
The most provocative love story of our time… The love story of a priest. A young priest questions his faith after he falls in love with a social worker.
Does Pieces of Dreams have end credit scenes?
No!
Pieces of Dreams does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Pieces of Dreams (1970) via JustWatch.
Explore the complete cast of Pieces of Dreams, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Lauren Hutton
Pamela Gibson

Edith Atwater
Mrs. Lind (Gregory's Mother)

Robert Forster
Gregory Lind

Will Geer
The Bishop

Helen Westcott
Mrs. Straub

Richard O'Brien
Monsignor Francis Hurley

Eloy Casados
Charlie (Boy in Jail Cell)

Joanne Moore Jordan
Girl in Bar

Rudy Diaz
Sgt. Walkingstick

Mitzi Hoag
Anne Lind (Gregory's Sister)

Gail Bonney
Mrs. Tietgens

Robert McCoy
Employment Agency Interviewer

Miriam Martínez
Mrs. Rios

Ivor Francis
Father Paul Schaeffer

Sam Javis
Leo Rose

Kathy Baca
Estella Rios

Raimundo Baca
Gunshot Victim (uncredited)
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What is the vocation of Father Gregory Lind at the start of the film?
Read the complete plot summary of Pieces of Dreams, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Father Gregory Lind, Robert Forster, is a Catholic priest who feels trapped by his vocation. He longs to move to another parish, but his transfers are repeatedly refused, leaving him stuck in a life that weighs on him daily. The story begins at a local hospital, where he arrives after learning that one of his former charges is dying following a desperate attempt to steal a car. There, he meets Pamela Gibson, Lauren Hutton, a widowed and wealthy social worker from the Community Center. Together they decide to dig deeper into the teenage death, hoping to understand the forces that shaped it and perhaps avert further tragedy.
Their investigation leads them to Estella Rios, Kathy Baca, a young girl who is pregnant and underage. The two adults do not agree on how to handle Estella’s precarious situation, and their disagreements reveal a clash between moral duty and personal concern. Later, Lind learns from Mrs. Rios, Miriam Martínez, that Pamela may have taken Estella to obtain an abortion, a revelation that strains their relationship even more. The tension crescendos when Estella is hospitalized and miscarries, an event that heightens the emotional stakes for both Lind and Pamela. The turmoil culminates in a moment of vulnerability: Pamela breaks down, and Lind, in a bid to comfort her, crosses a line and they begin a sexual encounter after he brings her home.
Seeking to forget the consequences and sort out his tangled feelings for Pamela and his calling, Lind withdraws for a time but is drawn back to her, and they embark on a romantic weekend in the mountains. In an attempt to gain clarity on his future, Lind returns to his family for support, but his mother, Edith Atwater, rejects his plan to leave the priesthood and explicitly forbids him from stepping away from the life he’s known. This rejection fuels his sense of anger and betrayal, prompting him to take a vacation and work at a hospital in Santa Fe.
Back in the picture are the external pressures that threaten his relationship with Pamela: a priest from his parish confronts her, trying to force her to back away from Lind and accusing her of jeopardizing his future. Pamela resists this pressure and confronts Lind again, insisting that he must choose between love and the priesthood. After spending more time at his Albuquerque parish and meeting with the Bishop, Will Geer, Lind discovers that the Church cannot grant him the exit he seeks. Ultimately, he makes a decisive choice: he steps away from the priesthood and seeks a life with Pamela, and the two of them begin to build a future together, guided by the sense that love and personal truth can coexist with moral duty.

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