Harvard Man 2002

The story centers around Alan Jensen, a talented point guard attending Harvard University, whose life takes a dramatic turn after a catastrophic tornado destroys his parents’ home. In his desperate quest to raise $100,000 for rebuilding, Alan’s girlfriend, Cindy Bandolini, introduces an outrageous plan inspired by her father’s connections to organized crime. She persuades Alan to purposely lose a game, assuring him that her father will cover the costs. Unbeknownst to him, Cindy also reaches out to Teddy Carter and Kelly Morgan, undercover FBI agents, seeking assistance to fund this risky scheme.

Choosing to throw the game spirals Alan’s life into chaos. To heighten his experience, he ingests an astonishing 15,000 micrograms of LSD, launching him into a nightmarish yet vibrant psychedelic journey filled with morphing visuals as he attempts to evade Carter’s relentless pursuit. Meanwhile, Cindy unwittingly finds herself ensnared in Morgan’s schemes.

Caught in this perilous web, Alan grapples with multiple threats: the disorienting effects of his drug trip, the dogged investigation from the FBI agents, and the looming threat from organized criminals. Just as hope dwindles, Alan’s other girlfriend, Chesney Cort, a philosophy lecturer and his confidant, steps in to assist him. She not only leads him to a physician who can neutralize the psychedelic effects but also reveals her convoluted connections with both Carter and Morgan—a relationship fraught with passionate entanglements.

Armed with pivotal photographic evidence, Alan finally manages to liberate himself from his predicament. However, the conclusion of the film leaves an unsettling hint about the long-term consequences he might face: a potential diagnosis of hallucinogen persisting perception disorder (HPPD), resulting in ongoing visual disturbances reminiscent of his initial experience with LSD. As he photographs a young boy in a park, he witnesses the child’s face morphing, leading him back to his poignant exchanges with Sandy, whose lingering words resonate: “Sometimes it never ends.” The boy reassures him with “Everything’s okay,” to which Alan cautiously responds, “I hope you’re right.” The scene culminates with a close-up of his dilated eyes, serving as a haunting reminder of the enduring impact of his choices.