#1 of 6 2006 · Action, Sci-Fi
$180.6M worldwide · 90% of the chart's total
Deja Vu (2006) is the highest-grossing romance movie released in week 47 of 2006 (Nov 19–25), with $180.6M worldwide, ahead of The Fountain (2006) at $16.5M and Summer Rain (2006) at $2.4M. 6 romance films released that week report a worldwide gross, $200.9M in all, 38% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 48% on Week 46, 2006, whose releases took $388.4M. By language, English leads with $16.5M across 2 romance releases.
#1 of 6 2006 · Action, Sci-Fi
$180.6M worldwide · 90% of the chart's total
Deja Vu (2006) leads with $180.6M, 90% of the total. The top 5 together took $200.9M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 47 of 2006 (Nov 19–25).
Nov 22, 2006 US and Canada: $64M Rest of the world: $116.5M Worldwide: $180.6M
Nov 22, 2006 US and Canada: $10.1M Rest of the world: $6.3M Worldwide: $16.5M
Nov 23, 2006 US and Canada: – Rest of the world: – Worldwide: $2.4M
Nov 24, 2006 US and Canada: $1.4M Rest of the world: Worldwide: $1.4M
Nov 24, 2006 US and Canada: $37.1K Rest of the world: Worldwide: $37.1K
Nov 24, 2006 US and Canada: – Rest of the world: – Worldwide: $21.6K Of the top 6, Rome and Juliet (2006) earned the biggest share at home (100% in the US & Canada), while Deja Vu (2006) made 65% of its gross abroad. Across all 6 films, $75.6M (38%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 47 releases took $200.9M. The biggest of these 9 weeks is week 46 (Nov 12–18) with $388.4M, led by Happy Feet (2006).
Of these 10 years, Week 47, 2006 earned the most: $200.9M from 6 films, led by Deja Vu (2006).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 47, 1997 Nov 16–22 1 film | 1 | $285K | – | Marius and Jeannette (1997) $285K |
| Week 47, 1998 Nov 15–21 1 film · −100% | 1 | $163 | −100% | August 32nd on Earth (1998) $163 |
| Week 47, 1999 Nov 14–20 3 films · +5474988% | 3 | $8.9M | +5474988% | Mansfield Park (1999) $4.8M |
| Week 47, 2000 Nov 12–18 2 films · +500% | 2 | $53.5M | +500% | Bounce (2000) $53.4M |
| Week 47, 2001 Nov 18–24 2 films · −93% | 2 | $3.6M | −93% | Sidewalks of New York (2001) $3.5M |
| Week 47, 2002 Nov 17–23 2 films · +689% | 2 | $28.2M | +689% | The Quiet American (2002) $27.7M |
| Week 47, 2003 Nov 16–22 3 films · +30% | 3 | $36.7M | +30% | The Barbarian Invasions (2003) $34.9M |
| Week 47, 2004 Nov 14–20 3 films · +16% | 3 | $42.6M | +16% | Bad Education (2004) $40.4M |
| Week 47, 2005 Nov 13–19 2 films · +340% | 2 | $187.3M | +340% | Walk the Line (2005) $186.8M |
| Week 47, 2006 Nov 19–25 6 films · +7% | 6 | $200.9M | +7% | Deja Vu (2006) $180.6M |
52 weeks of 2006 with reported grosses; the biggest is week 46 (Nov 12–18) with $388.4M, led by Happy Feet (2006).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Deja Vu (2006) leads with $180.6M worldwide, $64M of it in the US & Canada. Next come The Fountain (2006) at $16.5M and Summer Rain (2006) at $2.4M.
6 romance films released in week 47 of 2006 (Nov 19–25) report a worldwide gross, $200.9M in all, or $33.5M per film on average. Week 46, 2006 releases took $388.4M.
None. 1 film crossed $100 million, led by Deja Vu (2006) with $180.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 47 of 2006 (Nov 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.