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Crime box office · Week 16 · Apr 14–20, 2019

Crime Box Office, Week 16 of 2019: Crime Releases of Apr 14–20

Under the Silver Lake (2019) is the highest-grossing crime movie released in week 16 of 2019 (Apr 14–20), with $2.1M worldwide, ahead of Little Woods (2019) at $171.9K and High on the Hog (2019) at $45.7K. 4 crime films released that week report a worldwide gross, $2.3M in all, 11% of it from the US & Canada. That is down 92% on Week 15, 2019, whose releases took $28.1M.

week 16 releases with a gross
4
combined worldwide
$2.3M
Under the Silver Lake (2019), the #1
$2.1M
vs Week 15, 2019
−92%
Under the Silver Lake (2019) movie poster #1 of 4
#1 crime movie of Week 16, 2019

Under the Silver Lake (2019)

2019 · Drama, Mystery

$2.1M worldwide · 90% of the chart's total

$46.1K US & Canada · 2% $2M elsewhere · 98%
Top 4

What Were the Biggest Crime Hits of Week 16 of 2019?

Under the Silver Lake (2019) leads with $2.1M, 90% of the total. The top 4 together took $2.3M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Under the Silver Lake (2019) movie poster Number 1
    $2.1M Under the Silver Lake (2019)
    $46.1K US & Canada · 2% $2M elsewhere · 98%
  2. Little Woods (2019) movie poster Number 2
    $171.9K Little Woods (2019)
    $150K US & Canada · 87% $21.9K elsewhere · 13%
  3. High on the Hog (2019) movie poster Number 3
    $45.7K High on the Hog (2019)
    $45.7K US & Canada · 100% elsewhere · 0%
  4. Vellai Pookal (2019) movie poster Number 4
    $2.3K Vellai Pookal (2019)
    No US & Canada figure reported

US & Canada (domestic) Rest of the world

The chart

Every Crime Release of Week 16 of 2019, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 16 of 2019 (Apr 14–20).

  1. 1 Under the Silver Lake (2019) movie poster
    Under the Silver Lake (2019) Apr 19, 2019 · English · Drama, Mystery, Thriller $2.1M worldwide
    Apr 19, 2019 US and Canada: $46.1K Rest of the world: $2M Worldwide: $2.1M
  2. 2 Little Woods (2019) movie poster
    Little Woods (2019) Apr 19, 2019 · English · Drama, Crime, Western $171.9K worldwide
    Apr 19, 2019 US and Canada: $150K Rest of the world: $21.9K Worldwide: $171.9K
  3. 3 High on the Hog (2019) movie poster
    High on the Hog (2019) Apr 19, 2019 · English · Action, Drama, Thriller $45.7K worldwide
    Apr 19, 2019 US and Canada: $45.7K Rest of the world: Worldwide: $45.7K
  4. 4 Vellai Pookal (2019) movie poster
    Vellai Pookal (2019) Apr 19, 2019 · Tamil · Crime, Drama, Thriller $2.3K worldwide
    Apr 19, 2019 US and Canada: – Rest of the world: – Worldwide: $2.3K
US & Canada vs the world

Where Did the Money Come From in Week 16 of 2019?

Of the top 4, High on the Hog (2019) earned the biggest share at home (100% in the US & Canada), while Under the Silver Lake (2019) made 98% of its gross abroad. Across all 4 films, $241.8K (11%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.

  1. 1 Under the Silver Lake (2019) $2.1M
    $46.1K US & Canada · 2% $2M elsewhere · 98%
  2. 2 Little Woods (2019) $171.9K
    $150K US & Canada · 87% $21.9K elsewhere · 13%
  3. 3 High on the Hog (2019) $45.7K
    $45.7K US & Canada · 100% elsewhere · 0%
  4. 4 Vellai Pookal (2019) $2.3K
    No US & Canada figure reported
Earlier years

How Does Week 16 of 2019 Compare With Earlier Years?

Of these 10 years, Week 16, 2010 earned the most: $168M from 5 films, led by Kick-Ass (2010). Week 16, 2019 took $2.3M.

Week Films Worldwide Change Biggest film
Week 16, 2010 Apr 11–17 5 films 5 $168M – Kick-Ass (2010) $96.2M
Week 16, 2011 Apr 10–16 1 film · −75% 1 $42.8M −75% Detective Conan: Quarter of Silence (2011) $42.8M
Week 16, 2012 Apr 15–21 No films 0 – – –
Week 16, 2013 Apr 14–20 3 films 3 $26.3K – The Secret Scandal (2013) $17.2K
Week 16, 2014 Apr 13–19 2 films · +77516% 2 $20.4M +77516% That Demon Within (2014) $20.4M
Week 16, 2015 Apr 12–18 1 film · +427% 1 $107.6M +427% Paul Blart: Mall Cop 2 (2015) $107.6M
Week 16, 2016 Apr 10–16 6 films · −51% 6 $53.2M −51% Criminal (2016) $38.8M
Week 16, 2017 Apr 16–22 3 films · −93% 3 $3.9M −93% Free Fire (2017) $3.7M
Week 16, 2018 Apr 15–21 4 films · +723% 4 $32.4M +723% Super Troopers 2 (2018) $31.6M
Week 16, 2019 Apr 14–20 4 films · −93% 4 $2.3M −93% Under the Silver Lake (2019) $2.1M
FAQ

Crime Box Office Week 16 of 2019: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing crime movie in week 16 of 2019 (Apr 14–20)?

Under the Silver Lake (2019) leads with $2.1M worldwide, $46.1K of it in the US & Canada. Next come Little Woods (2019) at $171.9K and High on the Hog (2019) at $45.7K.

How much did crime movies released in week 16 of 2019 (Apr 14–20) earn?

4 crime films released in week 16 of 2019 (Apr 14–20) report a worldwide gross, $2.3M in all, or $568.4K per film on average. Week 15, 2019 releases took $28.1M.

How many crime movies released in week 16 of 2019 (Apr 14–20) made $1 billion?

None. The biggest, Under the Silver Lake (2019), earned $2.1M.

How much of the Week 16, 2019 Crime box office came from the US and Canada?

$241.8K of the $2.3M total, or 11%, was earned in the US & Canada (the domestic market); the rest came from other countries. 1 film of the 4 report no domestic figure.

How is the week 16, 2019 crime box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 16 of 2019 (Apr 14–20). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 16, 2019 crime box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.