#1 of 5 The Haunting of Molly Hartley (2008)
2008 · Drama, Thriller
$15.4M worldwide · 73% of the chart's total
The Haunting of Molly Hartley (2008) is the highest-grossing horror movie released in week 44 of 2008 (Oct 26–Nov 1), with $15.4M worldwide, ahead of The Coffin (2008) at $5M and Splinter (2008) at $522.5K. 5 horror films released that week report a worldwide gross, $21.2M in all, 65% of it from the US & Canada. That is down 83% on Week 43, 2008, whose releases took $127.2M. By language, English leads with $16.2M across 4 horror releases.
#1 of 5 The Haunting of Molly Hartley (2008)
2008 · Drama, Thriller
$15.4M worldwide · 73% of the chart's total
The Haunting of Molly Hartley (2008) leads with $15.4M, 73% of the total. The top 5 together took $21.2M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 44 of 2008 (Oct 26–Nov 1).
Oct 30, 2008 US and Canada: – Rest of the world: – Worldwide: $5M
Oct 31, 2008 US and Canada: $14.2K Rest of the world: $508.3K Worldwide: $522.5K
Oct 31, 2008 US and Canada: $173.1K Rest of the world: Worldwide: $173.1K
Oct 31, 2008 US and Canada: – Rest of the world: – Worldwide: $74.4K Of the top 5, My Name Is Bruce (2008) earned the biggest share at home (100% in the US & Canada), while Splinter (2008) made 97% of its gross abroad. Across all 5 films, $13.7M (65%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 44 releases took $21.2M. The biggest of these 9 weeks is week 43 (Oct 19–25) with $127.2M, led by Saw V (2008).
Of these 10 years, Week 44, 2005 earned the most: $153.5M from 4 films, led by Saw II (2005). Week 44, 2008 took $21.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 44, 1999 Oct 24–30 1 film | 1 | $42.6M | – | House on Haunted Hill (1999) $42.6M |
| Week 44, 2000 Oct 22–28 4 films · +78% | 4 | $75.9M | +78% | Book of Shadows: Blair Witch 2 (2000) $47.7M |
| Week 44, 2001 Oct 28–Nov 3 1 film · −75% | 1 | $18.6M | −75% | Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001) $18.6M |
| Week 44, 2002 Oct 27–Nov 2 1 film · −99% | 1 | $176K | −99% | The Mummy, Aged 19 (2002) $176K |
| Week 44, 2003 Oct 26–Nov 1 No films | 0 | – | – | – |
| Week 44, 2004 Oct 24–30 3 films | 3 | $104.4M | – | Saw (2004) $104M |
| Week 44, 2005 Oct 23–29 4 films · +47% | 4 | $153.5M | +47% | Saw II (2005) $147.7M |
| Week 44, 2006 Oct 29–Nov 4 5 films · −99% | 5 | $1.8M | −99% | The Unseeable (2006) $915.6K |
| Week 44, 2007 Oct 28–Nov 3 2 films · −95% | 2 | $87.8K | −95% | Ghost Island (2007) $84.3K |
| Week 44, 2008 Oct 26–Nov 1 5 films · +24077% | 5 | $21.2M | +24077% | The Haunting of Molly Hartley (2008) $15.4M |
36 weeks of 2008 with reported grosses; the biggest is week 43 (Oct 19–25) with $127.2M, led by Saw V (2008).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Haunting of Molly Hartley (2008) leads with $15.4M worldwide, $13.6M of it in the US & Canada. Next come The Coffin (2008) at $5M and Splinter (2008) at $522.5K.
5 horror films released in week 44 of 2008 (Oct 26–Nov 1) report a worldwide gross, $21.2M in all, or $4.2M per film on average. Week 43, 2008 releases took $127.2M.
None. The biggest, The Haunting of Molly Hartley (2008), earned $15.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 44 of 2008 (Oct 26–Nov 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.