#1 of 3 #1 horror movie of Week 14, 2016
2016 · Horror, Comedy
$9.1M worldwide · 100% of the chart's total
$9.1M US & Canada · 100% elsewhere · 0%
Horror box office · Week 14 · Mar 27–Apr 2, 2016
Horror Box Office, Week 14 of 2016: Horror Releases of Mar 27–Apr 2
Meet the Blacks (2016) is the highest-grossing horror movie released in week 14 of 2016 (Mar 27–Apr 2), with $9.1M worldwide, ahead of Darling (2016) at $10.6K and Pandemic (2016) at $8.5K. 3 horror films released that week report a worldwide gross, $9.1M in all, 100% of it from the US & Canada.
- week 14 releases with a gross
- 3
- combined worldwide
- $9.1M
- Meet the Blacks (2016), the #1
- $9.1M
- earned in the US & Canada
- 100%
#1 of 3 Top 3
What Were the Biggest Horror Hits of Week 14 of 2016?
Meet the Blacks (2016) leads with $9.1M, 100% of the total. The top 3 together took $9.1M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Horror Release of Week 14 of 2016, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 14 of 2016 (Mar 27–Apr 2).
- 1 Apr 1, 2016 US and Canada: $9.1M Rest of the world: Worldwide: $9.1M
- 2 Apr 1, 2016 US and Canada: – Rest of the world: – Worldwide: $10.6K
- 3 Apr 1, 2016 US and Canada: – Rest of the world: – Worldwide: $8.5K
Weeks around it
How Does Week 14 Compare With the Weeks Around It?
Week 14 releases took $9.1M. The biggest of these 9 weeks is week 11 (Mar 6–12) with $110.3M, led by 10 Cloverfield Lane (2016).
- Week 8 Wk 8 Feb 14–20 The Witch (2016) $40.4M The Witch (2016)
- Week 9 Wk 9 Feb 21–27 Backtrack (2016) $969.2K Backtrack (2016)
- Week 10 Wk 10 Feb 28–Mar 5 The Other Side of the Door (2016) $15.4M The Other Side of the Door (2016)
- Week 11 Wk 11 Mar 6–12 10 Cloverfield Lane (2016) $110.3M 10 Cloverfield Lane (2016)
- Week 12 Wk 12 Mar 13–19 Johnny Frank Garrett’s Last Word (2016) $397.7K Johnny Frank Garrett’s Last Word (2016)
- Week 13 Wk 13 Mar 20–26 Baskin (2016) $318.2K Baskin (2016)
- Week 14 Wk 14 Mar 27–Apr 2 Meet the Blacks (2016) $9.1M Meet the Blacks (2016)
- Week 15 Wk 15 Apr 3–9 Seoul Station (2016) $2.8M Seoul Station (2016)
- Week 16 Wk 16 Apr 10–16 Green Room (2016) $4.3M Green Room (2016)
Earlier years
How Does Week 14 of 2016 Compare With Earlier Years?
Of these 10 years, Week 14, 2011 earned the most: $100.2M from 2 films, led by Insidious (2011). Week 14, 2016 took $9.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 14, 2007 Apr 1–7 4 films | 4 | $75.2M | – | The Reaping (2007) $62.8M |
| Week 14, 2008 Mar 30–Apr 5 4 films · −60% | 4 | $29.8M | −60% | The Ruins (2008) $22.8M |
| Week 14, 2009 Mar 29–Apr 4 1 film · −100% | 1 | $104.5K | −100% | Alien Trespass (2009) $104.5K |
| Week 14, 2010 Mar 28–Apr 3 1 film · +590% | 1 | $721.6K | +590% | Cehennem 3D (2010) $721.6K |
| Week 14, 2011 Mar 27–Apr 2 2 films · +13788% | 2 | $100.2M | +13788% | Insidious (2011) $100.1M |
| Week 14, 2012 Apr 1–7 1 film · −99% | 1 | $921.8K | −99% | ATM (2012) $921.8K |
| Week 14, 2013 Mar 31–Apr 6 6 films · +10549% | 6 | $98.2M | +10549% | Evil Dead (2013) $97.5M |
| Week 14, 2014 Mar 30–Apr 5 3 films · −92% | 3 | $7.7M | −92% | Under the Skin (2014) $7.5M |
| Week 14, 2015 Mar 29–Apr 4 No films | 0 | – | – | – |
| Week 14, 2016 Mar 27–Apr 2 3 films | 3 | $9.1M | – | Meet the Blacks (2016) $9.1M |
Archive
Horror Box Office in 2016, Week by Week
48 weeks of 2016 with reported grosses; the biggest is week 24 (Jun 5–11) with $325.1M, led by The Conjuring 2 (2016).
- Week 1 No grosses
- Week 2 $67.4M
- Week 3 $236.2K
- Week 4 $74.4M
- Week 5 $24K
- Week 6 $34.3M
- Week 7 $11M
- Week 8 $40.4M
- Week 9 $969.2K
- Week 10 $15.4M
- Week 11 $110.3M
- Week 12 $397.7K
- Week 13 $318.2K
- Week 14 $9.1M
- Week 15 $2.8M
- Week 16 $4.3M
- Week 17 $5.6M
- Week 18 $6.4M
- Week 19 $15.8M
- Week 20 $11M
- Week 21 No grosses
- Week 22 No grosses
- Week 23 $50.5M
- Week 24 $325.1M
- Week 25 $10.1M
- Week 26 $123.2M
- Week 27 $118.9M
- Week 28 $1.4M
- Week 29 $2M
- Week 30 $242.5M
- Week 31 $83.1M
- Week 32 $10.4M
- Week 33 $641.9K
- Week 34 $754.6K
- Week 35 $157.8M
- Week 36 $16.5M
- Week 37 $36.8M
- Week 38 $45.5M
- Week 39 $10.7K
- Week 40 No grosses
- Week 41 $203.2K
- Week 42 $84.1M
- Week 43 $167.6M
- Week 44 $21.8M
- Week 45 $1.7M
- Week 46 $341.7K
- Week 47 $84.9K
- Week 48 $60.3K
- Week 49 $9.1M
- Week 50 $1.9M
- Week 51 No grosses
- Week 52 $6.2M
- Week 53 $5.6K
FAQ
Horror Box Office Week 14 of 2016: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing horror movie in week 14 of 2016 (Mar 27–Apr 2)?
Meet the Blacks (2016) leads with $9.1M worldwide, $9.1M of it in the US & Canada. Next come Darling (2016) at $10.6K and Pandemic (2016) at $8.5K.
How much did horror movies released in week 14 of 2016 (Mar 27–Apr 2) earn?
3 horror films released in week 14 of 2016 (Mar 27–Apr 2) report a worldwide gross, $9.1M in all, or $3M per film on average.
How many horror movies released in week 14 of 2016 (Mar 27–Apr 2) made $1 billion?
None. The biggest, Meet the Blacks (2016), earned $9.1M.
How is the week 14, 2016 horror box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 14 of 2016 (Mar 27–Apr 2). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 14, 2016 horror box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.