#1 of 6 1987 · Fantasy, Comedy
$34.4M worldwide · 82% of the chart's total
Like Father Like Son (1987) is the highest-grossing English-language movie released in week 40 of 1987 (Sep 27–Oct 3), with $34.4M worldwide, ahead of Big Shots (1987) at $3.4M and Near Dark (1987) at $3.4M. 6 English-language films released that week report a worldwide gross, $41.9M in all, 100% of it from the US & Canada. That is up 6% on Week 39, 1987, whose releases took $39.6M. By genre, Comedy leads with $37.8M across 3 English releases.
#1 of 6 1987 · Fantasy, Comedy
$34.4M worldwide · 82% of the chart's total
Like Father Like Son (1987) leads with $34.4M, 82% of the total. The top 5 together took $41.9M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 40 of 1987 (Sep 27–Oct 3).
Oct 2, 1987 US and Canada: $34.4M Rest of the world: Worldwide: $34.4M
Oct 2, 1987 US and Canada: $3.4M Rest of the world: Worldwide: $3.4M
Oct 3, 1987 US and Canada: $3.4M Rest of the world: $321 Worldwide: $3.4M
Oct 2, 1987 US and Canada: $406.9K Rest of the world: Worldwide: $406.9K
Oct 1, 1987 US and Canada: $323.9K Rest of the world: Worldwide: $323.9K
Oct 2, 1987 US and Canada: $21.9K Rest of the world: Worldwide: $21.9K Of the top 6, Like Father Like Son (1987) earned the biggest share at home (100% in the US & Canada), while Near Dark (1987) made <1% of its gross abroad. Across all 6 films, $41.9M (100%) came from the US & Canada.
Week 40 releases took $41.9M. The biggest of these 9 weeks is week 38 (Sep 13–19) with $371.8M, led by Fatal Attraction (1987).
Of these 10 years, Week 40, 1984 earned the most: $65.4M from 3 films, led by Places in the Heart (1984). Week 40, 1987 took $41.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 40, 1978 Oct 1–7 3 films | 3 | $55.5M | – | Midnight Express (1978) $35M |
| Week 40, 1979 Sep 30–Oct 6 1 film · −98% | 1 | $1.2M | −98% | Goldengirl (1979) $1.2M |
| Week 40, 1980 Sep 28–Oct 4 5 films · +2269% | 5 | $29.6M | +2269% | Oh, God! Book II (1980) $14.5M |
| Week 40, 1981 Sep 27–Oct 3 3 films · −25% | 3 | $22.1M | −25% | Paternity (1981) $18.8M |
| Week 40, 1982 Sep 26–Oct 2 1 film · −100% | 1 | $25.7K | −100% | Ladies and Gentlemen, the Fabulous Stains (1982) $25.7K |
| Week 40, 1983 Sep 25–Oct 1 1 film · +219116% | 1 | $56.4M | +219116% | The Big Chill (1983) $56.4M |
| Week 40, 1984 Sep 30–Oct 6 3 films · +16% | 3 | $65.4M | +16% | Places in the Heart (1984) $34.9M |
| Week 40, 1985 Sep 29–Oct 5 4 films · −36% | 4 | $41.9M | −36% | Jagged Edge (1985) $40.5M |
| Week 40, 1986 Sep 28–Oct 4 4 films · +35% | 4 | $56.3M | +35% | Children of a Lesser God (1986) $31.9M |
| Week 40, 1987 Sep 27–Oct 3 6 films · −26% | 6 | $41.9M | −26% | Like Father Like Son (1987) $34.4M |
51 weeks of 1987 with reported grosses; the biggest is week 38 (Sep 13–19) with $371.8M, led by Fatal Attraction (1987).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Like Father Like Son (1987) leads with $34.4M worldwide, $34.4M of it in the US & Canada. Next come Big Shots (1987) at $3.4M and Near Dark (1987) at $3.4M.
6 English-language films released in week 40 of 1987 (Sep 27–Oct 3) report a worldwide gross, $41.9M in all, or $7M per film on average. Week 39, 1987 releases took $39.6M.
None. The biggest, Like Father Like Son (1987), earned $34.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 40 of 1987 (Sep 27–Oct 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.