#1 of 6 2026 · Action, Comedy
$19.4M worldwide · 88% of the chart's total
They Will Kill You (2026) is the highest-grossing English-language movie released in week 13 of 2026 (Mar 22–28), with $19.4M worldwide, ahead of The AI Doc: Or How I Became an Apocaloptimist (2026) at $1.3M and Fantasy Life (2026) at $619.8K. 6 English-language films released that week report a worldwide gross, $22M in all, 61% of it from the US & Canada. That is down 97% on Week 12, 2026, whose releases took $733.5M. By genre, Comedy leads with $20.3M across 3 English releases.
#1 of 6 2026 · Action, Comedy
$19.4M worldwide · 88% of the chart's total
They Will Kill You (2026) leads with $19.4M, 88% of the total. The top 5 together took $21.9M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2026 (Mar 22–28).
Mar 27, 2026 US and Canada: $10.9M Rest of the world: $8.5M Worldwide: $19.4M
Mar 27, 2026 US and Canada: $1.3M Rest of the world: Worldwide: $1.3M
Mar 27, 2026 US and Canada: $619.8K Rest of the world: Worldwide: $619.8K
Mar 27, 2026 US and Canada: $332K Rest of the world: Worldwide: $332K
Mar 27, 2026 US and Canada: $283.3K Rest of the world: $44.8K Worldwide: $328.1K
Of the top 6, The AI Doc: Or How I Became an Apocaloptimist (2026) earned the biggest share at home (100% in the US & Canada), while They Will Kill You (2026) made 44% of its gross abroad. Across all 6 films, $13.4M (61%) came from the US & Canada.
Week 13 releases took $22M. The biggest of these 9 weeks is week 14 (Mar 29–Apr 4) with $1.2B, led by The Super Mario Galaxy Movie (2026).
Of these 10 years, Week 13, 2017 earned the most: $745.9M from 14 films, led by The Boss Baby (2017). Week 13, 2026 took $22M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 2017 Mar 26–Apr 1 14 films | 14 | $745.9M | – | The Boss Baby (2017) $528M |
| Week 13, 2018 Mar 25–31 15 films · −7% | 15 | $690.8M | −7% | Ready Player One (2018) $607.9M |
| Week 13, 2019 Mar 24–30 14 films · −96% | 14 | $28.5M | −96% | Unplanned (2019) $21.6M |
| Week 13, 2020 Mar 22–28 5 films · −96% | 5 | $1.2M | −96% | Vivarium (2020) $487.6K |
| Week 13, 2021 Mar 21–27 10 films · +5796% | 10 | $73.1M | +5796% | Nobody (2021) $57.5M |
| Week 13, 2022 Mar 20–26 11 films · +362% | 11 | $337.9M | +362% | The Lost City (2022) $192.9M |
| Week 13, 2023 Mar 26–Apr 1 13 films · −33% | 13 | $226.5M | −33% | Dungeons & Dragons: Honor Among Thieves (2023) $205.5M |
| Week 13, 2024 Mar 24–30 14 films · +172% | 14 | $616M | +172% | Godzilla x Kong: The New Empire (2024) $572.1M |
| Week 13, 2025 Mar 23–29 12 films · −74% | 12 | $161.7M | −74% | A Working Man (2025) $89.4M |
| Week 13, 2026 Mar 22–28 6 films · −86% | 6 | $22M | −86% | They Will Kill You (2026) $19.4M |
41 weeks of 2026 with reported grosses; the biggest is week 31 (Jul 26–Aug 1) with $2.5B, led by Spider-Man: Brand New Day (2026).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
They Will Kill You (2026) leads with $19.4M worldwide, $10.9M of it in the US & Canada. Next come The AI Doc: Or How I Became an Apocaloptimist (2026) at $1.3M and Fantasy Life (2026) at $619.8K.
6 English-language films released in week 13 of 2026 (Mar 22–28) report a worldwide gross, $22M in all, or $3.7M per film on average. Week 12, 2026 releases took $733.5M.
None. The biggest, They Will Kill You (2026), earned $19.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2026 (Mar 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.