#1 of 3 #1 crime movie of Week 33, 2019
2019 · Mystery, Thriller
$25.3M worldwide · 100% of the chart's total
No US & Canada figure reported
Crime box office · Week 33 · Aug 11–17, 2019
Crime Box Office, Week 33 of 2019: Crime Releases of Aug 11–17
Bodies at Rest (2019) is the highest-grossing crime movie released in week 33 of 2019 (Aug 11–17), with $25.3M worldwide, ahead of Evaru (2019) at $62.7K and Ranarangam (2019) at $18.3K. 3 crime films released that week report a worldwide gross, $25.4M in all. That is down 78% on Week 32, 2019, whose releases took $115.6M.
- week 33 releases with a gross
- 3
- combined worldwide
- $25.4M
- Bodies at Rest (2019), the #1
- $25.3M
- vs Week 32, 2019
- −78%
#1 of 3 Top 3
What Were the Biggest Crime Hits of Week 33 of 2019?
Bodies at Rest (2019) leads with $25.3M, 100% of the total. The top 3 together took $25.4M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Crime Release of Week 33 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 33 of 2019 (Aug 11–17).
- 1 Aug 16, 2019 US and Canada: – Rest of the world: – Worldwide: $25.3M
- 2 Aug 15, 2019 US and Canada: – Rest of the world: – Worldwide: $62.7K
- 3 Aug 15, 2019 US and Canada: – Rest of the world: – Worldwide: $18.3K
Weeks around it
How Does Week 33 Compare With the Weeks Around It?
Week 33 releases took $25.4M. The biggest of these 9 weeks is week 31 (Jul 28–Aug 3) with $774.2M, led by Fast & Furious Presents: Hobbs & Shaw (2019).
- Week 27 Wk 27 Jun 30–Jul 6 Limbo (2019) $925.2K Limbo (2019)
- Week 28 Wk 28 Jul 7–13 Stuber (2019) $34.2M Stuber (2019)
- Week 29 Wk 29 Jul 14–20 Fighter (2019) $351.1K Fighter (2019)
- Week 30 Wk 30 Jul 21–27 Once Upon a Time... in Hollywood (2019) $392.2M Once Upon a Time... in Hollywood (2019)
- Week 31 Wk 31 Jul 28–Aug 3 Fast & Furious Presents: Hobbs & Shaw (2019) $774.2M Fast & Furious Presents: Hobbs & Shaw (2019)
- Week 32 Wk 32 Aug 4–10 Line Walker 2: Invisible Spy (2019) $115.6M Line Walker 2: Invisible Spy (2019)
- Week 33 Wk 33 Aug 11–17 Bodies at Rest (2019) $25.4M Bodies at Rest (2019)
- Week 34 Wk 34 Aug 18–24 Three Days and a Life (2019) $1.3M Three Days and a Life (2019)
- Week 35 Wk 35 Aug 25–31 Vortex (2019) $10M Vortex (2019)
Earlier years
How Does Week 33 of 2019 Compare With Earlier Years?
Of these 10 years, Week 33, 2016 earned the most: $134.8M from 4 films, led by Line Walker (2016). Week 33, 2019 took $25.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 33, 2010 Aug 8–14 4 films | 4 | $8.9M | – | Animal Kingdom (2010) $7.2M |
| Week 33, 2011 Aug 7–13 1 film · −97% | 1 | $224.5K | −97% | Mozzarella Stories (2011) $224.5K |
| Week 33, 2012 Aug 12–18 3 films · +2452% | 3 | $5.7M | +2452% | Robot and Frank (2012) $4.8M |
| Week 33, 2013 Aug 11–17 4 films · +1047% | 4 | $65.7M | +1047% | Kick-Ass 2 (2013) $60.8M |
| Week 33, 2014 Aug 10–16 1 film · −100% | 1 | $296.5K | −100% | Anjaan (2014) $296.5K |
| Week 33, 2015 Aug 9–15 1 film · −71% | 1 | $84.8K | −71% | Planet Ottakring (2015) $84.8K |
| Week 33, 2016 Aug 7–13 4 films · +158774% | 4 | $134.8M | +158774% | Line Walker (2016) $88.2M |
| Week 33, 2017 Aug 13–19 5 films · −27% | 5 | $98.7M | −27% | Logan Lucky (2017) $48.5M |
| Week 33, 2018 Aug 12–18 2 films · −21% | 2 | $78.2M | −21% | Mile 22 (2018) $66.3M |
| Week 33, 2019 Aug 11–17 3 films · −68% | 3 | $25.4M | −68% | Bodies at Rest (2019) $25.3M |
Archive
Crime Box Office in 2019, Week by Week
53 weeks of 2019 with reported grosses; the biggest is week 40 (Sep 29–Oct 5) with $1.1B, led by Joker (2019).
- Week 1 $2.8M
- Week 2 $9.3M
- Week 3 $41.9M
- Week 4 $12.1M
- Week 5 $25.4M
- Week 6 $139.4M
- Week 7 $4.7M
- Week 8 $6.5M
- Week 9 $1.1M
- Week 10 $19.5M
- Week 11 $2.2M
- Week 12 $3.7M
- Week 13 $377.5K
- Week 14 $240.7K
- Week 15 $28.1M
- Week 16 $2.3M
- Week 17 $80.5K
- Week 18 $10.1M
- Week 19 $109.7M
- Week 20 $330.7M
- Week 21 $3.1M
- Week 22 $4.4M
- Week 23 $73.9M
- Week 24 $22.1M
- Week 25 $28.8M
- Week 26 $982.6K
- Week 27 $925.2K
- Week 28 $34.2M
- Week 29 $351.1K
- Week 30 $392.2M
- Week 31 $774.2M
- Week 32 $115.6M
- Week 33 $25.4M
- Week 34 $1.3M
- Week 35 $10M
- Week 36 $1.8M
- Week 37 $189.1M
- Week 38 $171K
- Week 39 $11.2M
- Week 40 $1.1B
- Week 41 $212.8M
- Week 42 $8.3M
- Week 43 $24.2M
- Week 44 $19.5M
- Week 45 $243.9M
- Week 46 $55.6M
- Week 47 $50.1M
- Week 48 $360.7M
- Week 49 $8.1M
- Week 50 $301M
- Week 51 $215.8K
- Week 52 $50.9M
- Week 53 $8.3M
FAQ
Crime Box Office Week 33 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing crime movie in week 33 of 2019 (Aug 11–17)?
Bodies at Rest (2019) leads with $25.3M worldwide. Next come Evaru (2019) at $62.7K and Ranarangam (2019) at $18.3K.
How much did crime movies released in week 33 of 2019 (Aug 11–17) earn?
3 crime films released in week 33 of 2019 (Aug 11–17) report a worldwide gross, $25.4M in all, or $8.5M per film on average. Week 32, 2019 releases took $115.6M.
How many crime movies released in week 33 of 2019 (Aug 11–17) made $1 billion?
None. The biggest, Bodies at Rest (2019), earned $25.3M.
How is the week 33, 2019 crime box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 33 of 2019 (Aug 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 33, 2019 crime box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.