#1 of 5 2006 · Drama, Comedy
$21.2M worldwide · 66% of the chart's total
ATL (2006) is the highest-grossing romance movie released in week 13 of 2006 (Mar 26–Apr 1), with $21.2M worldwide, ahead of Almost Love (2006) at $10M and Marilyn Hotchkiss' Ballroom Dancing & Charm School (2006) at $410.6K. 5 romance films released that week report a worldwide gross, $31.9M in all, 68% of it from the US & Canada. That is up 58% on Week 12, 2006, whose releases took $20.2M. By language, English leads with $21.9M across 3 romance releases.
#1 of 5 2006 · Drama, Comedy
$21.2M worldwide · 66% of the chart's total
ATL (2006) leads with $21.2M, 66% of the total. The top 5 together took $31.9M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2006 (Mar 26–Apr 1).
Mar 31, 2006 US and Canada: $21.2M Rest of the world: Worldwide: $21.2M
Mar 26, 2006 US and Canada: – Rest of the world: – Worldwide: $10M
Mar 31, 2006 US and Canada: $309.4K Rest of the world: Worldwide: $309.4K
Mar 29, 2006 US and Canada: – Rest of the world: – Worldwide: $27.7K Of the top 5, ATL (2006) earned the biggest share at home (100% in the US & Canada), while Marilyn Hotchkiss' Ballroom Dancing & Charm School (2006) made 15% of its gross abroad. Across all 5 films, $21.8M (68%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 13 releases took $31.9M. The biggest of these 9 weeks is week 7 (Feb 12–18) with $206.5M, led by Eight Below (2006).
Of these 10 years, Week 13, 2000 earned the most: $112.1M from 4 films, led by Romeo Must Die (2000). Week 13, 2006 took $31.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 1997 Mar 23–29 1 film | 1 | $294.7K | – | Love and Other Catastrophes (1997) $294.7K |
| Week 13, 1998 Mar 22–28 3 films · +409% | 3 | $1.5M | +409% | A Price Above Rubies (1998) $1.1M |
| Week 13, 1999 Mar 21–27 2 films · +220% | 2 | $4.8M | +220% | A Walk on the Moon (1999) $4.8M |
| Week 13, 2000 Mar 19–25 4 films · +2236% | 4 | $112.1M | +2236% | Romeo Must Die (2000) $91M |
| Week 13, 2001 Mar 25–31 1 film · −65% | 1 | $38.7M | −65% | Someone Like You... (2001) $38.7M |
| Week 13, 2002 Mar 24–30 3 films · −95% | 3 | $1.8M | −95% | The Wesley’s Mysterious File (2002) $1.2M |
| Week 13, 2003 Mar 23–29 5 films · +752% | 5 | $15.2M | +752% | Sex with Love (2003) $8.1M |
| Week 13, 2004 Mar 21–27 3 films · +134% | 3 | $35.6M | +134% | Jersey Girl (2004) $35.5M |
| Week 13, 2005 Mar 20–26 2 films · +190% | 2 | $103.2M | +190% | Guess Who (2005) $103.1M |
| Week 13, 2006 Mar 26–Apr 1 5 films · −69% | 5 | $31.9M | −69% | ATL (2006) $21.2M |
52 weeks of 2006 with reported grosses; the biggest is week 46 (Nov 12–18) with $388.4M, led by Happy Feet (2006).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
ATL (2006) leads with $21.2M worldwide, $21.2M of it in the US & Canada. Next come Almost Love (2006) at $10M and Marilyn Hotchkiss' Ballroom Dancing & Charm School (2006) at $410.6K.
5 romance films released in week 13 of 2006 (Mar 26–Apr 1) report a worldwide gross, $31.9M in all, or $6.4M per film on average. Week 12, 2006 releases took $20.2M.
None. The biggest, ATL (2006), earned $21.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2006 (Mar 26–Apr 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.