#1 of 7 2012 · Drama, Comedy
$17.9M worldwide · 77% of the chart's total
We Have a Pope (2012) is the highest-grossing drama movie released in week 14 of 2012 (Apr 1–7), with $17.9M worldwide, ahead of Unit 7 (2012) at $3.3M and Damsels in Distress (2012) at $1.3M. 7 drama films released that week report a worldwide gross, $23.1M in all, 7% of it from the US & Canada. That is down 88% on Week 13, 2012, whose releases took $189.6M. By language, Italian leads with $17.9M across 1 drama release.
#1 of 7 2012 · Drama, Comedy
$17.9M worldwide · 77% of the chart's total
We Have a Pope (2012) leads with $17.9M, 77% of the total. The top 5 together took $23M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 14 of 2012 (Apr 1–7).
Apr 6, 2012 US and Canada: $548.1K Rest of the world: $17.3M Worldwide: $17.9M
Apr 3, 2012 US and Canada: – Rest of the world: – Worldwide: $3.3M
Apr 6, 2012 US and Canada: $1M Rest of the world: $305.9K Worldwide: $1.3M
Apr 1, 2012 US and Canada: $46.5K Rest of the world: $422.8K Worldwide: $469.3K
Apr 1, 2012 US and Canada: – Rest of the world: – Worldwide: $74K
Apr 4, 2012 US and Canada: – Rest of the world: – Worldwide: $58.2K
Apr 6, 2012 US and Canada: $22.8K Rest of the world: Worldwide: $22.8K Of the top 7, Keyhole (2012) earned the biggest share at home (100% in the US & Canada), while We Have a Pope (2012) made 97% of its gross abroad. Across all 7 films, $1.6M (7%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Week 14 releases took $23.1M. The biggest of these 9 weeks is week 12 (Mar 18–24) with $775.9M, led by The Hunger Games (2012).
Of these 10 years, Week 14, 2010 earned the most: $613.3M from 14 films, led by Clash of the Titans (2010). Week 14, 2012 took $23.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 14, 2003 Mar 30–Apr 5 5 films | 5 | $61.5M | – | A Man Apart (2003) $44.4M |
| Week 14, 2004 Mar 28–Apr 3 8 films · +64% | 8 | $100.8M | +64% | Walking Tall (2004) $57.2M |
| Week 14, 2005 Mar 27–Apr 2 4 films · −55% | 4 | $45.1M | −55% | Look at Me (2005) $18.7M |
| Week 14, 2006 Apr 2–8 12 films · +130% | 12 | $103.8M | +130% | Take the Lead (2006) $66.5M |
| Week 14, 2007 Apr 1–7 12 films · −3% | 12 | $101M | −3% | Are We Done Yet? (2007) $58.4M |
| Week 14, 2008 Mar 30–Apr 5 11 films · −31% | 11 | $69.9M | −31% | Leatherheads (2008) $41.3M |
| Week 14, 2009 Mar 29–Apr 4 14 films · +465% | 14 | $395.4M | +465% | Fast & Furious (2009) $360.4M |
| Week 14, 2010 Mar 28–Apr 3 14 films · +55% | 14 | $613.3M | +55% | Clash of the Titans (2010) $493.2M |
| Week 14, 2011 Mar 27–Apr 2 12 films · −91% | 12 | $55.9M | −91% | The Four Times (Le Quattro Volte) (2011) $30.5M |
| Week 14, 2012 Apr 1–7 7 films · −59% | 7 | $23.1M | −59% | We Have a Pope (2012) $17.9M |
52 weeks of 2012 with reported grosses; the biggest is week 46 (Nov 11–17) with $1.2B, led by The Twilight Saga: Breaking Dawn - Part 2 (2012).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
We Have a Pope (2012) leads with $17.9M worldwide, $548.1K of it in the US & Canada. Next come Unit 7 (2012) at $3.3M and Damsels in Distress (2012) at $1.3M.
7 drama films released in week 14 of 2012 (Apr 1–7) report a worldwide gross, $23.1M in all, or $3.3M per film on average. Week 13, 2012 releases took $189.6M.
None. The biggest, We Have a Pope (2012), earned $17.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 14 of 2012 (Apr 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.