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Documentary box office · Week 13 · Mar 22–28, 2026

Documentary Box Office, Week 13 of 2026: Documentary Releases of Mar 22–28

The AI Doc: Or How I Became an Apocaloptimist (2026) is the highest-grossing documentary movie released in week 13 of 2026 (Mar 22–28), with $1.3M worldwide, ahead of Marc by Sofia (2026) at $328.1K and John Lilly and the Earth Coincidence Control Office (2026) at $21.4K. 3 documentary films released that week report a worldwide gross, $1.6M in all, 97% of it from the US & Canada.

week 13 releases with a gross
3
combined worldwide
$1.6M
The AI Doc: Or How I Became an Apocaloptimist (2026), the #1
$1.3M
earned in the US & Canada
97%
Top 3

What Were the Biggest Documentary Hits of Week 13 of 2026?

The AI Doc: Or How I Became an Apocaloptimist (2026) leads with $1.3M, 78% of the total. The top 3 together took $1.6M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. The AI Doc: Or How I Became an Apocaloptimist (2026) movie poster Number 1
    $1.3M The AI Doc: Or How I Became an Apocaloptimist (2026)
    $1.3M US & Canada · 100% elsewhere · 0%
  2. Marc by Sofia (2026) movie poster Number 2
    $328.1K Marc by Sofia (2026)
    $283.3K US & Canada · 86% $44.8K elsewhere · 14%
  3. John Lilly and the Earth Coincidence Control Office (2026) movie poster Number 3
    $21.4K John Lilly and the Earth Coincidence Control Office (2026)
    $21.4K US & Canada · 100% elsewhere · 0%

US & Canada (domestic) Rest of the world

The chart

Every Documentary Release of Week 13 of 2026, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2026 (Mar 22–28).

  1. 1 The AI Doc: Or How I Became an Apocaloptimist (2026) movie poster
    The AI Doc: Or How I Became an Apocaloptimist (2026) Mar 27, 2026 · English · Documentary $1.3M worldwide
    Mar 27, 2026 US and Canada: $1.3M Rest of the world: Worldwide: $1.3M
  2. 2 Marc by Sofia (2026) movie poster
    Marc by Sofia (2026) Mar 27, 2026 · English · Documentary $328.1K worldwide
    Mar 27, 2026 US and Canada: $283.3K Rest of the world: $44.8K Worldwide: $328.1K
  3. 3 John Lilly and the Earth Coincidence Control Office (2026) movie poster
    John Lilly and the Earth Coincidence Control Office (2026) Mar 27, 2026 · English · Documentary, Biography $21.4K worldwide
    Mar 27, 2026 US and Canada: $21.4K Rest of the world: Worldwide: $21.4K
US & Canada vs the world

Where Did the Money Come From in Week 13 of 2026?

Of the top 3, The AI Doc: Or How I Became an Apocaloptimist (2026) earned the biggest share at home (100% in the US & Canada), while Marc by Sofia (2026) made 14% of its gross abroad. Across all 3 films, $1.6M (97%) came from the US & Canada.

  1. 1 The AI Doc: Or How I Became an Apocaloptimist (2026) $1.3M
    $1.3M US & Canada · 100% elsewhere · 0%
  2. 2 Marc by Sofia (2026) $328.1K
    $283.3K US & Canada · 86% $44.8K elsewhere · 14%
  3. 3 John Lilly and the Earth Coincidence Control Office (2026) $21.4K
    $21.4K US & Canada · 100% elsewhere · 0%
Earlier years

How Does Week 13 of 2026 Compare With Earlier Years?

Of these 10 years, Week 13, 2019 earned the most: $3.7M from 5 films, led by Faustina: Love and Mercy (2019). Week 13, 2026 took $1.6M.

Week Films Worldwide Change Biggest film
Week 13, 2017 Mar 26–Apr 1 5 films 5 $1.1M – Cantábrico (2017) $724.3K
Week 13, 2018 Mar 25–31 3 films · −94% 3 $69.2K −94% The China Hustle (2018) $48.7K
Week 13, 2019 Mar 24–30 5 films · +5186% 5 $3.7M +5186% Faustina: Love and Mercy (2019) $3.5M
Week 13, 2020 Mar 22–28 1 film · −100% 1 $7.9K −100% Steelers: The World’s First Gay Rugby Club (2020) $7.9K
Week 13, 2021 Mar 21–27 2 films · +43042% 2 $3.4M +43042% Tina (2021) $2.6M
Week 13, 2022 Mar 20–26 2 films · −89% 2 $369.8K −89% Bisping: The Michael Bisping Story (2022) $359.4K
Week 13, 2023 Mar 26–Apr 1 3 films · −92% 3 $29.2K −92% In Viaggio: The Travels of Pope Francis (2023) $25.4K
Week 13, 2024 Mar 24–30 3 films · +2982% 3 $899.1K +2982% On the Adamant (2024) $814.9K
Week 13, 2025 Mar 23–29 3 films · −26% 3 $667.8K −26% The Encampments (2025) $555.9K
Week 13, 2026 Mar 22–28 3 films · +143% 3 $1.6M +143% The AI Doc: Or How I Became an Apocaloptimist (2026) $1.3M
FAQ

Documentary Box Office Week 13 of 2026: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.

What is the highest-grossing documentary movie in week 13 of 2026 (Mar 22–28)?

The AI Doc: Or How I Became an Apocaloptimist (2026) leads with $1.3M worldwide, $1.3M of it in the US & Canada. Next come Marc by Sofia (2026) at $328.1K and John Lilly and the Earth Coincidence Control Office (2026) at $21.4K.

How much did documentary movies released in week 13 of 2026 (Mar 22–28) earn?

3 documentary films released in week 13 of 2026 (Mar 22–28) report a worldwide gross, $1.6M in all, or $540.5K per film on average.

How many documentary movies released in week 13 of 2026 (Mar 22–28) made $1 billion?

None. The biggest, The AI Doc: Or How I Became an Apocaloptimist (2026), earned $1.3M.

How much of the Week 13, 2026 Documentary box office came from the US and Canada?

$1.6M of the $1.6M total, or 97%, was earned in the US & Canada (the domestic market); the rest came from other countries. 0 films of the 3 report no domestic figure.

How is the week 13, 2026 documentary box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2026 (Mar 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 13, 2026 documentary box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.