#1 of 8 2005 · Drama, Mystery
$162.9M worldwide · 32% of the chart's total
The Interpreter (2005) is the highest-grossing thriller movie released in April 2005, with $162.9M worldwide, ahead of Sin City (2005) at $158.7M and The Amityville Horror (2005) at $107.5M. 8 thriller films released in April 2005 report a worldwide gross, $508.9M in all, 47% of it from the US & Canada. 3 films crossed $100 million; none reached $1 billion. That is up 5% on March 2005, whose releases took $484.9M. By language, English leads with $178.9M across 2 thriller releases.
#1 of 8 2005 · Drama, Mystery
$162.9M worldwide · 32% of the chart's total
The Interpreter (2005) leads with $162.9M, 32% of the total. The top 5 together took $506.9M, almost all of what the 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in April 2005.
Apr 22, 2005 US and Canada: $72.7M Rest of the world: $90.2M Worldwide: $162.9M
Apr 1, 2005 US and Canada: $74.1M Rest of the world: $84.6M Worldwide: $158.7M
Apr 15, 2005 US and Canada: $65.2M Rest of the world: $42.3M Worldwide: $107.5M
Apr 1, 2005 US and Canada: – Rest of the world: – Worldwide: $6.3M
Apr 28, 2005 US and Canada: – Rest of the world: – Worldwide: $807.9K
Apr 29, 2005 US and Canada: $345.1K Rest of the world: $364.7K Worldwide: $709.8K
Apr 29, 2005 US and Canada: $248.6K Rest of the world: $245.5K Worldwide: $494K Of the top 8, The Amityville Horror (2005) earned the biggest share at home (61% in the US & Canada), while xXx: State of the Union (2005) made 62% of its gross abroad. Across all 8 films, $239.5M (47%) came from the US & Canada. 2 films of the top 8 report no US & Canada figure.
Films released in week 14 (Mar 27–Apr 2) took $165M, led by Sin City (2005). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, April 2005 earned the most: $508.9M from 8 films, led by The Interpreter (2005).
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| April 1996 7 films | 7 | $185.5M | – | Primal Fear (1996) $102.6M |
| April 1997 8 films · +139% | 8 | $443.6M | +139% | Anaconda (1997) $136.9M |
| April 1998 8 films · +5% | 8 | $467.6M | +5% | City of Angels (1998) $198.7M |
| April 1999 6 films · −47% | 6 | $248M | −47% | Entrapment (1999) $212.4M |
| April 2000 6 films · −22% | 6 | $192.2M | −22% | Rules of Engagement (2000) $71.7M |
| April 2001 6 films · −36% | 6 | $122.3M | −36% | Along Came a Spider (2001) $105.2M |
| April 2002 12 films · +251% | 12 | $429.9M | +251% | The Scorpion King (2002) $180.6M |
| April 2003 14 films · −33% | 14 | $289.6M | −33% | Phone Booth (2003) $97.8M |
| April 2004 21 films · +63% | 21 | $471.8M | +63% | Kill Bill: Vol. 2 (2004) $154.1M |
| April 2005 8 films · +8% | 8 | $508.9M | +8% | The Interpreter (2005) $162.9M |
English-language thriller films took $178.9M across 2 films, 35% of the total, ahead of French-language thriller films ($6.3M) and Cantonese-language thriller films ($807.9K).
The months of 2005 with their totals: June leads with $1.5B, led by War of the Worlds (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
The Interpreter (2005) leads with $162.9M worldwide, $72.7M of it in the US & Canada. Next come Sin City (2005) at $158.7M and The Amityville Horror (2005) at $107.5M.
8 thriller films released in April 2005 report a worldwide gross, $508.9M in all, or $63.6M per film on average. March 2005 releases took $484.9M.
None. 3 films crossed $100 million, led by The Interpreter (2005) with $162.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in April 2005. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.