#1 of 6 The Man Who Wasn't There (2001)
2001 · Drama, Crime
$18.9M worldwide · 95% of the chart's total
The Man Who Wasn't There (2001) is the highest-grossing drama movie released in week 44 of 2001 (Oct 28–Nov 3), with $18.9M worldwide, ahead of Tape (2001) at $515.9K and Happenstance (2001) at $251.4K. 6 drama films released that week report a worldwide gross, $19.8M in all, 42% of it from the US & Canada. That is down 81% on Week 43, 2001, whose releases took $104M. By language, English leads with $19.5M across 4 drama releases.
#1 of 6 The Man Who Wasn't There (2001)
2001 · Drama, Crime
$18.9M worldwide · 95% of the chart's total
The Man Who Wasn't There (2001) leads with $18.9M, 95% of the total. The top 5 together took $19.8M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 44 of 2001 (Oct 28–Nov 3).
Oct 31, 2001 US and Canada: $7.5M Rest of the world: $11.4M Worldwide: $18.9M
Nov 2, 2001 US and Canada: $490.5K Rest of the world: $25.4K Worldwide: $515.9K
Nov 2, 2001 US and Canada: $251.4K Rest of the world: Worldwide: $251.4K
Nov 1, 2001 US and Canada: – Rest of the world: – Worldwide: $85.2K
Nov 2, 2001 US and Canada: – Rest of the world: – Worldwide: $38.4K
Nov 2, 2001 US and Canada: $3K Rest of the world: $5.8K Worldwide: $8.7K Of the top 6, Happenstance (2001) earned the biggest share at home (100% in the US & Canada), while Everything Put Together (2001) made 66% of its gross abroad. Across all 6 films, $8.2M (42%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 44 releases took $19.8M. The biggest of these 9 weeks is week 45 (Nov 4–10) with $169.8M, led by Shallow Hal (2001).
Of these 10 years, Week 44, 1996 earned the most: $148M from 4 films, led by Romeo + Juliet (1996). Week 44, 2001 took $19.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 44, 1992 Oct 25–31 2 films | 2 | $6.2M | – | The Lover (1992) $5M |
| Week 44, 1993 Oct 24–30 No films | 0 | – | – | – |
| Week 44, 1994 Oct 23–29 3 films | 3 | $9.8M | – | The Last Seduction (1994) $5.8M |
| Week 44, 1995 Oct 29–Nov 4 5 films · +169% | 5 | $26.2M | +169% | Home for the Holidays (1995) $17.5M |
| Week 44, 1996 Oct 27–Nov 2 4 films · +464% | 4 | $148M | +464% | Romeo + Juliet (1996) $147.6M |
| Week 44, 1997 Oct 26–Nov 1 4 films · −83% | 4 | $24.5M | −83% | Red Corner (1997) $22.5M |
| Week 44, 1998 Oct 25–31 3 films · +72% | 3 | $42.1M | +72% | American History X (1998) $23.9M |
| Week 44, 1999 Oct 24–30 8 films · +41% | 8 | $59.5M | +41% | Being John Malkovich (1999) $23.1M |
| Week 44, 2000 Oct 22–28 8 films · −88% | 8 | $7M | −88% | Mohabbatein (2000) $4.3M |
| Week 44, 2001 Oct 28–Nov 3 6 films · +182% | 6 | $19.8M | +182% | The Man Who Wasn't There (2001) $18.9M |
52 weeks of 2001 with reported grosses; the biggest is week 52 (Dec 23–29) with $525.3M, led by Black Hawk Down (2001).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
The Man Who Wasn't There (2001) leads with $18.9M worldwide, $7.5M of it in the US & Canada. Next come Tape (2001) at $515.9K and Happenstance (2001) at $251.4K.
6 drama films released in week 44 of 2001 (Oct 28–Nov 3) report a worldwide gross, $19.8M in all, or $3.3M per film on average. Week 43, 2001 releases took $104M.
None. The biggest, The Man Who Wasn't There (2001), earned $18.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 44 of 2001 (Oct 28–Nov 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.