#1 of 7 2002 · Drama, Comedy
$28.3M worldwide · 32% of the chart's total
Brown Sugar (2002) is the highest-grossing romance movie released in week 41 of 2002 (Oct 6–12), with $28.3M worldwide, ahead of Punch-Drunk Love (2002) at $24.7M and Tuck Everlasting (2002) at $19.3M. 7 romance films released that week report a worldwide gross, $88.3M in all, 81% of it from the US & Canada. That is 20.6 times the total of Week 40, 2002, whose releases took $4.3M. By language, English leads with $59.8M across 5 romance releases.
#1 of 7 2002 · Drama, Comedy
$28.3M worldwide · 32% of the chart's total
Brown Sugar (2002) leads with $28.3M, 32% of the total. The top 5 together took $87.1M, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 41 of 2002 (Oct 6–12).
Oct 11, 2002 US and Canada: $27.4M Rest of the world: $952.6K Worldwide: $28.3M
Oct 11, 2002 US and Canada: $17.8M Rest of the world: $6.8M Worldwide: $24.7M
Oct 11, 2002 US and Canada: $19.2M Rest of the world: $182.6K Worldwide: $19.3M
Oct 11, 2002 US and Canada: $6.5M Rest of the world: $5.3M Worldwide: $11.8M
Oct 10, 2002 US and Canada: – Rest of the world: – Worldwide: $3M
Oct 11, 2002 US and Canada: $598.6K Rest of the world: $437.9K Worldwide: $1M
Oct 11, 2002 US and Canada: – Rest of the world: – Worldwide: $154.6K Of the top 7, Tuck Everlasting (2002) earned the biggest share at home (99% in the US & Canada), while The Rules of Attraction (2002) made 45% of its gross abroad. Across all 7 films, $71.5M (81%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Week 41 releases took $88.3M. The biggest of these 9 weeks is week 39 (Sep 22–28) with $198.1M, led by Sweet Home Alabama (2002).
Of these 10 years, Week 41, 2000 earned the most: $332.1M from 5 films, led by Meet the Parents (2000). Week 41, 2002 took $88.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 41, 1993 Oct 3–9 1 film | 1 | $8.3M | – | Mr. Jones (1993) $8.3M |
| Week 41, 1994 Oct 2–8 No films | 0 | – | – | – |
| Week 41, 1995 Oct 8–14 1 film | 1 | $10.4M | – | The Scarlet Letter (1995) $10.4M |
| Week 41, 1996 Oct 6–12 1 film · −60% | 1 | $4.2M | −60% | To Gillian on Her 37th Birthday (1996) $4.2M |
| Week 41, 1997 Oct 5–11 1 film · +41% | 1 | $5.9M | +41% | Gang Related (1997) $5.9M |
| Week 41, 1998 Oct 4–10 No films | 0 | – | – | – |
| Week 41, 1999 Oct 3–9 4 films | 4 | $86.5M | – | Random Hearts (1999) $74.6M |
| Week 41, 2000 Oct 1–7 5 films · +284% | 5 | $332.1M | +284% | Meet the Parents (2000) $330.4M |
| Week 41, 2001 Oct 7–13 4 films · −73% | 4 | $88.8M | −73% | Bandits (2001) $67.6M |
| Week 41, 2002 Oct 6–12 7 films · −1% | 7 | $88.3M | −1% | Brown Sugar (2002) $28.3M |
50 weeks of 2002 with reported grosses; the biggest is week 16 (Apr 14–20) with $552.1M, led by My Big Fat Greek Wedding (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Brown Sugar (2002) leads with $28.3M worldwide, $27.4M of it in the US & Canada. Next come Punch-Drunk Love (2002) at $24.7M and Tuck Everlasting (2002) at $19.3M.
7 romance films released in week 41 of 2002 (Oct 6–12) report a worldwide gross, $88.3M in all, or $12.6M per film on average. Week 40, 2002 releases took $4.3M.
None. The biggest, Brown Sugar (2002), earned $28.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 41 of 2002 (Oct 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.