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A Connecticut Yankee in King Arthur’s Court 1949

A bump on the head whisks auto mechanic Hank Martin from 1905 to Arthurian England in 528 A.D. Befriended by Sir Sagramore le Desirous, Hank leverages his modern knowledge to gain influence. He instantly falls for Alisande, the king’s niece, sparking jealousy in her betrothed Sir Lancelot, and his meddling in the kingdom’s politics brings even greater upheaval.

A bump on the head whisks auto mechanic Hank Martin from 1905 to Arthurian England in 528 A.D. Befriended by Sir Sagramore le Desirous, Hank leverages his modern knowledge to gain influence. He instantly falls for Alisande, the king’s niece, sparking jealousy in her betrothed Sir Lancelot, and his meddling in the kingdom’s politics brings even greater upheaval.

Does A Connecticut Yankee in King Arthur’s Court have end credit scenes?

No!

A Connecticut Yankee in King Arthur’s Court does not have end credit scenes. You can leave when the credits roll.

Meet the Full Cast and Actors of A Connecticut Yankee in King Arthur’s Court

Explore the complete cast of A Connecticut Yankee in King Arthur’s Court, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.


Alan Napier

Alan Napier

High Executioner

Roger Moore

Roger Moore

Bidder (uncredited)

Jim Davis

Jim Davis

Slave Overseer (uncredited)

Cedric Hardwicke

Cedric Hardwicke

King Arthur

Olin Howland

Olin Howland

Sam - Connecticut Postman (uncredited)

Rhonda Fleming

Rhonda Fleming

Alisande La Carteloise

George Kirby

George Kirby

Tailor (uncredited)

Bing Crosby

Bing Crosby

Hank Martin

Colin Campbell

Colin Campbell

Executioner (uncredited)

Mary Field

Mary Field

Peasant woman

Richard Webb

Richard Webb

Sir Galahad

Charles Coleman

Charles Coleman

Richard - Lord Pendragon's Aide (uncredited)

Frederick Worlock

Frederick Worlock

Lord Mayor (uncredited)

William Bendix

William Bendix

Sir Sagramore

Jimmy Hawkins

Jimmy Hawkins

Boy (uncredited)

Fred Aldrich

Fred Aldrich

Peasant (uncredited)

Virginia Field

Virginia Field

Morgan Le Fay

Robert Graham

Robert Graham

Boy (uncredited)

Larry Thompson

Larry Thompson

Watchman (uncredited)

Timmy Hawkins

Timmy Hawkins

Boy (uncredited)

Bob Morgan

Bob Morgan

Henchman (uncredited)

Vernon Dent

Vernon Dent

Guard (uncredited)

Henry Wilcoxon

Henry Wilcoxon

Sir Lancelot

Russell Saunders

Russell Saunders

Acrobat (uncredited)

Reginald Sheffield

Reginald Sheffield

Auctioneer (uncredited)

Julia Faye

Julia Faye

Lady Penelope

Dorothy Phillips

Dorothy Phillips

Townswoman (uncredited)

John George

John George

Peasant (uncredited)

Ann Carter

Ann Carter

Peasant girl

Paul Scardon

Paul Scardon

White Haired Peddler (uncredited)

Babe London

Babe London

Fat Woman (uncredited)

Leonard Mudie

Leonard Mudie

Lord Mayor's Aide (uncredited)

Art Foster

Art Foster

Axeman (uncredited)

Loretta Russell

Loretta Russell

Aristocrat (uncredited)

Al Bain

Al Bain

Footman (uncredited)

Chet Brandenburg

Chet Brandenburg

Peasant (uncredited)

Anton Northpole

Anton Northpole

Footman (uncredited)

Harry Wilson

Harry Wilson

Guard (uncredited)

Olaf Hytten

Olaf Hytten

Tailor (uncredited)

Lester Dorr

Lester Dorr

Townsman (uncredited)

Jimmie Dundee

Jimmie Dundee

Henchman / Sergeant at Arms (uncredited)

Joey Ray

Joey Ray

Townsman (uncredited)

David Stollery

David Stollery

Billy (uncredited)

Eric Alden

Eric Alden

Jailer (uncredited)

Fred Zendar

Fred Zendar

Peasant (uncredited)

Lucille Barkley

Lucille Barkley

Page Girl (uncredited)

Joseph Vitale

Joseph Vitale

Sir Logris

Frances Morris

Frances Morris

Townswoman (uncredited)

Ottola Nesmith

Ottola Nesmith

Tourist (uncredited)

Alec Harford

Alec Harford

Little Man (uncredited)

Hugh Prosser

Hugh Prosser

Sir Bedivere (uncredited)

John 'Skins' Miller

John 'Skins' Miller

Skins / Idiot #1 (uncredited)

Larry Lawson

Larry Lawson

Henchman (uncredited)

Murvyn Vye

Murvyn Vye

Merlin

Joseph Marr

Joseph Marr

Bidder at Auction (uncredited)

B.G. Norman

B.G. Norman

Boy (uncredited)

Richard Keene

Richard Keene

Royal Cook (uncredited)

Fred Sweeney

Fred Sweeney

Peasant (uncredited)

Victor Travis

Victor Travis

Peasant (uncredited)

George Douglas

George Douglas

Sergeant at Arms (uncredited)

Gordon Richards

Gordon Richards

Tour Guide (uncredited)

John Goldsworthy

John Goldsworthy

Guard (uncredited)

Vesey O'Davoren

Vesey O'Davoren

Castle Servant (uncredited)

Georgie Nokes

Georgie Nokes

Boy (uncredited)

Doreen McCann

Doreen McCann

Girl (uncredited)

Tay Dunn

Tay Dunn

Sir Persant (uncredited)

George Cathrey

George Cathrey

Sir Kay (uncredited)

Anthony Jowitt

Anthony Jowitt

Bidder at Auction / Townsman (uncredited)

Art Stewart

Art Stewart

Lancelot's Man at Arms (uncredited)

Donya Dean

Donya Dean

Noblewoman / Slave (uncredited)

Tony Cirrillo

Tony Cirrillo

Idiot #2 (uncredited)

Take the Ultimate A Connecticut Yankee in King Arthur’s Court Movie Quiz

Challenge your knowledge of A Connecticut Yankee in King Arthur’s Court with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


A Connecticut Yankee in King Arthur’s Court (1949) Quiz: Test your knowledge of the 1949 musical comedy starring Bing Crosby, where a modern mechanic finds himself in King Arthur's legendary court.

Which actor plays the modern mechanic who is transported to King Arthur's court?

Full Plot Summary and Ending Explained for A Connecticut Yankee in King Arthur’s Court

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Read the complete plot summary of A Connecticut Yankee in King Arthur’s Court, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


American mechanic Hank Martin somehow wakes up in the world of King Arthur, a legendary time and place far from his own. He is immediately swept up by danger, captured and condemned to die, and then, almost by luck, he earns a dramatic reprieve when he proclaims himself a wizard. A single, expertly timed display—the lighting of a match—seems to confirm his odd claim in the eyes of the aging king and his court, turning fear into astonishment. Impressed by this uncanny display, King Arthur rewards him generously: a blacksmith shop to tend, a loyal squire to accompany him, and the unlikely title of Sir Boss that follows Hank as he navigates a world not his own.

Riding the crest of this unexpected good fortune, Hank begins to blend modern sensibilities with medieval custom, bringing in subtle yet noticeable flourishes from the future. He introduces elements that feel light, but they carry a surprising weight: jazz tunes echoing through stone corridors, practical devices like safety pins, the concept of firearms, and straightforward machines that can ease daily life. All the while, he pursues a romance with the breathtaking Alisande la Carteloise, whose beauty and poise captivate him even as he discovers the challenges of courting in a court defined by ritual and tradition. Hank’s blend of charm and ingenuity gradually earns him both allies and wary glances from those who view him as an oddity in a realm long used to legend.

Yet Hank’s bold adaptations do not sit well with everyone. His unconventional approach earns the ire of powerful figures who rule by magic and prophecy, namely Merlin and Morgan le Fay. The wizardly realms of Arthur’s world perceive Hank as an unpredictable intruder who could upset delicate balances of power. The tension intensifies when Sir Lancelot returns from a quest earlier than expected to confront the newcomer about his treatment of Alisande, and a public duel erupts between the two men. Hank’s performance in the duel—bold, brash, and unashamed—leaves Sir Lancelot bested in the moment, yet Hank’s victory comes at the cost of Alisande’s affection, which begins to drift away due to the stain of perceived dishonor.

In parallel, a compassionate young girl approaches Hank with a desperate plea: her ailing father lies dying, and her widowed mother reveals how medieval laws have shaped and constrained their family’s fate. This intimate moment of human vulnerability anchors Hank’s growing unease with the social order he has only observed from a distance. It is one thing to entertain being a wizard in a gilded hall, but quite another to witness the hardship and injustice faced by ordinary people beneath Arthur’s glittering banner. Moved by their suffering, Hank makes a consequential decision: he pleads with King Arthur to see his realm not from a throne room, but from the ground up, encouraging a tour of the countryside in disguise so the monarch can understand the true conditions of his subjects.

While the king is away on this field trip through his own kingdom, Merlin and Morgan sharpen their plot to seize the throne, exploiting the absence of Arthur to push their own designs forward. Hank, along with Sir Sagramore and Arthur, is captured and enslaved, forced into transport to Merlin’s domain as the court’s power-brokers tighten their grip on the land. Alisande, learning of their capture, makes a brave but doomed attempt to intervene, only to fall into Merlin’s hands as well. The situation grows perilous as the trio—Hank, Sir Sagramore, and Arthur—faces a grim fate, with their execution only narrowly averted by the cunning and resilience of Hank.

In captivity, Alisande’s feelings for Hank become a source of quiet courage, a beacon that gives him resolve to protect them all. Yet the lovers’ hope is tempered by the cruel reality of their imprisonment and the calculations of Merlin’s ambitious mind. The moment when Hank discovers a crucial advantage—knowledge of an impending eclipse—gives him a strategic edge that allows him to sow fear in their captors and spark a chain of escapes. The rescue mission comes to a head as Hank races to Alisande’s side, but the price of their freedom proves high: Hank is shot, and the escape is sudden and jarring, sending him back to his own era.

The aftermath of the ordeal leaves Hank with a sense of longing and melancholy as he traverses a British castle, reflecting on the life he left behind. In this quiet aftermath, the castle’s owner presents a new thread to follow: [Lord Pendragon] sends Hank to meet his niece, a woman whose features bear a striking resemblance to Alisande. The encounter hints at future possibilities and echoes the mysteries of a world where time itself seems bendable, where love can cross eras, and where a modern man who claimed to be a wizard may have a second chance to define his destiny in a place that once felt utterly foreign.

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A Connecticut Yankee in King Arthur’s Court Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


accidental time traveltime travelamericanconnecticut1910s6th centurybased on novelmechanicjoustingfalse accusationnecklacepaintinglensalmanacslave auctiondisguisesneezeauto repairriding accidentlassoarmorrevolvercastletour guidetold in flashbackterracewinkingroyal ballexecutionjealousykeymagnetescape from prisonmatchsticknobilitylove at first sightthunderstormlost lovewidowloss of husbandloss of fathersorcererforestdungeonknighthood520ssuperstitionslapped in the facesafety pinapology
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