#1 of 7 1986 · Comedy, Romance
$14.2M worldwide · 73% of the chart's total
Sweet Liberty (1986) is the highest-grossing movie released in week 17 of 1986 (Apr 20–26), with $14.2M worldwide, ahead of Three Men and a Cradle (1986) at $2.1M and 8 Million Ways to Die (1986) at $1.3M. 7 films released that week report a worldwide gross, $19.5M in all, 100% of it from the US & Canada. That is down 53% on Week 16, 1986, whose releases took $41.3M. By genre, Comedy leads with $17.2M across 4 releases.
#1 of 7 1986 · Comedy, Romance
$14.2M worldwide · 73% of the chart's total
Sweet Liberty (1986) leads with $14.2M, 73% of the total. The top 5 together took $19M, 97% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 1986 (Apr 20–26).
Apr 20, 1986 US and Canada: $14.2M Rest of the world: Worldwide: $14.2M
Apr 25, 1986 US and Canada: $2.1M Rest of the world: Worldwide: $2.1M
Apr 25, 1986 US and Canada: $1.3M Rest of the world: Worldwide: $1.3M
Apr 23, 1986 US and Canada: $926K Rest of the world: Worldwide: $926K
Apr 22, 1986 US and Canada: $546.9K Rest of the world: Worldwide: $546.9K
Apr 25, 1986 US and Canada: $502.2K Rest of the world: Worldwide: $502.2K
Apr 25, 1986 US and Canada: $5.1K Rest of the world: Worldwide: $5.1K Of the top 7, Sweet Liberty (1986) earned the biggest share at home (100% in the US & Canada), while Crimewave (1986) made 0% of its gross abroad. Across all 7 films, $19.5M (100%) came from the US & Canada.
Week 17 releases took $19.5M. The biggest of these 9 weeks is week 13 (Mar 23–29) with $78.2M, led by The Money Pit (1986).
Of these 10 years, Week 17, 1979 earned the most: $44M from 3 films, led by Love at First Bite (1979). Week 17, 1986 took $19.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 1977 Apr 17–23 1 film | 1 | $38.3M | – | Annie Hall (1977) $38.3M |
| Week 17, 1978 Apr 23–29 3 films · +6% | 3 | $40.5M | +6% | F.I.S.T. (1978) $20.4M |
| Week 17, 1979 Apr 22–28 3 films · +9% | 3 | $44M | +9% | Love at First Bite (1979) $43.9M |
| Week 17, 1980 Apr 20–26 2 films · −83% | 2 | $7.6M | −83% | Where the Buffalo Roam (1980) $6.7M |
| Week 17, 1981 Apr 19–25 4 films · +170% | 4 | $20.6M | +170% | Take This Job and Shove It (1981) $17.6M |
| Week 17, 1982 Apr 18–24 1 film · −93% | 1 | $1.5M | −93% | I, the Jury (1982) $1.5M |
| Week 17, 1983 Apr 17–23 3 films · +1558% | 3 | $25.1M | +1558% | My Tutor (1983) $22.6M |
| Week 17, 1984 Apr 22–28 No films | 0 | – | – | – |
| Week 17, 1985 Apr 21–27 4 films | 4 | $20.1M | – | Just One of the Guys (1985) $11.5M |
| Week 17, 1986 Apr 20–26 7 films · −3% | 7 | $19.5M | −3% | Sweet Liberty (1986) $14.2M |
52 weeks of 1986 with reported grosses; the biggest is week 20 (May 11–17) with $357.3M, led by Top Gun (1986).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Sweet Liberty (1986) leads with $14.2M worldwide, $14.2M of it in the US & Canada. Next come Three Men and a Cradle (1986) at $2.1M and 8 Million Ways to Die (1986) at $1.3M.
7 films released in week 17 of 1986 (Apr 20–26) report a worldwide gross, $19.5M in all, or $2.8M per film on average. Week 16, 1986 releases took $41.3M.
None. The biggest, Sweet Liberty (1986), earned $14.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 1986 (Apr 20–26). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.