him generously: a blacksmith shop to tend, a loyal squire to accompany him, and the unlikely title of Sir Boss that follows Hank as he navigates a world not his own.
Riding the crest of this unexpected good fortune, Hank begins to blend modern sensibilities with medieval custom, bringing in subtle yet noticeable flourishes from the future. He introduces elements that feel light, but they carry a surprising weight: jazz tunes echoing through stone corridors, practical devices like safety pins, the concept of firearms, and straightforward machines that can ease daily life. All the while, he pursues a romance with the breathtaking Alisande la Carteloise, whose beauty and poise captivate him even as he discovers the challenges of courting in a court defined by ritual and tradition. Hank’s blend of charm and ingenuity gradually earns him both allies and wary glances from those who view him as an oddity in a realm long used to legend.
Yet Hank’s bold adaptations do not sit well with everyone. His unconventional approach earns the ire of powerful figures who rule by magic and prophecy, namely Merlin and Morgan le Fay. The wizardly realms of Arthur’s world perceive Hank as an unpredictable intruder who could upset delicate balances of power. The tension intensifies when Sir Lancelot returns from a quest earlier than expected to confront the newcomer about his treatment of Alisande, and a public duel erupts between the two men. Hank’s performance in the duel—bold, brash, and unashamed—leaves Sir Lancelot bested in the moment, yet Hank’s victory comes at the cost of Alisande’s affection, which begins to drift away due to the stain of perceived dishonor.
In parallel, a compassionate young girl approaches Hank with a desperate plea: her ailing father lies dying, and her widowed mother reveals how medieval laws have shaped and constrained their family’s fate. This intimate moment of human vulnerability anchors Hank’s growing unease with the social order he has only observed from a distance. It is one thing to entertain being a wizard in a gilded hall, but quite another to witness the hardship and injustice faced by ordinary people beneath Arthur’s glittering banner. Moved by their suffering, Hank makes a consequential decision: he pleads with King Arthur to see his realm not from a throne room, but from the ground up, encouraging a tour of the countryside in disguise so the monarch can understand the true conditions of his subjects.
While the king is away on this field trip through his own kingdom, Merlin and Morgan sharpen their plot to seize the throne, exploiting the absence of Arthur to push their own designs forward. Hank, along with Sir Sagramore and Arthur, is captured and enslaved, forced into transport to Merlin’s domain as the court’s power-brokers tighten their grip on the land. Alisande, learning of their capture, makes a brave but doomed attempt to intervene, only to fall into Merlin’s hands as well. The situation grows perilous as the trio—Hank, Sir Sagramore, and Arthur—faces a grim fate, with their execution only narrowly averted by the cunning and resilience of Hank.
In captivity, Alisande’s feelings for Hank become a source of quiet courage, a beacon that gives him resolve to protect them all. Yet the lovers’ hope is tempered by the cruel reality of their imprisonment and the calculations of Merlin’s ambitious mind. The moment when Hank discovers a crucial advantage—knowledge of an impending eclipse—gives him a strategic edge that allows him to sow fear in their captors and spark a chain of escapes. The rescue mission comes to a head as Hank races to Alisande’s side, but the price of their freedom proves high: Hank is shot, and the escape is sudden and jarring, sending him back to his own era.
The aftermath of the ordeal leaves Hank with a sense of longing and melancholy as he traverses a British castle, reflecting on the life he left behind. In this quiet aftermath, the castle’s owner presents a new thread to follow: [Lord Pendragon] sends Hank to meet his niece, a woman whose features bear a striking resemblance to Alisande. The encounter hints at future possibilities and echoes the mysteries of a world where time itself seems bendable, where love can cross eras, and where a modern man who claimed to be a wizard may have a second chance to define his destiny in a place that once felt utterly foreign.
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