#1 of 28 2022 · Biography, Drama
$288.7M worldwide · 62% of the chart's total
Elvis (2022) is the highest-grossing movie released in week 26 of 2022 (Jun 19–25), with $288.7M worldwide, ahead of The Black Phone (2022) at $161.4M and Marcel the Shell with Shoes On (2022) at $6.9M. 28 films released that week report a worldwide gross, $462.6M in all, 54% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is up 62% on Week 25, 2022, whose releases took $285.8M. By genre, Drama leads with $452.4M across 12 releases.
#1 of 28 2022 · Biography, Drama
$288.7M worldwide · 62% of the chart's total
Elvis (2022) leads with $288.7M, 62% of the total. The top 5 together took $459.3M, 99% of what all 28 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 26 of 2022 (Jun 19–25).
Jun 24, 2022 US and Canada: $151M Rest of the world: $137.6M Worldwide: $288.7M
Jun 24, 2022 US and Canada: $90.1M Rest of the world: $71.3M Worldwide: $161.4M
Jun 24, 2022 US and Canada: $6.3M Rest of the world: $582.7K Worldwide: $6.9M
Jun 23, 2022 US and Canada: – Rest of the world: – Worldwide: $1.4M
Jun 23, 2022 US and Canada: – Rest of the world: – Worldwide: $885.3K
Jun 23, 2022 US and Canada: – Rest of the world: – Worldwide: $600.8K
Jun 22, 2022 US and Canada: – Rest of the world: – Worldwide: $597.5K
Jun 22, 2022 US and Canada: – Rest of the world: – Worldwide: $448.7K
Jun 24, 2022 US and Canada: – Rest of the world: – Worldwide: $424K
Jun 23, 2022 US and Canada: – Rest of the world: – Worldwide: $410.7K
Jun 24, 2022 US and Canada: – Rest of the world: – Worldwide: $175.2K
Jun 24, 2022 US and Canada: – Rest of the world: – Worldwide: $136K
Jun 24, 2022 US and Canada: $19.2K Rest of the world: $61.5K Worldwide: $80.8K
Jun 24, 2022 US and Canada: – Rest of the world: – Worldwide: $76.7K
Jun 24, 2022 US and Canada: – Rest of the world: – Worldwide: $70.1K
Jun 24, 2022 US and Canada: – Rest of the world: – Worldwide: $56.9K
Jun 24, 2022 US and Canada: $12.5K Rest of the world: $38.6K Worldwide: $51.1K
Jun 24, 2022 US and Canada: – Rest of the world: – Worldwide: $44.2K
Jun 24, 2022 US and Canada: – Rest of the world: – Worldwide: $39.8K
Jun 24, 2022 US and Canada: $16.3K Rest of the world: Worldwide: $16.3K
Jun 24, 2022 US and Canada: – Rest of the world: – Worldwide: $15.4K
Jun 24, 2022 US and Canada: – Rest of the world: – Worldwide: $12.3K
Jun 25, 2022 US and Canada: – Rest of the world: – Worldwide: $7.7K
Jun 24, 2022 US and Canada: – Rest of the world: – Worldwide: $6.8K
Jun 24, 2022 US and Canada: – Rest of the world: – Worldwide: $6.7K
Jun 25, 2022 US and Canada: $6.5K Rest of the world: Worldwide: $6.5K
Jun 21, 2022 US and Canada: – Rest of the world: – Worldwide: $2.9K
Jun 24, 2022 US and Canada: – Rest of the world: – Worldwide: $1.3K Of the top 10, Marcel the Shell with Shoes On (2022) earned the biggest share at home (92% in the US & Canada), while Elvis (2022) made 48% of its gross abroad. Across all 28 films, $247.6M (54%) came from the US & Canada. 7 films of the top 10 report no US & Canada figure.
2 of 28 films crossed $100M and took $450.1M between them, 97% of the total. 26 films, 93% of the list, earned under $10M.
Week 26 releases took $462.6M. The biggest of these 9 weeks is week 24 (Jun 5–11) with $1.1B, led by Jurassic World Dominion (2022).
Of these 10 years, Week 26, 2017 earned the most: $1.4B from 33 films, led by Despicable Me 3 (2017). Week 26, 2022 took $462.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 26, 2013 Jun 23–29 29 films | 29 | $529.4M | – | The Heat (2013) $229.9M |
| Week 26, 2014 Jun 22–28 21 films · +149% | 21 | $1.3B | +149% | Transformers: Age Of Extinction (2014) $1.1B |
| Week 26, 2015 Jun 21–27 32 films · −73% | 32 | $356.7M | −73% | Ted 2 (2015) $215.9M |
| Week 26, 2016 Jun 19–25 28 films · +67% | 28 | $595.8M | +67% | Independence Day: Resurgence (2016) $389.7M |
| Week 26, 2017 Jun 25–Jul 1 33 films · +130% | 33 | $1.4B | +130% | Despicable Me 3 (2017) $1B |
| Week 26, 2018 Jun 24–30 35 films · −80% | 35 | $277.1M | −80% | Sanju (2018) $76.7M |
| Week 26, 2019 Jun 23–29 36 films · +49% | 36 | $413.4M | +49% | Annabelle Comes Home (2019) $231.3M |
| Week 26, 2020 Jun 21–27 16 films · −92% | 16 | $31.8M | −92% | #Alive (2020) $13.4M |
| Week 26, 2021 Jun 20–26 19 films · +2292% | 19 | $760M | +2292% | F9: The Fast Saga (2021) $726.2M |
| Week 26, 2022 Jun 19–25 28 films · −39% | 28 | $462.6M | −39% | Elvis (2022) $288.7M |
Drama took $452.4M across 12 films, 98% of the total, ahead of Biography ($288.7M) and Music ($288.7M). A film counts once for each of its genres. English-language films took $459.2M across 13 films, 99% of the total, ahead of Russian-language films ($1.4M) and French-language films ($675K).
53 weeks of 2022 with reported grosses; the biggest is week 51 (Dec 11–17) with $2.4B, led by Avatar: The Way of Water (2022).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 28 films as the chart.
Elvis (2022) leads with $288.7M worldwide, $151M of it in the US & Canada. Next come The Black Phone (2022) at $161.4M and Marcel the Shell with Shoes On (2022) at $6.9M.
28 films released in week 26 of 2022 (Jun 19–25) report a worldwide gross, $462.6M in all, or $16.5M per film on average. Week 25, 2022 releases took $285.8M.
None. 2 films crossed $100 million, led by Elvis (2022) with $288.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 26 of 2022 (Jun 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.