#1 of 4 #1 horror movie of Week 2, 2017
2017 · Thriller, Horror
$29.9M worldwide · 99% of the chart's total
$22.4M US & Canada · 75% $7.5M elsewhere · 25%
Horror box office · Week 2 · Jan 8–14, 2017
Horror Box Office, Week 2 of 2017: Horror Releases of Jan 8–14
The Bye Bye Man (2017) is the highest-grossing horror movie released in week 2 of 2017 (Jan 8–14), with $29.9M worldwide, ahead of School Tales (2017) at $141.3K and The 13th Friday (2017) at $30.7K. 4 horror films released that week report a worldwide gross, $30.1M in all, 75% of it from the US & Canada.
- week 2 releases with a gross
- 4
- combined worldwide
- $30.1M
- The Bye Bye Man (2017), the #1
- $29.9M
- earned in the US & Canada
- 75%
#1 of 4 Top 4
What Were the Biggest Horror Hits of Week 2 of 2017?
The Bye Bye Man (2017) leads with $29.9M, 99% of the total. The top 4 together took $30.1M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Horror Release of Week 2 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 2 of 2017 (Jan 8–14).
- 1 Jan 13, 2017 US and Canada: $22.4M Rest of the world: $7.5M Worldwide: $29.9M
- 2 Jan 12, 2017 US and Canada: – Rest of the world: – Worldwide: $141.3K
- 3 Jan 10, 2017 US and Canada: – Rest of the world: – Worldwide: $30.7K
- 4 Jan 13, 2017 US and Canada: $8.4K Rest of the world: Worldwide: $8.4K
Weeks around it
How Does Week 2 Compare With the Weeks Around It?
Week 2 releases took $30.1M. The biggest of these 9 weeks is week 4 (Jan 22–28) with $312.3M, led by Resident Evil: The Final Chapter (2017).
- Week 49, 2016 Wk 49 Nov 27–Dec 3 Incarnate (2016) $9.1M Incarnate (2016)
- Week 50, 2016 Wk 50 Dec 4–10 Beyond the Gates (2016) $1.9M Beyond the Gates (2016)
- Week 51, 2016 Wk 51 Dec 11–17 No reported grosses – No reported grosses
- Week 52, 2016 Wk 52 Dec 18–24 The Autopsy of Jane Doe (2016) $6.2M The Autopsy of Jane Doe (2016)
- Week 53, 2016 Wk 53 Dec 25–31 Turn Around (2016) $5.6K Turn Around (2016)
- Week 1 Wk 1 Jan 1–7 Underworld: Blood Wars (2017) $81.1M Underworld: Blood Wars (2017)
- Week 2 Wk 2 Jan 8–14 The Bye Bye Man (2017) $30.1M The Bye Bye Man (2017)
- Week 3 Wk 3 Jan 15–21 Split (2017) $278.6M Split (2017)
- Week 4 Wk 4 Jan 22–28 Resident Evil: The Final Chapter (2017) $312.3M Resident Evil: The Final Chapter (2017)
Earlier years
How Does Week 2 of 2017 Compare With Earlier Years?
Of these 10 years, Week 2, 2009 earned the most: $76.6M from 2 films, led by The Unborn (2009). Week 2, 2017 took $30.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 2, 2008 Jan 6–12 No films | 0 | – | – | – |
| Week 2, 2009 Jan 4–10 2 films | 2 | $76.6M | – | The Unborn (2009) $76.5M |
| Week 2, 2010 Jan 3–9 3 films · −33% | 3 | $51.6M | −33% | Daybreakers (2010) $51.4M |
| Week 2, 2011 Jan 2–8 1 film · −96% | 1 | $2.3M | −96% | The Ghosts Must Be Crazy (2011) $2.3M |
| Week 2, 2012 Jan 8–14 No films | 0 | – | – | – |
| Week 2, 2013 Jan 6–12 3 films | 3 | $60.8M | – | A Haunted House (2013) $60.2M |
| Week 2, 2014 Jan 5–11 3 films · −100% | 3 | $216.1K | −100% | The Parallel (2014) $203.5K |
| Week 2, 2015 Jan 4–10 1 film · +32% | 1 | $284.9K | +32% | Bring Back the Dead (2015) $284.9K |
| Week 2, 2016 Jan 3–9 3 films · +23547% | 3 | $67.4M | +23547% | The Forest (2016) $39.7M |
| Week 2, 2017 Jan 8–14 4 films · −55% | 4 | $30.1M | −55% | The Bye Bye Man (2017) $29.9M |
Archive
Horror Box Office in 2017, Week by Week
52 weeks of 2017 with reported grosses; the biggest is week 36 (Sep 3–9) with $706.6M, led by It (2017).
- Week 1 $81.1M
- Week 2 $30.1M
- Week 3 $278.6M
- Week 4 $312.3M
- Week 5 $85.5M
- Week 6 $625.1K
- Week 7 $26.7M
- Week 8 $261.8M
- Week 9 $8.2K
- Week 10 $3.1M
- Week 11 $11.9M
- Week 12 $100.7M
- Week 13 $347K
- Week 14 $1.3M
- Week 15 $52.8K
- Week 16 $3.7M
- Week 17 $55K
- Week 18 $129.7K
- Week 19 $256.1K
- Week 20 $242.1M
- Week 21 $397.8K
- Week 22 $273.5K
- Week 23 $429M
- Week 24 $66.4M
- Week 25 $1.9M
- Week 26 $12.2K
- Week 27 $32.4M
- Week 28 $23.5M
- Week 29 $291.8K
- Week 30 $33.6K
- Week 31 $113.3M
- Week 32 $308M
- Week 33 $150.5K
- Week 34 $1.1M
- Week 35 $8.4M
- Week 36 $706.6M
- Week 37 $45M
- Week 38 $24.2M
- Week 39 $59.9M
- Week 40 $8.8M
- Week 41 $127.1M
- Week 42 $15.8M
- Week 43 $118.5M
- Week 44 $1.6M
- Week 45 $768.9K
- Week 46 $71.4K
- Week 47 $234.5K
- Week 48 $1.4M
- Week 49 $730.7K
- Week 50 $1.1M
- Week 51 $22.4K
- Week 52 $11.8M
- Week 53 No grosses
FAQ
Horror Box Office Week 2 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing horror movie in week 2 of 2017 (Jan 8–14)?
The Bye Bye Man (2017) leads with $29.9M worldwide, $22.4M of it in the US & Canada. Next come School Tales (2017) at $141.3K and The 13th Friday (2017) at $30.7K.
How much did horror movies released in week 2 of 2017 (Jan 8–14) earn?
4 horror films released in week 2 of 2017 (Jan 8–14) report a worldwide gross, $30.1M in all, or $7.5M per film on average.
How many horror movies released in week 2 of 2017 (Jan 8–14) made $1 billion?
None. The biggest, The Bye Bye Man (2017), earned $29.9M.
How is the week 2, 2017 horror box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 2 of 2017 (Jan 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 2, 2017 horror box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.