#1 of 7 2005 · Thriller, Fantasy
$230.9M worldwide · 70% of the chart's total
Constantine (2005) is the highest-grossing thriller movie released in February 2005, with $230.9M worldwide, ahead of Boogeyman (2005) at $67.2M and Cursed (2005) at $29.6M. 7 thriller films released in February 2005 report a worldwide gross, $329.1M in all, 43% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 29% on January 2005, whose releases took $254.8M. By language, English leads with $298.3M across 3 thriller releases.
#1 of 7 2005 · Thriller, Fantasy
$230.9M worldwide · 70% of the chart's total
Constantine (2005) leads with $230.9M, 70% of the total. The top 5 together took $328.9M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in February 2005.
Feb 18, 2005 US and Canada: $76M Rest of the world: $154.9M Worldwide: $230.9M
Feb 4, 2005 US and Canada: $46.8M Rest of the world: $20.4M Worldwide: $67.2M
Feb 25, 2005 US and Canada: $19.3M Rest of the world: $10.3M Worldwide: $29.6M
Feb 3, 2005 US and Canada: – Rest of the world: – Worldwide: $998K
Feb 15, 2005 US and Canada: – Rest of the world: – Worldwide: $175.6K
Feb 4, 2005 US and Canada: – Rest of the world: – Worldwide: $143.7K
Feb 25, 2005 US and Canada: $55.5K Rest of the world: Worldwide: $55.5K Of the top 7, The Other Side of the Street (2005) earned the biggest share at home (100% in the US & Canada), while Constantine (2005) made 67% of its gross abroad. Across all 7 films, $142.1M (43%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Films released in week 8 (Feb 13–19) took $231.1M, led by Constantine (2005). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, February 2001 earned the most: $450.9M from 7 films, led by Hannibal (2001). February 2005 took $329.1M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| February 1996 5 films | 5 | $218.2M | – | Broken Arrow (1996) $150.3M |
| February 1997 5 films · −17% | 5 | $181.4M | −17% | Donnie Brasco (1997) $124.9M |
| February 1998 6 films · −47% | 6 | $96.1M | −47% | Sphere (1998) $37M |
| February 1999 3 films · +169% | 3 | $258.4M | +169% | Payback (1999) $161.6M |
| February 2000 8 films · +63% | 8 | $421.5M | +63% | Scream 3 (2000) $161.8M |
| February 2001 7 films · +7% | 7 | $450.9M | +7% | Hannibal (2001) $351.7M |
| February 2002 9 films · −44% | 9 | $254.2M | −44% | John Q (2002) $102.2M |
| February 2003 8 films · +15% | 8 | $292.7M | +15% | Daredevil (2003) $179.2M |
| February 2004 9 films · −69% | 9 | $91.6M | −69% | Twisted (2004) $41M |
| February 2005 7 films · +259% | 7 | $329.1M | +259% | Constantine (2005) $230.9M |
The months of 2005 with their totals: June leads with $1.5B, led by War of the Worlds (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Constantine (2005) leads with $230.9M worldwide, $76M of it in the US & Canada. Next come Boogeyman (2005) at $67.2M and Cursed (2005) at $29.6M.
7 thriller films released in February 2005 report a worldwide gross, $329.1M in all, or $47M per film on average. January 2005 releases took $254.8M.
None. 1 film crossed $100 million, led by Constantine (2005) with $230.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in February 2005. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.