#1 of 4 I Want to Eat Your Pancreas (2019)
2019 · Drama, Romance
$33.7M worldwide · 60% of the chart's total
I Want to Eat Your Pancreas (2019) is the highest-grossing Japanese-language movie released in week 6 of 2019 (Feb 3–9), with $33.7M worldwide, ahead of City Hunter: Shinjuku Private Eyes (2019) at $12M and Code Geass: Lelouch of the Re;Surrection (2019) at $10M. 4 Japanese-language films released that week report a worldwide gross, $56M in all, 2% of it from the US & Canada.
#1 of 4 I Want to Eat Your Pancreas (2019)
2019 · Drama, Romance
$33.7M worldwide · 60% of the chart's total
I Want to Eat Your Pancreas (2019) leads with $33.7M, 60% of the total. The top 4 together took $56M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 6 of 2019 (Feb 3–9).
Feb 7, 2019 US and Canada: $277K Rest of the world: $33.5M Worldwide: $33.7M
Feb 8, 2019 US and Canada: – Rest of the world: – Worldwide: $12M
Feb 9, 2019 US and Canada: $522.8K Rest of the world: $9.5M Worldwide: $10M
Feb 8, 2019 US and Canada: $288.5K Rest of the world: Worldwide: $288.5K Of the top 4, Saga of Tanya the Evil: The Movie (2019) earned the biggest share at home (100% in the US & Canada), while I Want to Eat Your Pancreas (2019) made 99% of its gross abroad. Across all 4 films, $1.1M (2%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.
Week 6 releases took $56M. The biggest of these 9 weeks is week 3 (Jan 13–19) with $164M, led by Dragon Ball Super: Broly (2019).
Of these 10 years, Week 6, 2019 earned the most: $56M from 4 films, led by I Want to Eat Your Pancreas (2019).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 6, 2010 Jan 31–Feb 6 1 film | 1 | $1.6M | – | Rinco’s Restaurant (2010) $1.6M |
| Week 6, 2011 Jan 30–Feb 5 1 film · −99% | 1 | $14.9K | −99% | AUN: The Beginning and the End of All Things (2011) $14.9K |
| Week 6, 2012 Feb 5–11 No films | 0 | – | – | – |
| Week 6, 2013 Feb 3–9 No films | 0 | – | – | – |
| Week 6, 2014 Feb 2–8 2 films | 2 | $2.7M | – | One Third (2014) $2.7M |
| Week 6, 2015 Feb 1–7 No films | 0 | – | – | – |
| Week 6, 2016 Jan 31–Feb 6 1 film | 1 | $369.1K | – | Code Geass: Akito the Exiled 5: To Beloved Ones (2016) $369.1K |
| Week 6, 2017 Feb 5–11 1 film · −99% | 1 | $3.2K | −99% | Ao Oni The Animation (2017) $3.2K |
| Week 6, 2018 Feb 4–10 1 film · +16341% | 1 | $526.1K | +16341% | Code Geass: Lelouch of the Rebellion II - Transgression (2018) $526.1K |
| Week 6, 2019 Feb 3–9 4 films · +10541% | 4 | $56M | +10541% | I Want to Eat Your Pancreas (2019) $33.7M |
41 weeks of 2019 with reported grosses; the biggest is week 3 (Jan 13–19) with $164M, led by Dragon Ball Super: Broly (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
I Want to Eat Your Pancreas (2019) leads with $33.7M worldwide, $277K of it in the US & Canada. Next come City Hunter: Shinjuku Private Eyes (2019) at $12M and Code Geass: Lelouch of the Re;Surrection (2019) at $10M.
4 Japanese-language films released in week 6 of 2019 (Feb 3–9) report a worldwide gross, $56M in all, or $14M per film on average.
None. The biggest, I Want to Eat Your Pancreas (2019), earned $33.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 6 of 2019 (Feb 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.