#1 of 5 #1 romance movie of Week 1, 2014
2014 · Drama, Mystery
$20.9M worldwide · 58% of the chart's total
$100K US & Canada · <1% $20.8M elsewhere · 100%
Romance box office · Week 1 · Jan 1–4, 2014
Romance Box Office, Week 1 of 2014: Romance Releases of Jan 1–4
The Best Offer (2014) is the highest-grossing romance movie released in week 1 of 2014 (Jan 1–4), with $20.9M worldwide, ahead of Never on the First Night (2014) at $7.3M and Boss Wants a Happy Ending (2014) at $6.6M. 5 romance films released that week report a worldwide gross, $36.1M in all, <1% of it from the US & Canada. By language, English leads with $20.9M across 1 romance release.
- week 1 releases with a gross
- 5
- combined worldwide
- $36.1M
- The Best Offer (2014), the #1
- $20.9M
- earned in the US & Canada
- <1%
#1 of 5 Top 5
What Were the Biggest Romance Hits of Week 1 of 2014?
The Best Offer (2014) leads with $20.9M, 58% of the total. The top 5 together took $36.1M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Romance Release of Week 1 of 2014, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 1 of 2014 (Jan 1–4).
- 1 2014 US and Canada: $100K Rest of the world: $20.8M Worldwide: $20.9M
- 2 2014 US and Canada: – Rest of the world: – Worldwide: $7.3M
- 3 2014 US and Canada: – Rest of the world: – Worldwide: $6.6M
- 4 Jan 2, 2014 US and Canada: – Rest of the world: – Worldwide: $1.2M
- 5 Jan 3, 2014 US and Canada: – Rest of the world: – Worldwide: $123.8K
Weeks around it
How Does Week 1 Compare With the Weeks Around It?
Week 1 releases took $36.1M. The biggest of these 9 weeks is week 51, 2013 (Dec 15–21) with $54.6M, led by Her (2013).
- Week 48, 2013 Wk 48 Nov 24–30 Tumbleweed (2013) $3.9M Tumbleweed (2013)
- Week 49, 2013 Wk 49 Dec 1–7 Night Train to Lisbon (2013) $26.4M Night Train to Lisbon (2013)
- Week 50, 2013 Wk 50 Dec 8–14 The Liar and His Lover (2013) $24.8M The Liar and His Lover (2013)
- Week 51, 2013 Wk 51 Dec 15–21 Her (2013) $54.6M Her (2013)
- Week 52, 2013 Wk 52 Dec 22–28 The Invisible Woman (2013) $4M The Invisible Woman (2013)
- Week 53, 2013 Wk 53 Dec 29–31 Up in the Wind (2013) $11.8M Up in the Wind (2013)
- Week 1 Wk 1 Jan 1–4 The Best Offer (2014) $36.1M The Best Offer (2014)
- Week 2 Wk 2 Jan 5–11 Dedh Ishqiya (2014) $5.6M Dedh Ishqiya (2014)
- Week 3 Wk 3 Jan 12–18 Bride for Rent (2014) $11.2M Bride for Rent (2014)
Earlier years
How Does Week 1 of 2014 Compare With Earlier Years?
Of these 10 years, Week 1, 2014 earned the most: $36.1M from 5 films, led by The Best Offer (2014).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 1, 2005 Jan 1 1 film | 1 | $737 | – | A New Day in Old Sana’a (2005) $737 |
| Week 1, 2006 Jan 1–7 1 film · +210040% | 1 | $1.5M | +210040% | Tarek’s Situation (2006) $1.5M |
| Week 1, 2007 Jan 1–6 4 films · +134% | 4 | $3.6M | +134% | A Bee in August (2007) $2.2M |
| Week 1, 2008 Jan 1–5 2 films · −15% | 2 | $3.1M | −15% | Crazy Waiting (2008) $3M |
| Week 1, 2009 Jan 1–3 1 film · −79% | 1 | $640K | −79% | Syurga Cinta (2009) $640K |
| Week 1, 2010 Jan 1–2 No films | 0 | – | – | – |
| Week 1, 2011 Jan 1 1 film | 1 | $261.8K | – | Our Own Oslo (2011) $261.8K |
| Week 1, 2012 Jan 1–7 2 films · +1296% | 2 | $3.7M | +1296% | We Are Family (2012) $2.9M |
| Week 1, 2013 Jan 1–5 No films | 0 | – | – | – |
| Week 1, 2014 Jan 1–4 5 films | 5 | $36.1M | – | The Best Offer (2014) $20.9M |
Archive
Romance Box Office in 2014, Week by Week
51 weeks of 2014 with reported grosses; the biggest is week 23 (Jun 1–7) with $312.7M, led by The Fault in Our Stars (2014).
- Week 1 $36.1M
- Week 2 $5.6M
- Week 3 $11.2M
- Week 4 $19.8M
- Week 5 $84.9M
- Week 6 $15.3M
- Week 7 $221.2M
- Week 8 $119.1M
- Week 9 $17.1M
- Week 10 $2.1M
- Week 11 $83.9M
- Week 12 $293.8M
- Week 13 $616K
- Week 14 $11.9M
- Week 15 $8.2M
- Week 16 $22.9M
- Week 17 $310.9M
- Week 18 $4M
- Week 19 No grosses
- Week 20 $23.8M
- Week 21 $4.9M
- Week 22 $6.4M
- Week 23 $312.7M
- Week 24 $288.1K
- Week 25 $78.3M
- Week 26 $84.9M
- Week 27 $3.9M
- Week 28 $23.8M
- Week 29 $16.5M
- Week 30 $77.2M
- Week 31 $9.1M
- Week 32 $199.3M
- Week 33 $10.2M
- Week 34 $83.2M
- Week 35 $942.4K
- Week 36 $41.2M
- Week 37 $8.6M
- Week 38 $2.4M
- Week 39 $5.2M
- Week 40 $56.1M
- Week 41 $15.6M
- Week 42 $140.6M
- Week 43 $15.4M
- Week 44 $7.1M
- Week 45 $131.6M
- Week 46 $42.5M
- Week 47 $625.5K
- Week 48 No grosses
- Week 49 $123.3M
- Week 50 $41.4M
- Week 51 $102.8M
- Week 52 $10.4M
- Week 53 $135.2K
FAQ
Romance Box Office Week 1 of 2014: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
What is the highest-grossing romance movie in week 1 of 2014 (Jan 1–4)?
The Best Offer (2014) leads with $20.9M worldwide, $100K of it in the US & Canada. Next come Never on the First Night (2014) at $7.3M and Boss Wants a Happy Ending (2014) at $6.6M.
How much did romance movies released in week 1 of 2014 (Jan 1–4) earn?
5 romance films released in week 1 of 2014 (Jan 1–4) report a worldwide gross, $36.1M in all, or $7.2M per film on average.
How many romance movies released in week 1 of 2014 (Jan 1–4) made $1 billion?
None. The biggest, The Best Offer (2014), earned $20.9M.
How is the week 1, 2014 romance box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 1 of 2014 (Jan 1–4). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 1, 2014 romance box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.