#1 of 8 2002 · Action, Sci-Fi
$358.4M worldwide · 56% of the chart's total
Minority Report (2002) is the highest-grossing thriller movie released in June 2002, with $358.4M worldwide, ahead of The Bourne Identity (2002) at $214M and Bad Company (2002) at $66.2M. 8 thriller films released in June 2002 report a worldwide gross, $642M in all, 44% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is up 29% on May 2002, whose releases took $496.9M. By language, English leads with $639M across 6 thriller releases.
#1 of 8 2002 · Action, Sci-Fi
$358.4M worldwide · 56% of the chart's total
Minority Report (2002) leads with $358.4M, 56% of the total. The top 5 together took $641.6M, almost all of what the 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in June 2002.
Jun 21, 2002 US and Canada: $132.1M Rest of the world: $226.3M Worldwide: $358.4M
Jun 14, 2002 US and Canada: $121.7M Rest of the world: $92.4M Worldwide: $214M
Jun 7, 2002 US and Canada: $30.2M Rest of the world: $36M Worldwide: $66.2M
Jun 13, 2002 US and Canada: – Rest of the world: – Worldwide: $1.6M
Jun 7, 2002 US and Canada: – Rest of the world: – Worldwide: $1.4M
Jun 7, 2002 US and Canada: $179.8K Rest of the world: Worldwide: $179.8K
Jun 21, 2002 US and Canada: $144K Rest of the world: Worldwide: $144K
Jun 28, 2002 US and Canada: $56.7K Rest of the world: Worldwide: $56.7K Of the top 8, Cherish (2002) earned the biggest share at home (100% in the US & Canada), while Minority Report (2002) made 63% of its gross abroad. Across all 8 films, $284.3M (44%) came from the US & Canada. 2 films of the top 8 report no US & Canada figure.
Films released in week 25 (Jun 16–22) took $358.5M, led by Minority Report (2002). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, June 1996 earned the most: $793.5M from 4 films, led by The Rock (1996). June 2002 took $642M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| June 1993 3 films | 3 | $293.2M | – | The Firm (1993) $270.2M |
| June 1994 3 films · +27% | 3 | $371M | +27% | Speed (1994) $350.4M |
| June 1995 2 films · +9% | 2 | $403M | +9% | Batman Forever (1995) $336.6M |
| June 1996 4 films · +97% | 4 | $793.5M | +97% | The Rock (1996) $335.1M |
| June 1997 4 films · −20% | 4 | $634.2M | −20% | Face/Off (1997) $245.7M |
| June 1998 4 films · −37% | 4 | $402.1M | −37% | The X Files (1998) $189.2M |
| June 1999 5 films · −52% | 5 | $193.8M | −52% | The General's Daughter (1999) $149.7M |
| June 2000 5 films · +248% | 5 | $675.2M | +248% | The Perfect Storm (2000) $328.7M |
| June 2001 6 films · −39% | 6 | $415.1M | −39% | The Fast and the Furious (2001) $207.5M |
| June 2002 8 films · +55% | 8 | $642M | +55% | Minority Report (2002) $358.4M |
English-language thriller films took $639M across 6 films, 100% of the total, ahead of Korean-language thriller films ($1.6M) and Spanish-language thriller films ($1.4M).
The months of 2002 with their totals: August leads with $796M, led by Signs (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Minority Report (2002) leads with $358.4M worldwide, $132.1M of it in the US & Canada. Next come The Bourne Identity (2002) at $214M and Bad Company (2002) at $66.2M.
8 thriller films released in June 2002 report a worldwide gross, $642M in all, or $80.2M per film on average. May 2002 releases took $496.9M.
None. 2 films crossed $100 million, led by Minority Report (2002) with $358.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in June 2002. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.