#1 of 3 #1 fantasy movie of Week 11, 2015
2015 · Drama, Fantasy
$6.5M worldwide · 98% of the chart's total
No US & Canada figure reported
Fantasy box office · Week 11 · Mar 8–14, 2015
Fantasy Box Office, Week 11 of 2015: Fantasy Releases of Mar 8–14
The Cobbler (2015) is the highest-grossing fantasy movie released in week 11 of 2015 (Mar 8–14), with $6.5M worldwide, ahead of Eva (2015) at $157.5K and David and Goliath (2015) at $1.6K. 3 fantasy films released that week report a worldwide gross, $6.7M in all, 2% of it from the US & Canada.
- week 11 releases with a gross
- 3
- combined worldwide
- $6.7M
- The Cobbler (2015), the #1
- $6.5M
- earned in the US & Canada
- 2%
#1 of 3 Top 3
What Were the Biggest Fantasy Hits of Week 11 of 2015?
The Cobbler (2015) leads with $6.5M, 98% of the total. The top 3 together took $6.7M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Fantasy Release of Week 11 of 2015, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2015 (Mar 8–14).
- 1 Mar 13, 2015 US and Canada: – Rest of the world: – Worldwide: $6.5M
- 2 Mar 13, 2015 US and Canada: $157.5K Rest of the world: Worldwide: $157.5K
- 3 Mar 13, 2015 US and Canada: – Rest of the world: – Worldwide: $1.6K
Weeks around it
How Does Week 11 Compare With the Weeks Around It?
Week 11 releases took $6.7M. The biggest of these 9 weeks is week 13 (Mar 22–28) with $388.4M, led by Home (2015).
- Week 5 Wk 5 Jan 25–31 Tinker Bell and the Legend of the NeverBeast (2015) $31.9M Tinker Bell and the Legend of the NeverBeast (2015)
- Week 6 Wk 6 Feb 1–7 Jupiter Ascending (2015) $298.5M Jupiter Ascending (2015)
- Week 7 Wk 7 Feb 8–14 No reported grosses – No reported grosses
- Week 8 Wk 8 Feb 15–21 Liza, the Fox-Fairy (2015) $551.9K Liza, the Fox-Fairy (2015)
- Week 9 Wk 9 Feb 22–28 Snow Girl and the Dark Crystal (2015) $64.3M Snow Girl and the Dark Crystal (2015)
- Week 10 Wk 10 Mar 1–7 No reported grosses – No reported grosses
- Week 11 Wk 11 Mar 8–14 The Cobbler (2015) $6.7M The Cobbler (2015)
- Week 12 Wk 12 Mar 15–21 Ultraman Ginga S the Movie: Showdown! The 10 Ultra Warriors! (2015) $523.8K Ultraman Ginga S the Movie: Showdown! The 10 Ultra Warriors! (2015)
- Week 13 Wk 13 Mar 22–28 Home (2015) $388.4M Home (2015)
Earlier years
How Does Week 11 of 2015 Compare With Earlier Years?
Of these 10 years, Week 11, 2009 earned the most: $106.4M from 1 film, led by Race to Witch Mountain (2009). Week 11, 2015 took $6.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2006 Mar 12–18 No films | 0 | – | – | – |
| Week 11, 2007 Mar 11–17 1 film | 1 | $84.3M | – | Premonition (2007) $84.3M |
| Week 11, 2008 Mar 9–15 No films | 0 | – | – | – |
| Week 11, 2009 Mar 8–14 1 film | 1 | $106.4M | – | Race to Witch Mountain (2009) $106.4M |
| Week 11, 2010 Mar 7–13 No films | 0 | – | – | – |
| Week 11, 2011 Mar 6–12 1 film | 1 | $4.9M | – | The Dragon Pearl (2011) $4.9M |
| Week 11, 2012 Mar 11–17 2 films · +40% | 2 | $6.9M | +40% | A Magnificent Haunting (2012) $4.9M |
| Week 11, 2013 Mar 10–16 2 films · +375% | 2 | $32.7M | +375% | Upside Down (2013) $22.2M |
| Week 11, 2014 Mar 9–15 2 films · −58% | 2 | $13.7M | −58% | Pretty Cure All Stars New Stage 3: Eternal Friends (2014) $8.5M |
| Week 11, 2015 Mar 8–14 3 films · −51% | 3 | $6.7M | −51% | The Cobbler (2015) $6.5M |
Archive
Fantasy Box Office in 2015, Week by Week
36 weeks of 2015 with reported grosses; the biggest is week 51 (Dec 13–19) with $2.3B, led by Star Wars: Episode VII - The Force Awakens (2015).
- Week 1 No grosses
- Week 2 No grosses
- Week 3 No grosses
- Week 4 $13.6M
- Week 5 $31.9M
- Week 6 $298.5M
- Week 7 No grosses
- Week 8 $551.9K
- Week 9 $64.3M
- Week 10 No grosses
- Week 11 $6.7M
- Week 12 $523.8K
- Week 13 $388.4M
- Week 14 $2.1M
- Week 15 $615.5K
- Week 16 No grosses
- Week 17 $17.7K
- Week 18 $1.4B
- Week 19 $1.7M
- Week 20 $118.7K
- Week 21 No grosses
- Week 22 $478.7K
- Week 23 No grosses
- Week 24 No grosses
- Week 25 $859.1M
- Week 26 $12.2M
- Week 27 $49.1K
- Week 28 $153.4M
- Week 29 $21.8M
- Week 30 $64.4K
- Week 31 No grosses
- Week 32 $229.7M
- Week 33 $6.5K
- Week 34 No grosses
- Week 35 No grosses
- Week 36 No grosses
- Week 37 $2.2M
- Week 38 No grosses
- Week 39 $475.2M
- Week 40 $1.4M
- Week 41 $129M
- Week 42 $235.6M
- Week 43 $150.6M
- Week 44 No grosses
- Week 45 $13.8K
- Week 46 $3M
- Week 47 No grosses
- Week 48 $332.9M
- Week 49 $137.3M
- Week 50 $2.7M
- Week 51 $2.3B
- Week 52 No grosses
- Week 53 $5.7M
FAQ
Fantasy Box Office Week 11 of 2015: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing fantasy movie in week 11 of 2015 (Mar 8–14)?
The Cobbler (2015) leads with $6.5M worldwide. Next come Eva (2015) at $157.5K and David and Goliath (2015) at $1.6K.
How much did fantasy movies released in week 11 of 2015 (Mar 8–14) earn?
3 fantasy films released in week 11 of 2015 (Mar 8–14) report a worldwide gross, $6.7M in all, or $2.2M per film on average.
How many fantasy movies released in week 11 of 2015 (Mar 8–14) made $1 billion?
None. The biggest, The Cobbler (2015), earned $6.5M.
How is the week 11, 2015 fantasy box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2015 (Mar 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 11, 2015 fantasy box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.