
Set during Japan’s Taishō era—often likened to a domestic “hippie” period—the film follows the glamorous, impulsive world of early‑20th‑century literati through the eyes of celebrated poet Akiko Yosano. Her independent, anti‑war and erotically charged verses attract revolutionaries and other radicals, whose lavish lifestyles end in striking but ultimately empty deaths, evoking the Byron‑Shelley circle or the later Beat Generation.
Does A Chaos of Flowers have end credit scenes?
No!
A Chaos of Flowers does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of A Chaos of Flowers, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Ken Ogata
Kan Yosano

Keiko Matsuzaka
Sumako Matsui

Yûsaku Matsuda
Takeo Arishima

Eri Ishida
Noe Ito

Yoshiko Nakada
Tomiko Yamakawa

Renji Ishibashi
Shojiro Sawada

Keizo Kanie
Hogetsu Shimamura

Sayuri Yoshinaga
Akiko Yosano

Morio Kazama
Sakae Osugi

Takashi Naito
Kyutaro Wada

Kimiko Ikegami
Akiko Hatano

Miki Sanjō
Arishima's mother

Mikio Narita
Harufusa Hatano

Mineko Nishikawa
Takino Hayashi

Eri Saitou
Natsuko Fukao
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Challenge your knowledge of A Chaos of Flowers with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who does Akiko Yosano marry at the beginning of the film?
Takeo Arishima
Hiroshi Yosano
Tomiko Yamakawa
Sumiko
Show hint
Read the complete plot summary of A Chaos of Flowers, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Akiko Yosano Sayuri Yoshinaga leaves her parents to move to Tokyo and be with the writer Hiroshi Yosano, and soon the two marry. Yet the marriage invites intense gossip: some people accuse Akiko of driving Hiroshi’s wife away, and the scandal shadows their new life. Akiko’s own poetry becomes a point of contention, and many Japanese citizens begin to see her as a traitor, even going so far as to set fire to her house. Amid these pressures, Hiroshi Yosano struggles financially, trying to keep the literary magazine Bright Star in circulation as best as he can.
After a night at the opera, Akiko is knocked over by a motorcycle steered by the author Takeo Arishima Yûsaku Matsuda. He offers her a Western outfit as an apology, but she returns it to him at his home. The editor Akiko Hatano [Kimiko Ikegami] pressures Arishima to contribute an essay about suicide for her publication, though he is reluctant to do so.
Hiroshi runs for election to the House of Representatives, funded by the uncle of Tomiko Yamakawa [Yoshiko Nakada], Akiko’s former romantic rival. Akiko makes sharp, negative comments about the campaign, and Hiroshi eventually loses, yet she decides to stay by Tomiko’s side as she recovers from tuberculosis. The world around them grows darker: the actress Sumiko hangs herself after her lover Hogetsu Shimamura takes his own life. At the memorial, Arishima asks Akiko to accompany him to his father’s farm at the foot of Mount Yōtei in Hokkaido. Akiko tells her children she will return by Sunday, but the trip lengthens.
In Hokkaido, Arishima is briefly arrested for holding a socialist meeting with farmers. Tomiko dies, and Hiroshi returns home. Akiko comes back from the north days later, only to discover her children have begun to resent her for what they perceive as selfish behavior. Arishima and Akiko Hatano ultimately decide to end their lives together, but they hesitate at the last moment, until Akiko’s husband intervenes, threatening to sue for adultery. The two lovers are finally found embracing at Arishima’s home, alive but in danger of consequences.
The Great Kantō earthquake soon devastates the Yasano home, and Akiko learns that friends Sakae Osugi and Noe Itou—two anarchists she had come to know—have been executed by the police. Seeing their jailed comrades dragged behind mounted police, she rushes to offer them rice balls and urges them to keep living. With renewed resolve, Akiko and Hiroshi commit to rebuilding their life together, choosing to press on despite the losses and the cost of the years they have shared. In the face of tragedy and upheaval, they persist, hoping to preserve what remains of their home and their ideals.
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