#1 of 7 #1 war movie of February 2019
Code Geass: Lelouch of the Re;Surrection (2019)
2019 · War, Crime
$10M worldwide · 81% of the chart's total
$522.8K US & Canada · 5% $9.5M elsewhere · 95%
War box office · February 2019
War Box Office, February 2019: Top-Grossing Releases
Code Geass: Lelouch of the Re;Surrection (2019) is the highest-grossing war movie released in February 2019, with $10M worldwide, ahead of The Blizzard (2019) at $1.8M and Saga of Tanya the Evil: The Movie (2019) at $288.5K. 7 war films released in February 2019 report a worldwide gross, $12.3M in all, 7% of it from the US & Canada. That is down 72% on January 2019, whose releases took $44M. By language, Japanese leads with $10.3M across 2 war releases.
- February 2019 releases with a gross
- 7
- combined worldwide
- $12.3M
- Code Geass: Lelouch of the Re;Surrection (2019), the #1
- $10M
- vs January 2019
- −72%
#1 of 7 Top 5
What Were the Biggest War Hits of February 2019?
Code Geass: Lelouch of the Re;Surrection (2019) leads with $10M, 81% of the total. The top 5 together took $12.2M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every War Release of February 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in February 2019.
- 1 Code Geass: Lelouch of the Re;Surrection (2019)Feb 9, 2019 US and Canada: $522.8K Rest of the world: $9.5M Worldwide: $10M
Feb 9, 2019 · Japanese · War, Crime, Sci-Fi $10M worldwide - 2 Feb 7, 2019 US and Canada: – Rest of the world: – Worldwide: $1.8M
- 3 Saga of Tanya the Evil: The Movie (2019)Feb 8, 2019 US and Canada: $288.5K Rest of the world: Worldwide: $288.5K Feb 8, 2019 · Japanese · Animation, Action, Fantasy $288.5K worldwide
- 4 Feb 8, 2019 US and Canada: – Rest of the world: – Worldwide: $159.6K
- 5 Feb 27, 2019 US and Canada: – Rest of the world: – Worldwide: $67.5K
- 6
Feb 10, 2019 US and Canada: – Rest of the world: – Worldwide: $13.9K - 7
The Man Who Killed Hitler and Then The Bigfoot (2019)Feb 8, 2019 US and Canada: – Rest of the world: – Worldwide: $3.8K
Feb 8, 2019 · English · Adventure, Sci-Fi, Drama $3.8K worldwide
By release week
Which Week of February 2019 Had the Biggest Releases?
Films released in week 6 (Feb 3–9) took $12.2M, led by Code Geass: Lelouch of the Re;Surrection (2019). Each column links to that week's chart; weeks are Sunday to Saturday.
- Week 5 Wk 5 Jan 27–Feb 2 No reported grosses – No reported grosses
- Week 6 Wk 6 Feb 3–9 Code Geass: Lelouch of the Re;Surrection (2019) $12.2M Code Geass: Lelouch of the Re;Surrection (2019)
- Week 7 Wk 7 Feb 10–16 A Russian Youth (2019) $13.9K A Russian Youth (2019)
- Week 8 Wk 8 Feb 17–23 No reported grosses – No reported grosses
- Week 9 Wk 9 Feb 24–Mar 2 Lancaster Skies (2019) $67.5K Lancaster Skies (2019)
Earlier years
How Does February 2019 Compare With February in Earlier Years?
Of these 10 years, February 2018 earned the most: $580.2M from 3 films, led by Operation Red Sea (2018). February 2019 took $12.3M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| February 2010 2 films | 2 | $115M | – | Dear John (2010) $115M |
| February 2011 1 film · −85% | 1 | $17.7M | −85% | Oba: The Last Samurai (2011) $17.7M |
| February 2012 1 film · +102% | 1 | $35.8M | +102% | Conquest 1453 (2012) $35.8M |
| February 2013 2 films · −89% | 2 | $3.9M | −89% | Lore (2013) $2.4M |
| February 2014 4 films · +1642% | 4 | $68.4M | +1642% | Stalingrad (2014) $68.3M |
| February 2015 3 films · −83% | 3 | $11.5M | −83% | The Battalion (2015) $8.3M |
| February 2016 2 films · −89% | 2 | $1.3M | −89% | A War (2016) $1.1M |
| February 2017 3 films · −1% | 3 | $1.3M | −1% | Bitter Harvest (2017) $904.4K |
| February 2018 3 films · +45141% | 3 | $580.2M | +45141% | Operation Red Sea (2018) $579.3M |
| February 2019 7 films · −98% | 7 | $12.3M | −98% | Code Geass: Lelouch of the Re;Surrection (2019) $10M |
Archive
War Box Office in 2019, Month by Month
The months of 2019 with their totals: December leads with $471.2M, led by 1917 (2019).
- January $44M #1 Uri: The Surgical Strike (2019)
- February $12.3M #1 Code Geass: Lelouch of the Re;Surrection (2019)
- March $43.2M #1 Kesari (2019)
- April $190.4K #1 Girls of the Sun (2019)
- May $103.4M #1 Shadow (2019)
- June $3.7M #1 The Passage (2019)
- July $411.6K #1 U311 Cherkasy (2019)
- August $112.6M #1 Kingdom (2019)
- September $16.4M #1 While at War (2019)
- October $95.2M #1 Jojo Rabbit (2019)
- November $129.7M #1 Midway (2019)
- December $471.2M #1 1917 (2019)
FAQ
War Box Office February 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
What is the highest-grossing war movie in February 2019?
Code Geass: Lelouch of the Re;Surrection (2019) leads with $10M worldwide, $522.8K of it in the US & Canada. Next come The Blizzard (2019) at $1.8M and Saga of Tanya the Evil: The Movie (2019) at $288.5K.
How much did war movies released in February 2019 earn?
7 war films released in February 2019 report a worldwide gross, $12.3M in all, or $1.8M per film on average. January 2019 releases took $44M.
How many war movies released in February 2019 made $1 billion?
None. The biggest, Code Geass: Lelouch of the Re;Surrection (2019), earned $10M.
How is the February 2019 war box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in February 2019. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the February 2019 war box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.