A Price Above Rubies 1998

   About a young woman who is married to a devout Jew and the problems that trouble their marriage because of the woman wanting something more out of her life.

About a young woman who is married to a devout Jew and the problems that trouble their marriage because of the woman wanting something more out of her life.

Does A Price Above Rubies have end credit scenes?

No!

A Price Above Rubies does not have end credit scenes. You can leave when the credits roll.

Where to Watch A Price Above Rubies

See current US streaming, rental, and purchase options for A Price Above Rubies (1998) via JustWatch.


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A Price Above Rubies Quiz: Test your knowledge of the 1998 film *A Price Above Rubies* with these ten questions ranging from easy to difficult.

Which actress portrays Sonia Horowitz?

Full Plot Summary and Ending Explained for A Price Above Rubies

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Read the complete plot summary of A Price Above Rubies, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Sonia Horowitz, Renée Zellweger, is a young Brooklyn woman who has just given birth to her first child. She is married, through an arranged marriage, to Mendel Horowitz, Glenn Fitzgerald, a devout Hasidic Jew who is too repressed and immersed in his studies to give his wife the attention she craves. He even condemns her for making sounds during sex and considers nudity with sex indecent.

Sonia is distressed and later, after a panic attack, she tries to kiss her sister-in-law Rachel, Julianna Margulies. Rachel persuades her to talk to the Rebbe, but Sonia cannot truly articulate what is upsetting her, instead resorting to a metaphor of a fire burning her up.

Sonia develops a relationship with Sender Horowitz, who brings her into his jewellery business. Her husband forgets her birthday and Sonia says she longs for something beautiful in her life — even if it is a terrible beauty. Sender is the only release for Sonia’s sexuality, but she is repelled by his utter lack of morals. He is abrupt and self-centred in his seductions, never waiting for Sonia to achieve orgasm.

Sonia sometimes sees and hears her brother. He appears as a child and judges her actions. On one occasion she buys a non-kosher egg roll in Chinatown, and her brother tells her off; an elderly street beggar-woman, Kathleen Chalfant, sees him and offers him candy. She comments on another woman’s earrings and this leads Sonia to track down the maker of a ring she had discovered earlier that day.

The maker is Ramon Garcia, Allen Payne, a Puerto Rican artist and jewellery designer who works as a salesperson in the jewellery quarter but keeps his artistry a secret from everyone in the business.

Later Sonia’s husband tells her she cannot continue to work. She is furious. Her husband insists they see a marriage counsellor (their rabbi) but the man decides Sonia is not being a good enough Jew. She says she is tired of being afraid and if she is so offensive to God then > let him do what he wants to me. The counsellor says we bring suffering upon ourselves but Sonia protests that her relatives who were murdered in the Holocaust and her brother who died when he was ten did not deserve their suffering. The counsellor says that > we do not question the ways of God. Sonia corrects this to ‘you’ and asserts that she will question whatever she wants to.

Sonia stops wearing her wig and starts wearing a headscarf instead. She introduces Ramon and some samples to a jewellery buyer who expresses an interest in his potential as a designer. They argue at Ramon’s flat as she becomes bossy over his career, and he tries to get her to model (clothed) with a naked male model so he can complete a sculpture. She runs away.

Sonia’s marriage breaks down irrevocably. Sonia is locked out of her apartment, and finds that her son has been given to Rachel. She is told she may live in a tiny apartment owned by Sender and kept for ‘business purposes’. When she arrives, Sender is eating at a table and it is clear he has set her up as his mistress when she asks what the price is to stay: he says above that of emeralds but below the price of rubies. This is ‘freedom’. Sonia hands him back the keys and leaves.

None of her friends will take her phone calls and Sonia is homeless. She meets the beggar-woman on the street and is taken to an empty studio and given food. The woman refers to an old legend (one her brother spoke of at the start of the film), to encourage Sonia. Meantime, Mendel takes back his son — for nights only. Rachel protests but he says he would appreciate her caring for his son during the day when he is studying.

Sonia now goes to Ramon Garcia’s place and he lets her stay. She says he was right to be wary of her when they met as she has destroyed every good thing she had. But Ramon disagrees, removes her jewellery, and points out that her necklace is a chain. (It is unclear if the necklace is of religious significance or if he means the need to have financial security through jewellery is a chain or restriction). The two end up kissing.

Sonia dreams her brother returns from the lake to say he swam, and she — as her childhood self — says she swam too. When she wakes up in Ramon’s bed there is a prominent crucifix on the wall. Sonia goes to speak to the widow of the Rebbe. The widow tells her that Sonia’s words about being consumed by fire had awoken a fire in the Rebbe and for the first time in 20 years he had said > I love you. It is implied that they had sex and the Rebbe had a heart attack. The widow is not unhappy with this outcome. She assists Sonia in reclaiming property from Sender’s safe.

With Ramon’s ring back in her keeping she returns it to Ramon. She doesn’t want to stay as she does not feel she belongs. Ramon offers her time to think about what she wants.

Mendel arrives. Sonia asks after her son and then if Mendel misses her. He shakes his head. He asks the same of her and she shakes her head. He apologises for forgetting her birthday but he knows that this was not all it was about. He gives her a ruby as token of his regret and invites her to visit their son.

Mendel leaves and Sonia says, ‘God bless you’.

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Watch Trailers, Clips & Behind-the-Scenes for A Price Above Rubies

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Watch official trailers, exclusive clips, cast interviews, and behind-the-scenes footage from A Price Above Rubies. Dive deeper into the making of the film, its standout moments, and key production insights.


A Price Above Rubies - Clip

A Price Above Rubies Official Trailer #1 (1998) - Renee Zellweger

A Price Above Rubies Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


female nudityjewish shivabegins with childhood flashbackyounger version of selfloveless marriagefainting manbrother in law sister in law affairpassionbrismicrowave ovenstanding sexsex on a deskmysterious strangerimaginary characterbrief female full frontal nudityactor speaks the titlemarital infidelitybare chested maleartist modeljewelry makermale nudityreference to treblinkajealous loverwife breaks up with loverdeath by drowningwall safeinterrupted seximplied sexfantasy sexcrying womanwoman in a bathtubfemale female kissbrother in law sister in law sexsex with brother in lawsex with sister in lawdysfunctional marriageunhappy wifesexually dissatisfied wifeblackmailfemale full frontal nudityfemale frontal nudityhasidicjewtchotchkereference to jesus christsecond avenue manhattan new york citytelephone callhispaniclatinofreedom

A Price Above Rubies Other Names and Titles

Explore the various alternative titles, translations, and other names used for A Price Above Rubies across different regions and languages. Understand how the film is marketed and recognized worldwide.


Sonia Horowitz l'insoumise 自由的代价 Teurer als Rubine אשת חיל מי ימצא Цената на свободата ლალზე ძვირი Дороже рубинов Um Preço Acima dos Rubis Dražší než rubíny Brangiau už rubinus 루비보다 값진 것 Il gioco dei rubini

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