#1 of 5 2002 · Drama, Comedy
$154.9M worldwide · 64% of the chart's total
Maid in Manhattan (2002) is the highest-grossing romance movie released in week 50 of 2002 (Dec 8–14), with $154.9M worldwide, ahead of Drumline (2002) at $57.6M and Sex Is Zero (2002) at $23.9M. 5 romance films released that week report a worldwide gross, $242.4M in all, 62% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. By language, English leads with $212.5M across 3 romance releases.
#1 of 5 2002 · Drama, Comedy
$154.9M worldwide · 64% of the chart's total
Maid in Manhattan (2002) leads with $154.9M, 64% of the total. The top 5 together took $242.4M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 50 of 2002 (Dec 8–14).
Dec 13, 2002 US and Canada: $94M Rest of the world: $60.9M Worldwide: $154.9M
Dec 13, 2002 US and Canada: $56.4M Rest of the world: $1.2M Worldwide: $57.6M
Dec 12, 2002 US and Canada: – Rest of the world: – Worldwide: $23.9M
Dec 12, 2002 US and Canada: $1.6K Rest of the world: $5.9M Worldwide: $5.9M
Dec 11, 2002 US and Canada: – Rest of the world: – Worldwide: $48.8K Of the top 5, Drumline (2002) earned the biggest share at home (98% in the US & Canada), while Twin Sisters (2002) made 100% of its gross abroad. Across all 5 films, $150.4M (62%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 50 releases took $242.4M. The biggest of these 9 weeks is week 50 (Dec 8–14) with $242.4M, led by Maid in Manhattan (2002).
Of these 10 years, Week 50, 1998 earned the most: $289.3M from 1 film, led by Shakespeare in Love (1998). Week 50, 2002 took $242.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 50, 1993 Dec 5–11 1 film | 1 | $619.9K | – | Sailor Moon R: The Movie - The Promise of the Rose (1993) $619.9K |
| Week 50, 1994 Dec 4–10 1 film · −73% | 1 | $167.8K | −73% | Sailor Moon S the Movie: Hearts in Ice (1994) $167.8K |
| Week 50, 1995 Dec 10–16 1 film · +80081% | 1 | $134.6M | +80081% | Sense and Sensibility (1995) $134.6M |
| Week 50, 1996 Dec 8–14 3 films · +107% | 3 | $278.2M | +107% | Jerry Maguire (1996) $273.6M |
| Week 50, 1997 Dec 7–13 2 films · −96% | 2 | $10.7M | −96% | Deconstructing Harry (1997) $10.7M |
| Week 50, 1998 Dec 6–12 1 film · +2604% | 1 | $289.3M | +2604% | Shakespeare in Love (1998) $289.3M |
| Week 50, 1999 Dec 5–11 1 film · −69% | 1 | $88.5M | −69% | The Cider House Rules (1999) $88.5M |
| Week 50, 2000 Dec 3–9 2 films · +213% | 2 | $276.7M | +213% | Crouching Tiger, Hidden Dragon (2000) $214M |
| Week 50, 2001 Dec 9–15 2 films · −21% | 2 | $219.5M | −21% | Vanilla Sky (2001) $203.4M |
| Week 50, 2002 Dec 8–14 5 films · +10% | 5 | $242.4M | +10% | Maid in Manhattan (2002) $154.9M |
50 weeks of 2002 with reported grosses; the biggest is week 16 (Apr 14–20) with $552.1M, led by My Big Fat Greek Wedding (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Maid in Manhattan (2002) leads with $154.9M worldwide, $94M of it in the US & Canada. Next come Drumline (2002) at $57.6M and Sex Is Zero (2002) at $23.9M.
5 romance films released in week 50 of 2002 (Dec 8–14) report a worldwide gross, $242.4M in all, or $48.5M per film on average.
None. 1 film crossed $100 million, led by Maid in Manhattan (2002) with $154.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 50 of 2002 (Dec 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.