#1 of 10 1992 · Comedy, Drama
$90.8M worldwide · 52% of the chart's total
White Men Can’t Jump (1992) is the highest-grossing drama movie released in March 1992, with $90.8M worldwide, ahead of Howards End (1992) at $26.5M and The Cutting Edge (1992) at $25.1M. 10 drama films released in March 1992 report a worldwide gross, $175.7M in all, 92% of it from the US & Canada. That is up 83% on February 1992, whose releases took $95.8M. By language, English leads with $175.7M across 10 drama releases.
#1 of 10 1992 · Comedy, Drama
$90.8M worldwide · 52% of the chart's total
White Men Can’t Jump (1992) leads with $90.8M, 52% of the total. The top 5 together took $164.6M, 94% of what all 10 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in March 1992.
Mar 27, 1992 US and Canada: $76.3M Rest of the world: $14.5M Worldwide: $90.8M
Mar 13, 1992 US and Canada: $26.1M Rest of the world: $349.7K Worldwide: $26.5M
Mar 27, 1992 US and Canada: $25.1M Rest of the world: Worldwide: $25.1M
Mar 13, 1992 US and Canada: $13.1M Rest of the world: Worldwide: $13.1M
Mar 6, 1992 US and Canada: $9.2M Rest of the world: Worldwide: $9.2M
Mar 13, 1992 US and Canada: $6.4M Rest of the world: Worldwide: $6.4M
Mar 27, 1992 US and Canada: $2.8M Rest of the world: Worldwide: $2.8M
Mar 27, 1992 US and Canada: $919.3K Rest of the world: Worldwide: $919.3K
Mar 19, 1992 US and Canada: $778.5K Rest of the world: Worldwide: $778.5K
Mar 27, 1992 US and Canada: $147.7K Rest of the world: Worldwide: $147.7K Of the top 10, The Cutting Edge (1992) earned the biggest share at home (100% in the US & Canada), while White Men Can’t Jump (1992) made 16% of its gross abroad. Across all 10 films, $160.8M (92%) came from the US & Canada.
None of the 10 films reached $100M. 6 films, 60% of the list, earned under $10M. Each band shows its films and its share of the $175.7M total.
Films released in week 13 (Mar 22–28) took $119.8M, led by White Men Can’t Jump (1992). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, March 1992 earned the most: $175.7M from 10 films, led by White Men Can’t Jump (1992).
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| March 1983 9 films | 9 | $99.3M | – | High Road to China (1983) $28.4M |
| March 1984 8 films · +5% | 8 | $104M | +5% | Greystoke: The Legend of Tarzan, Lord of the Apes (1984) $45.9M |
| March 1985 12 films · +8% | 12 | $111.9M | +8% | Mask (1985) $48.2M |
| March 1986 12 films · −40% | 12 | $67.3M | −40% | Gung Ho (1986) $36.6M |
| March 1987 7 films · −53% | 7 | $31.4M | −53% | Tin Men (1987) $25.4M |
| March 1988 11 films · +262% | 11 | $113.6M | +262% | Biloxi Blues (1988) $51.7M |
| March 1989 13 films · −20% | 13 | $90.3M | −20% | Lean on Me (1989) $31.9M |
| March 1990 12 films · −42% | 12 | $52.2M | −42% | Lord of the Flies (1990) $14M |
| March 1991 15 films · +194% | 15 | $153.8M | +194% | New Jack City (1991) $47.6M |
| March 1992 10 films · +14% | 10 | $175.7M | +14% | White Men Can’t Jump (1992) $90.8M |
The months of 1992 with their totals: November leads with $692.5M, led by The Bodyguard (1992).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 10 films as the chart.
White Men Can’t Jump (1992) leads with $90.8M worldwide, $76.3M of it in the US & Canada. Next come Howards End (1992) at $26.5M and The Cutting Edge (1992) at $25.1M.
10 drama films released in March 1992 report a worldwide gross, $175.7M in all, or $17.6M per film on average. February 1992 releases took $95.8M.
None. The biggest, White Men Can’t Jump (1992), earned $90.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in March 1992. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.