#1 of 3 #1 Japanese-language movie of Week 40, 2019
2019 · Action
$5M worldwide · 53% of the chart's total
No US & Canada figure reported
Japanese box office · Week 40 · Sep 29–Oct 5, 2019
Japanese Box Office, Week 40 of 2019: Japanese Releases of Sep 29–Oct 5
High & Low The Worst (2019) is the highest-grossing Japanese-language movie released in week 40 of 2019 (Sep 29–Oct 5), with $5M worldwide, ahead of Listen to the Universe (2019) at $3.6M and The Promised Land (2019) at $747.2K. 3 Japanese-language films released that week report a worldwide gross, $9.4M in all.
- week 40 releases with a gross
- 3
- combined worldwide
- $9.4M
- High & Low The Worst (2019), the #1
- $5M
#1 of 3 Top 3
What Were the Biggest Japanese Hits of Week 40 of 2019?
High & Low The Worst (2019) leads with $5M, 53% of the total. The top 3 together took $9.4M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Japanese Release of Week 40 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 40 of 2019 (Sep 29–Oct 5).
- 1 Oct 4, 2019 US and Canada: – Rest of the world: – Worldwide: $5M
- 2 Oct 4, 2019 US and Canada: – Rest of the world: – Worldwide: $3.6M
- 3 Oct 4, 2019 US and Canada: – Rest of the world: – Worldwide: $747.2K
Weeks around it
How Does Week 40 Compare With the Weeks Around It?
Week 40 releases took $9.4M. The biggest of these 9 weeks is week 37 (Sep 8–14) with $57.2M, led by Hit Me Anyone One More Time (2019).
- Week 34 Wk 34 Aug 18–24 Ossan’s Love: Love or Dead (2019) $26.3M Ossan’s Love: Love or Dead (2019)
- Week 35 Wk 35 Aug 25–31 No reported grosses – No reported grosses
- Week 36 Wk 36 Sep 1–7 No reported grosses – No reported grosses
- Week 37 Wk 37 Sep 8–14 Hit Me Anyone One More Time (2019) $57.2M Hit Me Anyone One More Time (2019)
- Week 38 Wk 38 Sep 15–21 Promare (2019) $9.9M Promare (2019)
- Week 39 Wk 39 Sep 22–28 First Love (2019) $5.8M First Love (2019)
- Week 40 Wk 40 Sep 29–Oct 5 High & Low The Worst (2019) $9.4M High & Low The Worst (2019)
- Week 41 Wk 41 Oct 6–12 Howling Village (2019) $18.2M Howling Village (2019)
- Week 42 Wk 42 Oct 13–19 Immortal Hero (2019) $6.2M Immortal Hero (2019)
Earlier years
How Does Week 40 of 2019 Compare With Earlier Years?
Of these 10 years, Week 40, 2010 earned the most: $34.7M from 2 films, led by The Lady Shogun and Her Men (2010). Week 40, 2019 took $9.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 40, 2010 Sep 26–Oct 2 2 films | 2 | $34.7M | – | The Lady Shogun and Her Men (2010) $34.6M |
| Week 40, 2011 Sep 25–Oct 1 3 films · −56% | 3 | $15.3M | −56% | Dog × Police: The K-9 Force (2011) $9M |
| Week 40, 2012 Sep 30–Oct 6 No films | 0 | – | – | – |
| Week 40, 2013 Sep 29–Oct 5 1 film | 1 | $1.1M | – | Genome Hazard (2013) $1.1M |
| Week 40, 2014 Sep 28–Oct 4 2 films · +713% | 2 | $8.8M | +713% | A Samurai Chronicle (2014) $8.8M |
| Week 40, 2015 Sep 27–Oct 3 4 films · −8% | 4 | $8.1M | −8% | Pink and Gray (2015) $4.2M |
| Week 40, 2016 Sep 25–Oct 1 No films | 0 | – | – | – |
| Week 40, 2017 Oct 1–7 1 film | 1 | $9.1M | – | Narratage (2017) $9.1M |
| Week 40, 2018 Sep 30–Oct 6 4 films · +80% | 4 | $16.4M | +80% | Every Day a Good Day (2018) $10M |
| Week 40, 2019 Sep 29–Oct 5 3 films · −42% | 3 | $9.4M | −42% | High & Low The Worst (2019) $5M |
Archive
Japanese Box Office in 2019, Week by Week
41 weeks of 2019 with reported grosses; the biggest is week 3 (Jan 13–19) with $164M, led by Dragon Ball Super: Broly (2019).
- Week 1 $135.8K
- Week 2 $19M
- Week 3 $164M
- Week 4 $12M
- Week 5 $23.8M
- Week 6 $56M
- Week 7 $14.2M
- Week 8 $32.8M
- Week 9 $65.4M
- Week 10 No grosses
- Week 11 $15.9M
- Week 12 $2.3M
- Week 13 $735.1K
- Week 14 No grosses
- Week 15 $4M
- Week 16 $18.7M
- Week 17 $2.2M
- Week 18 $2.6M
- Week 19 $366.2K
- Week 20 $39.8M
- Week 21 $14.2M
- Week 22 $3.5M
- Week 23 No grosses
- Week 24 $6M
- Week 25 $15.3M
- Week 26 $3.8M
- Week 27 No grosses
- Week 28 $2.4M
- Week 29 $110.9K
- Week 30 $9M
- Week 31 $11.1M
- Week 32 $7.7M
- Week 33 $51.5M
- Week 34 $26.3M
- Week 35 No grosses
- Week 36 No grosses
- Week 37 $57.2M
- Week 38 $9.9M
- Week 39 $5.8M
- Week 40 $9.4M
- Week 41 $18.2M
- Week 42 $6.2M
- Week 43 $81.6M
- Week 44 $11.5M
- Week 45 No grosses
- Week 46 No grosses
- Week 47 $8.8M
- Week 48 No grosses
- Week 49 No grosses
- Week 50 $19.5K
- Week 51 $8.7M
- Week 52 No grosses
- Week 53 No grosses
FAQ
Japanese Box Office Week 40 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing Japanese-language movie in week 40 of 2019 (Sep 29–Oct 5)?
High & Low The Worst (2019) leads with $5M worldwide. Next come Listen to the Universe (2019) at $3.6M and The Promised Land (2019) at $747.2K.
How much did Japanese-language movies released in week 40 of 2019 (Sep 29–Oct 5) earn?
3 Japanese-language films released in week 40 of 2019 (Sep 29–Oct 5) report a worldwide gross, $9.4M in all, or $3.1M per film on average.
How many Japanese-language movies released in week 40 of 2019 (Sep 29–Oct 5) made $1 billion?
None. The biggest, High & Low The Worst (2019), earned $5M.
How is the week 40, 2019 Japanese box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 40 of 2019 (Sep 29–Oct 5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 40, 2019 Japanese box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.