#1 of 4 #1 French-language movie of Week 37, 2016
2016 · Drama, History
$1.3M worldwide · 50% of the chart's total
$37.8K US & Canada · 3% $1.3M elsewhere · 97%
French box office · Week 37 · Sep 4–10, 2016
French Box Office, Week 37 of 2016: French Releases of Sep 4–10
Come What May (2016) is the highest-grossing French-language movie released in week 37 of 2016 (Sep 4–10), with $1.3M worldwide, ahead of Eternity (2016) at $841.2K and Orphan (2016) at $365.3K. 4 French-language films released that week report a worldwide gross, $2.6M in all, 5% of it from the US & Canada.
- week 37 releases with a gross
- 4
- combined worldwide
- $2.6M
- Come What May (2016), the #1
- $1.3M
- earned in the US & Canada
- 5%
#1 of 4 Top 4
What Were the Biggest French Hits of Week 37 of 2016?
Come What May (2016) leads with $1.3M, 50% of the total. The top 4 together took $2.6M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every French Release of Week 37 of 2016, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2016 (Sep 4–10).
- 1 Sep 9, 2016 US and Canada: $37.8K Rest of the world: $1.3M Worldwide: $1.3M
- 2 Sep 7, 2016 US and Canada: – Rest of the world: – Worldwide: $841.2K
- 3 Sep 8, 2016 US and Canada: – Rest of the world: – Worldwide: $365.3K
- 4 Sep 9, 2016 US and Canada: $91.4K Rest of the world: Worldwide: $91.4K
Weeks around it
How Does Week 37 Compare With the Weeks Around It?
Week 37 releases took $2.6M. The biggest of these 9 weeks is week 33 (Aug 7–13) with $15.9M, led by My King (2016).
- Week 31 Wk 31 Jul 24–30 No reported grosses – No reported grosses
- Week 32 Wk 32 Jul 31–Aug 6 Ceasefire (2016) $301.1K Ceasefire (2016)
- Week 33 Wk 33 Aug 7–13 My King (2016) $15.9M My King (2016)
- Week 34 Wk 34 Aug 14–20 Open at Night (2016) $707.9K Open at Night (2016)
- Week 35 Wk 35 Aug 21–27 He Even Has Your Eyes (2016) $10.9M He Even Has Your Eyes (2016)
- Week 36 Wk 36 Aug 28–Sep 3 Odd Job (2016) $3.1M Odd Job (2016)
- Week 37 Wk 37 Sep 4–10 Come What May (2016) $2.6M Come What May (2016)
- Week 38 Wk 38 Sep 11–17 150 Milligrams (2016) $2.9M 150 Milligrams (2016)
- Week 39 Wk 39 Sep 18–24 Brice 3 (2016) $14.9M Brice 3 (2016)
Earlier years
How Does Week 37 of 2016 Compare With Earlier Years?
Of these 10 years, Week 37, 2008 earned the most: $84.8M from 5 films, led by The Women (2008). Week 37, 2016 took $2.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2007 Sep 9–15 3 films | 3 | $3.9M | – | True Enough (2007) $2.3M |
| Week 37, 2008 Sep 7–13 5 films · +2072% | 5 | $84.8M | +2072% | The Women (2008) $50M |
| Week 37, 2009 Sep 6–12 3 films · −42% | 3 | $49.6M | −42% | 9 (2009) $48.4M |
| Week 37, 2010 Sep 5–11 2 films · −3% | 2 | $48M | −3% | Heartbreaker (2010) $48M |
| Week 37, 2011 Sep 4–10 2 films · −94% | 2 | $2.9M | −94% | Guilty (2011) $2.9M |
| Week 37, 2012 Sep 9–15 1 film · −100% | 1 | $8.8K | −100% | Ombline (2012) $8.8K |
| Week 37, 2013 Sep 8–14 1 film · +769% | 1 | $76.6K | +769% | Mademoiselle C (2013) $76.6K |
| Week 37, 2014 Sep 7–13 1 film · +1031% | 1 | $866.2K | +1031% | Bird People (2014) $866.2K |
| Week 37, 2015 Sep 6–12 2 films · +930% | 2 | $8.9M | +930% | Courted (2015) $7.2M |
| Week 37, 2016 Sep 4–10 4 films · −71% | 4 | $2.6M | −71% | Come What May (2016) $1.3M |
Archive
French Box Office in 2016, Week by Week
47 weeks of 2016 with reported grosses; the biggest is week 45 (Oct 30–Nov 5) with $58.4M, led by Two Is a Family (2016).
- Week 1 No grosses
- Week 2 $15.5M
- Week 3 $21M
- Week 4 $1.1M
- Week 5 $2.7M
- Week 6 $35.2M
- Week 7 $8.1M
- Week 8 $9.6M
- Week 9 $123.9K
- Week 10 $3.3M
- Week 11 $17.1M
- Week 12 $5.6M
- Week 13 $2M
- Week 14 $4.4M
- Week 15 $1.9M
- Week 16 $6.5M
- Week 17 $3.9M
- Week 18 No grosses
- Week 19 $351K
- Week 20 $64K
- Week 21 $3.5M
- Week 22 $427.1K
- Week 23 $1.2M
- Week 24 $4.4M
- Week 25 $1.3M
- Week 26 $2.6M
- Week 27 $7.7M
- Week 28 $1.2M
- Week 29 $3.7M
- Week 30 $1.3K
- Week 31 No grosses
- Week 32 $301.1K
- Week 33 $15.9M
- Week 34 $707.9K
- Week 35 $10.9M
- Week 36 $3.1M
- Week 37 $2.6M
- Week 38 $2.9M
- Week 39 $14.9M
- Week 40 $23M
- Week 41 $2.6M
- Week 42 No grosses
- Week 43 $368.3K
- Week 44 $5.7M
- Week 45 $58.4M
- Week 46 $28.7M
- Week 47 $3.7M
- Week 48 $61.4K
- Week 49 $5.9M
- Week 50 $25.5M
- Week 51 No grosses
- Week 52 $34.6M
- Week 53 No grosses
FAQ
French Box Office Week 37 of 2016: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing French-language movie in week 37 of 2016 (Sep 4–10)?
Come What May (2016) leads with $1.3M worldwide, $37.8K of it in the US & Canada. Next come Eternity (2016) at $841.2K and Orphan (2016) at $365.3K.
How much did French-language movies released in week 37 of 2016 (Sep 4–10) earn?
4 French-language films released in week 37 of 2016 (Sep 4–10) report a worldwide gross, $2.6M in all, or $651.9K per film on average.
How many French-language movies released in week 37 of 2016 (Sep 4–10) made $1 billion?
None. The biggest, Come What May (2016), earned $1.3M.
How is the week 37, 2016 French box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2016 (Sep 4–10). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 37, 2016 French box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.