#1 of 4 #1 horror movie of Week 19, 2016
2016 · Mystery, Thriller
$13.5M worldwide · 86% of the chart's total
$44K US & Canada · <1% $13.5M elsewhere · 100%
Horror box office · Week 19 · May 1–7, 2016
Horror Box Office, Week 19 of 2016: Horror Releases of May 1–7
Phantom of the Theatre (2016) is the highest-grossing horror movie released in week 19 of 2016 (May 1–7), with $13.5M worldwide, ahead of The Offering (2016) at $2.2M and İfrit’in Diyeti: Cinnia (2016) at $32.9K. 4 horror films released that week report a worldwide gross, $15.8M in all, <1% of it from the US & Canada.
- week 19 releases with a gross
- 4
- combined worldwide
- $15.8M
- Phantom of the Theatre (2016), the #1
- $13.5M
- earned in the US & Canada
- <1%
#1 of 4 Top 4
What Were the Biggest Horror Hits of Week 19 of 2016?
Phantom of the Theatre (2016) leads with $13.5M, 86% of the total. The top 4 together took $15.8M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Horror Release of Week 19 of 2016, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 19 of 2016 (May 1–7).
- 1 May 6, 2016 US and Canada: $44K Rest of the world: $13.5M Worldwide: $13.5M
- 2 May 6, 2016 US and Canada: – Rest of the world: – Worldwide: $2.2M
- 3 May 6, 2016 US and Canada: – Rest of the world: – Worldwide: $32.9K
- 4 May 6, 2016 US and Canada: – Rest of the world: – Worldwide: $16.1K
Weeks around it
How Does Week 19 Compare With the Weeks Around It?
Week 19 releases took $15.8M. The biggest of these 9 weeks is week 19 (May 1–7) with $15.8M, led by Phantom of the Theatre (2016).
- Week 13 Wk 13 Mar 20–26 Baskin (2016) $318.2K Baskin (2016)
- Week 14 Wk 14 Mar 27–Apr 2 Meet the Blacks (2016) $9.1M Meet the Blacks (2016)
- Week 15 Wk 15 Apr 3–9 Seoul Station (2016) $2.8M Seoul Station (2016)
- Week 16 Wk 16 Apr 10–16 Green Room (2016) $4.3M Green Room (2016)
- Week 17 Wk 17 Apr 17–23 Tale of Tales (2016) $5.6M Tale of Tales (2016)
- Week 18 Wk 18 Apr 24–30 Terra Formars (2016) $6.4M Terra Formars (2016)
- Week 19 Wk 19 May 1–7 Phantom of the Theatre (2016) $15.8M Phantom of the Theatre (2016)
- Week 20 Wk 20 May 8–14 The Darkness (2016) $11M The Darkness (2016)
- Week 21 Wk 21 May 15–21 No reported grosses – No reported grosses
Earlier years
How Does Week 19 of 2016 Compare With Earlier Years?
Of these 10 years, Week 19, 2012 earned the most: $266.8M from 3 films, led by Dark Shadows (2012). Week 19, 2016 took $15.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 19, 2007 May 6–12 3 films | 3 | $65.4M | – | 28 Weeks Later (2007) $65M |
| Week 19, 2008 May 4–10 4 films · −96% | 4 | $2.8M | −96% | Frontier(s) (2008) $2.8M |
| Week 19, 2009 May 3–9 No films | 0 | – | – | – |
| Week 19, 2010 May 2–8 2 films | 2 | $961.9K | – | Still (2010) $961.9K |
| Week 19, 2011 May 1–7 2 films · ±0% | 2 | $960.6K | ±0% | The Ouija Experiment (2011) $716.6K |
| Week 19, 2012 May 6–12 3 films · +27674% | 3 | $266.8M | +27674% | Dark Shadows (2012) $245.5M |
| Week 19, 2013 May 5–11 3 films · −99% | 3 | $1.8M | −99% | No One Lives (2013) $1M |
| Week 19, 2014 May 4–10 1 film · −100% | 1 | $7.1K | −100% | Stage Fright (2014) $7.1K |
| Week 19, 2015 May 3–9 3 films · +132957% | 3 | $9.4M | +132957% | Apparition (2015) $7.3M |
| Week 19, 2016 May 1–7 4 films · +67% | 4 | $15.8M | +67% | Phantom of the Theatre (2016) $13.5M |
Archive
Horror Box Office in 2016, Week by Week
48 weeks of 2016 with reported grosses; the biggest is week 24 (Jun 5–11) with $325.1M, led by The Conjuring 2 (2016).
- Week 1 No grosses
- Week 2 $67.4M
- Week 3 $236.2K
- Week 4 $74.4M
- Week 5 $24K
- Week 6 $34.3M
- Week 7 $11M
- Week 8 $40.4M
- Week 9 $969.2K
- Week 10 $15.4M
- Week 11 $110.3M
- Week 12 $397.7K
- Week 13 $318.2K
- Week 14 $9.1M
- Week 15 $2.8M
- Week 16 $4.3M
- Week 17 $5.6M
- Week 18 $6.4M
- Week 19 $15.8M
- Week 20 $11M
- Week 21 No grosses
- Week 22 No grosses
- Week 23 $50.5M
- Week 24 $325.1M
- Week 25 $10.1M
- Week 26 $123.2M
- Week 27 $118.9M
- Week 28 $1.4M
- Week 29 $2M
- Week 30 $242.5M
- Week 31 $83.1M
- Week 32 $10.4M
- Week 33 $641.9K
- Week 34 $754.6K
- Week 35 $157.8M
- Week 36 $16.5M
- Week 37 $36.8M
- Week 38 $45.5M
- Week 39 $10.7K
- Week 40 No grosses
- Week 41 $203.2K
- Week 42 $84.1M
- Week 43 $167.6M
- Week 44 $21.8M
- Week 45 $1.7M
- Week 46 $341.7K
- Week 47 $84.9K
- Week 48 $60.3K
- Week 49 $9.1M
- Week 50 $1.9M
- Week 51 No grosses
- Week 52 $6.2M
- Week 53 $5.6K
FAQ
Horror Box Office Week 19 of 2016: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing horror movie in week 19 of 2016 (May 1–7)?
Phantom of the Theatre (2016) leads with $13.5M worldwide, $44K of it in the US & Canada. Next come The Offering (2016) at $2.2M and İfrit’in Diyeti: Cinnia (2016) at $32.9K.
How much did horror movies released in week 19 of 2016 (May 1–7) earn?
4 horror films released in week 19 of 2016 (May 1–7) report a worldwide gross, $15.8M in all, or $3.9M per film on average.
How many horror movies released in week 19 of 2016 (May 1–7) made $1 billion?
None. The biggest, Phantom of the Theatre (2016), earned $13.5M.
How is the week 19, 2016 horror box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 19 of 2016 (May 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 19, 2016 horror box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.