#1 of 3 2026 · Horror, Sci-Fi
$400.6M worldwide · 92% of the chart's total
Backrooms (2026) is the highest-grossing English-language movie released in week 22 of 2026 (May 24–30), with $400.6M worldwide, ahead of Pressure (2026) at $31.5M and Power Ballad (2026) at $3.8M. 3 English-language films released that week report a worldwide gross, $435.9M in all, 49% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 5% on Week 21, 2026, whose releases took $457.5M.
#1 of 3 2026 · Horror, Sci-Fi
$400.6M worldwide · 92% of the chart's total
Backrooms (2026) leads with $400.6M, 92% of the total. The top 3 together took $435.9M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 22 of 2026 (May 24–30).
May 29, 2026 US and Canada: $197.5M Rest of the world: $203.1M Worldwide: $400.6M
May 29, 2026 US and Canada: $15.6M Rest of the world: $15.9M Worldwide: $31.5M
May 29, 2026 US and Canada: $2.6M Rest of the world: $1.2M Worldwide: $3.8M Of the top 3, Power Ballad (2026) earned the biggest share at home (69% in the US & Canada), while Backrooms (2026) made 51% of its gross abroad. Across all 3 films, $215.7M (49%) came from the US & Canada.
Week 22 releases took $435.9M. The biggest of these 9 weeks is week 17 (Apr 19–25) with $1.1B, led by Michael (2026).
Of these 10 years, Week 22, 2017 earned the most: $968.1M from 15 films, led by Wonder Woman (2017). Week 22, 2026 took $435.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 22, 2017 May 28–Jun 3 15 films | 15 | $968.1M | – | Wonder Woman (2017) $824M |
| Week 22, 2018 May 27–Jun 2 13 films · −91% | 13 | $89.5M | −91% | Adrift (2018) $59.9M |
| Week 22, 2019 May 26–Jun 1 8 films · +622% | 8 | $646M | +622% | Godzilla: King of the Monsters (2019) $387.3M |
| Week 22, 2020 May 24–30 12 films · −99% | 12 | $4.7M | −99% | The High Note (2020) $2.2M |
| Week 22, 2021 May 23–29 8 films · +11218% | 8 | $533.2M | +11218% | A Quiet Place Part II (2021) $297.4M |
| Week 22, 2022 May 22–28 7 films · −93% | 7 | $39.2M | −93% | The Bob's Burgers Movie (2022) $34.1M |
| Week 22, 2023 May 28–Jun 3 12 films · +1978% | 12 | $814.1M | +1978% | Spider-Man: Across the Spider-Verse (2023) $690.8M |
| Week 22, 2024 May 26–Jun 1 17 films · −98% | 17 | $19.2M | −98% | Ezra (2024) $4.7M |
| Week 22, 2025 May 25–31 5 films · +964% | 5 | $203.9M | +964% | Karate Kid: Legends (2025) $117.1M |
| Week 22, 2026 May 24–30 3 films · +114% | 3 | $435.9M | +114% | Backrooms (2026) $400.6M |
41 weeks of 2026 with reported grosses; the biggest is week 31 (Jul 26–Aug 1) with $2.5B, led by Spider-Man: Brand New Day (2026).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
Backrooms (2026) leads with $400.6M worldwide, $197.5M of it in the US & Canada. Next come Pressure (2026) at $31.5M and Power Ballad (2026) at $3.8M.
3 English-language films released in week 22 of 2026 (May 24–30) report a worldwide gross, $435.9M in all, or $145.3M per film on average. Week 21, 2026 releases took $457.5M.
None. 1 film crossed $100 million, led by Backrooms (2026) with $400.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 22 of 2026 (May 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.