#1 of 5 2016 · Drama, Mystery
$30.7M worldwide · 83% of the chart's total
When the Bough Breaks (2016) is the highest-grossing horror movie released in week 37 of 2016 (Sep 4–10), with $30.7M worldwide, ahead of The Disappointments Room (2016) at $5.7M and Azem 4: Alacakaranlık (2016) at $248K. 5 horror films released that week report a worldwide gross, $36.8M in all, 88% of it from the US & Canada. That is up 123% on Week 36, 2016, whose releases took $16.5M. By language, English leads with $36.5M across 4 horror releases.
#1 of 5 2016 · Drama, Mystery
$30.7M worldwide · 83% of the chart's total
When the Bough Breaks (2016) leads with $30.7M, 83% of the total. The top 5 together took $36.8M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2016 (Sep 4–10).
Sep 9, 2016 US and Canada: $29.7M Rest of the world: $910.8K Worldwide: $30.7M
Sep 9, 2016 US and Canada: $2.4M Rest of the world: $3.3M Worldwide: $5.7M
Sep 9, 2016 US and Canada: – Rest of the world: – Worldwide: $248K
Sep 9, 2016 US and Canada: $104K Rest of the world: Worldwide: $104K
Sep 9, 2016 US and Canada: – Rest of the world: – Worldwide: $2.2K Of the top 5, Demon (2016) earned the biggest share at home (100% in the US & Canada), while The Disappointments Room (2016) made 58% of its gross abroad. Across all 5 films, $32.3M (88%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 37 releases took $36.8M. The biggest of these 9 weeks is week 35 (Aug 21–27) with $157.8M, led by Don't Breathe (2016).
Of these 10 years, Week 37, 2010 earned the most: $300.3M from 3 films, led by Resident Evil: Afterlife (2010). Week 37, 2016 took $36.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2007 Sep 9–15 2 films | 2 | $75.7M | – | Dragon Wars: D-War (2007) $75.1M |
| Week 37, 2008 Sep 7–13 1 film · −96% | 1 | $2.9M | −96% | 1920 (2008) $2.9M |
| Week 37, 2009 Sep 6–12 4 films · +1810% | 4 | $55.5M | +1810% | Sorority Row (2009) $27.2M |
| Week 37, 2010 Sep 5–11 3 films · +441% | 3 | $300.3M | +441% | Resident Evil: Afterlife (2010) $300.2M |
| Week 37, 2011 Sep 4–10 2 films · −98% | 2 | $4.6M | −98% | Grave Encounters (2011) $4.1M |
| Week 37, 2012 Sep 9–15 1 film · +5133% | 1 | $240.2M | +5133% | Resident Evil: Retribution (2012) $240.2M |
| Week 37, 2013 Sep 8–14 3 films · −32% | 3 | $164.4M | −32% | Insidious: Chapter 2 (2013) $161.9M |
| Week 37, 2014 Sep 7–13 8 films · −40% | 8 | $99.3M | −40% | No Good Deed (2014) $54.3M |
| Week 37, 2015 Sep 6–12 3 films · +3% | 3 | $102.8M | +3% | The Visit (2015) $98.5M |
| Week 37, 2016 Sep 4–10 5 films · −64% | 5 | $36.8M | −64% | When the Bough Breaks (2016) $30.7M |
48 weeks of 2016 with reported grosses; the biggest is week 24 (Jun 5–11) with $325.1M, led by The Conjuring 2 (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
When the Bough Breaks (2016) leads with $30.7M worldwide, $29.7M of it in the US & Canada. Next come The Disappointments Room (2016) at $5.7M and Azem 4: Alacakaranlık (2016) at $248K.
5 horror films released in week 37 of 2016 (Sep 4–10) report a worldwide gross, $36.8M in all, or $7.4M per film on average. Week 36, 2016 releases took $16.5M.
None. The biggest, When the Bough Breaks (2016), earned $30.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2016 (Sep 4–10). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.