#1 of 3 #1 horror movie of Week 12, 2017
2017 · Sci-Fi, Thriller
$100.5M worldwide · 100% of the chart's total
$30.2M US & Canada · 30% $70.3M elsewhere · 70%
Horror box office · Week 12 · Mar 19–25, 2017
Horror Box Office, Week 12 of 2017: Horror Releases of Mar 19–25
Life (2017) is the highest-grossing horror movie released in week 12 of 2017 (Mar 19–25), with $100.5M worldwide, ahead of Prevenge (2017) at $103.9K and House on Willow Street (2017) at $63.5K. 3 horror films released that week report a worldwide gross, $100.7M in all, 30% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 8.5 times the total of Week 11, 2017, whose releases took $11.9M.
- week 12 releases with a gross
- 3
- combined worldwide
- $100.7M
- film crossed $100M
- 1
- vs Week 11, 2017
- ×8.5
#1 of 3 Top 3
What Were the Biggest Horror Hits of Week 12 of 2017?
Life (2017) leads with $100.5M, 100% of the total. The top 3 together took $100.7M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Horror Release of Week 12 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 12 of 2017 (Mar 19–25).
- 1 Mar 24, 2017 US and Canada: $30.2M Rest of the world: $70.3M Worldwide: $100.5M
- 2 Mar 24, 2017 US and Canada: – Rest of the world: – Worldwide: $103.9K
- 3 Mar 24, 2017 US and Canada: – Rest of the world: – Worldwide: $63.5K
Weeks around it
How Does Week 12 Compare With the Weeks Around It?
Week 12 releases took $100.7M. The biggest of these 9 weeks is week 8 (Feb 19–25) with $261.8M, led by Get Out (2017).
- Week 6 Wk 6 Feb 5–11 Don't Hang Up (2017) $625.1K Don't Hang Up (2017)
- Week 7 Wk 7 Feb 12–18 A Cure for Wellness (2017) $26.7M A Cure for Wellness (2017)
- Week 8 Wk 8 Feb 19–25 Get Out (2017) $261.8M Get Out (2017)
- Week 9 Wk 9 Feb 26–Mar 4 Don't Kill It (2017) $8.2K Don't Kill It (2017)
- Week 10 Wk 10 Mar 5–11 Raw (2017) $3.1M Raw (2017)
- Week 11 Wk 11 Mar 12–18 The Belko Experiment (2017) $11.9M The Belko Experiment (2017)
- Week 12 Wk 12 Mar 19–25 Life (2017) $100.7M Life (2017)
- Week 13 Wk 13 Mar 26–Apr 1 Siam Square (2017) $347K Siam Square (2017)
- Week 14 Wk 14 Apr 2–8 House of the Disappeared (2017) $1.3M House of the Disappeared (2017)
Earlier years
How Does Week 12 of 2017 Compare With Earlier Years?
Of these 10 years, Week 12, 2017 earned the most: $100.7M from 3 films, led by Life (2017).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 12, 2008 Mar 16–22 1 film | 1 | $48.6M | – | Shutter (2008) $48.6M |
| Week 12, 2009 Mar 15–21 1 film · −99% | 1 | $393.6K | −99% | Meat Grinder (2009) $393.6K |
| Week 12, 2010 Mar 14–20 1 film · −46% | 1 | $211K | −46% | Womb Ghosts (2010) $211K |
| Week 12, 2011 Mar 13–19 1 film · +194% | 1 | $620.2K | +194% | National Theatre Live: Frankenstein (2011) $620.2K |
| Week 12, 2012 Mar 18–24 No films | 0 | – | – | – |
| Week 12, 2013 Mar 17–23 2 films | 2 | $282.5K | – | Come Out and Play (2013) $271.7K |
| Week 12, 2014 Mar 16–22 3 films · +2218% | 3 | $6.5M | +2218% | Ragini MMS 2 (2014) $6.5M |
| Week 12, 2015 Mar 15–21 4 films · −80% | 4 | $1.3M | −80% | Ghoul (2015) $1.2M |
| Week 12, 2016 Mar 13–19 3 films · −70% | 3 | $397.7K | −70% | Johnny Frank Garrett’s Last Word (2016) $263.4K |
| Week 12, 2017 Mar 19–25 3 films · +25223% | 3 | $100.7M | +25223% | Life (2017) $100.5M |
Archive
Horror Box Office in 2017, Week by Week
52 weeks of 2017 with reported grosses; the biggest is week 36 (Sep 3–9) with $706.6M, led by It (2017).
- Week 1 $81.1M
- Week 2 $30.1M
- Week 3 $278.6M
- Week 4 $312.3M
- Week 5 $85.5M
- Week 6 $625.1K
- Week 7 $26.7M
- Week 8 $261.8M
- Week 9 $8.2K
- Week 10 $3.1M
- Week 11 $11.9M
- Week 12 $100.7M
- Week 13 $347K
- Week 14 $1.3M
- Week 15 $52.8K
- Week 16 $3.7M
- Week 17 $55K
- Week 18 $129.7K
- Week 19 $256.1K
- Week 20 $242.1M
- Week 21 $397.8K
- Week 22 $273.5K
- Week 23 $429M
- Week 24 $66.4M
- Week 25 $1.9M
- Week 26 $12.2K
- Week 27 $32.4M
- Week 28 $23.5M
- Week 29 $291.8K
- Week 30 $33.6K
- Week 31 $113.3M
- Week 32 $308M
- Week 33 $150.5K
- Week 34 $1.1M
- Week 35 $8.4M
- Week 36 $706.6M
- Week 37 $45M
- Week 38 $24.2M
- Week 39 $59.9M
- Week 40 $8.8M
- Week 41 $127.1M
- Week 42 $15.8M
- Week 43 $118.5M
- Week 44 $1.6M
- Week 45 $768.9K
- Week 46 $71.4K
- Week 47 $234.5K
- Week 48 $1.4M
- Week 49 $730.7K
- Week 50 $1.1M
- Week 51 $22.4K
- Week 52 $11.8M
- Week 53 No grosses
FAQ
Horror Box Office Week 12 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing horror movie in week 12 of 2017 (Mar 19–25)?
Life (2017) leads with $100.5M worldwide, $30.2M of it in the US & Canada. Next come Prevenge (2017) at $103.9K and House on Willow Street (2017) at $63.5K.
How much did horror movies released in week 12 of 2017 (Mar 19–25) earn?
3 horror films released in week 12 of 2017 (Mar 19–25) report a worldwide gross, $100.7M in all, or $33.6M per film on average. Week 11, 2017 releases took $11.9M.
How many horror movies released in week 12 of 2017 (Mar 19–25) made $1 billion?
None. 1 film crossed $100 million, led by Life (2017) with $100.5M.
How is the week 12, 2017 horror box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 12 of 2017 (Mar 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 12, 2017 horror box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.