#1 of 6 2014 · Action, Mystery
$222.8M worldwide · 76% of the chart's total
Non-Stop (2014) is the highest-grossing mystery movie released in February 2014, with $222.8M worldwide, ahead of Winter's Tale (2014) at $30.8M and Black Coal, Thin Ice (2014) at $16.8M. 6 mystery films released in February 2014 report a worldwide gross, $291.5M in all, 39% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 36% on January 2014, whose releases took $213.8M. By language, English leads with $270.4M across 4 mystery releases.
#1 of 6 2014 · Action, Mystery
$222.8M worldwide · 76% of the chart's total
Non-Stop (2014) leads with $222.8M, 76% of the total. The top 5 together took $290.3M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in February 2014.
Feb 28, 2014 US and Canada: $92.2M Rest of the world: $130.6M Worldwide: $222.8M
Feb 14, 2014 US and Canada: $12.6M Rest of the world: $18.2M Worldwide: $30.8M
Feb 12, 2014 US and Canada: – Rest of the world: – Worldwide: $16.8M
Feb 7, 2014 US and Canada: $7.8M Rest of the world: $7.9M Worldwide: $15.6M
Feb 14, 2014 US and Canada: – Rest of the world: – Worldwide: $4.2M
Feb 28, 2014 US and Canada: – Rest of the world: – Worldwide: $1.1M Of the top 6, Vampire Academy (2014) earned the biggest share at home (50% in the US & Canada), while Winter's Tale (2014) made 59% of its gross abroad. Across all 6 films, $112.6M (39%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Films released in week 9 (Feb 23–Mar 1) took $224M, led by Non-Stop (2014). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, February 2010 earned the most: $416.1M from 5 films, led by Shutter Island (2010). February 2014 took $291.5M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| February 2005 3 films | 3 | $138.6M | – | Boogeyman (2005) $67.2M |
| February 2006 4 films · +116% | 4 | $299M | +116% | The Pink Panther (2006) $164.1M |
| February 2007 6 films · −53% | 6 | $142M | −53% | The Number 23 (2007) $77.7M |
| February 2008 3 films · −75% | 3 | $36M | −75% | Death Note: L Change the WorLd (2008) $35.3M |
| February 2009 10 films · +345% | 10 | $160.3M | +345% | The Pink Panther 2 (2009) $76M |
| February 2010 5 films · +160% | 5 | $416.1M | +160% | Shutter Island (2010) $295M |
| February 2011 4 films · −64% | 4 | $150.2M | −64% | Unknown (2011) $135.7M |
| February 2012 2 films · +45% | 2 | $218.4M | +45% | Safe House (2012) $208.1M |
| February 2013 4 films · −55% | 4 | $98.3M | −55% | Safe Haven (2013) $97.6M |
| February 2014 6 films · +197% | 6 | $291.5M | +197% | Non-Stop (2014) $222.8M |
The months of 2014 with their totals: September leads with $420.6M, led by The Maze Runner (2014).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Non-Stop (2014) leads with $222.8M worldwide, $92.2M of it in the US & Canada. Next come Winter's Tale (2014) at $30.8M and Black Coal, Thin Ice (2014) at $16.8M.
6 mystery films released in February 2014 report a worldwide gross, $291.5M in all, or $48.6M per film on average. January 2014 releases took $213.8M.
None. 1 film crossed $100 million, led by Non-Stop (2014) with $222.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in February 2014. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.