
Some bonds are so forbidden they become compelling. After years of unspoken tension, Richard crosses the line and embarks on a sexual affair with his sister Natalie. As they both navigate marriage and their growing obsession, the illicit relationship spirals into a dangerously intense and consuming drama.
Does Close My Eyes have end credit scenes?
No!
Close My Eyes does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Close My Eyes, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Alan Rickman
Sinclair

Karl Johnson
Colin

Lesley Sharp
Jessica

Clive Owen
Richard

Niall Buggy
Geof

Geraldine Somerville
Natalie's Boss

Helen FitzGerald
Scottish Girl

Saskia Reeves
Natalie Bryant

Kate Gartside
Paula

John Albasiny
Young Man

Campbell Morrison
Scotsman

Gordon Salkilld
Hotel Porter

Karen Knight
Philippa

Annie Hayes
Receptionist

Maxwell Hutcheon
Interviewee

Christopher Barr
Noley

Choy-Ling Man
Maid

Marie Passarelli
Selina

Janis Winters
Doreen (as Jan Winters)
Discover where to watch Close My Eyes online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
Read the complete plot summary of Close My Eyes, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In 1985, town planning student Richard Gillespie visits his older sister Natalie, a relationship that has drifted apart as life pulled them in different directions. Natalie, recently split from her boyfriend, is unhappy with her job and carries a weight of depression that shades everything she does. Richard’s attempts to lift the mood are cut short when Natalie pulls him into a passionate embrace, kissing him on the lips. She quickly apologizes, insisting she only wanted someone to hug. Richard is left momentarily stunned, yet not shaken—an uneasy spark has been set.
Six years pass, and the trajectory of their lives diverges. Richard finds professional success, while Natalie’s career stagnates. She enters into a marriage with Sinclair Bryant, a powerful and wealthy stock analyst who seems to offer security and status. When Richard visits Natalie again, he meets Sinclair, and the two men strike an easy accord. The surface calm, however, hides a growing tension beneath. Shortly after that visit, Natalie comes to Richard’s apartment, and the two old acquaintances—now entangled in a dangerous mix of longing and restraint—struggle to resist the pull between them. But the chemistry proves stronger than their restraint, and they finally give in to their desires and begin an affair. The encounters multiply, and the complication deepens as Sinclair grows increasingly suspicious, probing Richard about Natalie’s lover as if trying to peel back the layers of secrecy surrounding her.
As time goes on, the stakes rise. News reaches them that Sinclair and Natalie plan to move to America, and the pressure of impending change fractures the fragile balance they have created. Richard experiences a painful emotional breakdown, heavy with guilt and fear, and turns to sleeping pills in a desperate attempt to quiet the storm inside. Natalie arrives at his door at a crucial moment, unexpectedly pulling him back from the brink and inviting him to the going-away party on one condition: he must not renew the affair. The invitation sets up a tense moral crossroads that will test all three lives involved.
At the party, Richard attends with his colleague Jessica, but distractions give way to a stubborn hold on the past. He abandons Jessica in the lobby to search for Natalie, the ache of their secret driving him forward. A heated confrontation follows, and they return to the gathering visibly unsettled, their nerves frayed by the weight of what has happened. Sinclair, ever composed, appears and makes it clear that he is not blind to the truth of the situation; his calm acknowledgment brings a chilling sense of inevitability to the unraveling events. The night ends with a charged hush, leaving each character to face the consequences of choices that blurred the lines between care, passion, and loyalty.
Ultimately, the film weaves a tightly wound portrait of desire and consequence, where affection can spiral into betrayal and homes can become battlegrounds for competing loyalties. It is a meticulous study of how one moment—crouched in the shadow of a hug—can ripple outward, reshaping futures and challenging the very definitions of trust.

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