#1 of 4 #1 crime movie of Week 6, 2013
2013 · Comedy, Crime
$174M worldwide · 73% of the chart's total
$134.5M US & Canada · 77% $39.5M elsewhere · 23%
Crime box office · Week 6 · Feb 3–9, 2013
Crime Box Office, Week 6 of 2013: Crime Releases of Feb 3–9
Identity Thief (2013) is the highest-grossing crime movie released in week 6 of 2013 (Feb 3–9), with $174M worldwide, ahead of Side Effects (2013) at $63.4M and Special 26 (2013) at $647.1K. 4 crime films released that week report a worldwide gross, $238M in all, 70% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 7 times the total of Week 5, 2013, whose releases took $33.8M.
- week 6 releases with a gross
- 4
- combined worldwide
- $238M
- film crossed $100M
- 1
- vs Week 5, 2013
- ×7
#1 of 4 Top 4
What Were the Biggest Crime Hits of Week 6 of 2013?
Identity Thief (2013) leads with $174M, 73% of the total. The top 4 together took $238M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Crime Release of Week 6 of 2013, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 6 of 2013 (Feb 3–9).
- 1 Feb 8, 2013 US and Canada: $134.5M Rest of the world: $39.5M Worldwide: $174M
- 2 Feb 8, 2013 US and Canada: $32.2M Rest of the world: $31.2M Worldwide: $63.4M
- 3 Feb 8, 2013 US and Canada: – Rest of the world: – Worldwide: $647.1K
- 4 Feb 8, 2013 US and Canada: – Rest of the world: – Worldwide: $17.8K
Weeks around it
How Does Week 6 Compare With the Weeks Around It?
Week 6 releases took $238M. The biggest of these 9 weeks is week 7 (Feb 10–16) with $304.8M, led by A Good Day to Die Hard (2013).
- Week 53, 2012 Wk 53 Dec 30–31 No reported grosses – No reported grosses
- Week 1 Wk 1 Jan 1–5 No reported grosses – No reported grosses
- Week 2 Wk 2 Jan 6–12 Gangster Squad (2013) $131M Gangster Squad (2013)
- Week 3 Wk 3 Jan 13–19 Broken City (2013) $35.5M Broken City (2013)
- Week 4 Wk 4 Jan 20–26 Parker (2013) $69M Parker (2013)
- Week 5 Wk 5 Jan 27–Feb 2 Bullet to the Head (2013) $33.8M Bullet to the Head (2013)
- Week 6 Wk 6 Feb 3–9 Identity Thief (2013) $238M Identity Thief (2013)
- Week 7 Wk 7 Feb 10–16 A Good Day to Die Hard (2013) $304.8M A Good Day to Die Hard (2013)
- Week 8 Wk 8 Feb 17–23 8-Ball (2013) $720.7K 8-Ball (2013)
Earlier years
How Does Week 6 of 2013 Compare With Earlier Years?
Of these 10 years, Week 6, 2006 earned the most: $246.9M from 2 films, led by The Pink Panther (2006). Week 6, 2013 took $238M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 6, 2004 Feb 1–7 3 films | 3 | $17.3M | – | Catch That Kid (2004) $17M |
| Week 6, 2005 Jan 30–Feb 5 2 films · −84% | 2 | $2.8M | −84% | Too Fat Too Furious (2005) $1.8M |
| Week 6, 2006 Feb 5–11 2 films · +8664% | 2 | $246.9M | +8664% | The Pink Panther (2006) $164.1M |
| Week 6, 2007 Feb 4–10 1 film · −67% | 1 | $82.2M | −67% | Hannibal Rising (2007) $82.2M |
| Week 6, 2008 Feb 3–9 7 films · −34% | 7 | $54.2M | −34% | In Bruges (2008) $45.2M |
| Week 6, 2009 Feb 1–7 4 films · +166% | 4 | $144.3M | +166% | The Pink Panther 2 (2009) $76M |
| Week 6, 2010 Jan 31–Feb 6 2 films · −60% | 2 | $58.3M | −60% | From Paris with Love (2010) $52.8M |
| Week 6, 2011 Jan 30–Feb 5 No films | 0 | – | – | – |
| Week 6, 2012 Feb 5–11 2 films | 2 | $209.6M | – | Safe House (2012) $208.1M |
| Week 6, 2013 Feb 3–9 4 films · +14% | 4 | $238M | +14% | Identity Thief (2013) $174M |
Archive
Crime Box Office in 2013, Week by Week
51 weeks of 2013 with reported grosses; the biggest is week 27 (Jun 30–Jul 6) with $1B, led by Despicable Me 2 (2013).
- Week 1 No grosses
- Week 2 $131M
- Week 3 $35.5M
- Week 4 $69M
- Week 5 $33.8M
- Week 6 $238M
- Week 7 $304.8M
- Week 8 $720.7K
- Week 9 $10.6M
- Week 10 $20.6M
- Week 11 $32.3M
- Week 12 $1.9M
- Week 13 $51.1M
- Week 14 $28.6M
- Week 15 $4.9M
- Week 16 $26.3K
- Week 17 $105.2M
- Week 18 $5.1M
- Week 19 $1.2M
- Week 20 $14.3M
- Week 21 $823.6M
- Week 22 $361.8M
- Week 23 No grosses
- Week 24 $20.2M
- Week 25 $49.6M
- Week 26 $281.7M
- Week 27 $1B
- Week 28 $10.1K
- Week 29 $237.8M
- Week 30 $60.3M
- Week 31 $138.4M
- Week 32 $278.1M
- Week 33 $65.7M
- Week 34 $5.6M
- Week 35 $18.1M
- Week 36 $8M
- Week 37 $29.4M
- Week 38 $122.8M
- Week 39 $99.2M
- Week 40 $62.8M
- Week 41 $255.2M
- Week 42 $139M
- Week 43 $71.7M
- Week 44 $2.7M
- Week 45 $5.6M
- Week 46 $20.4M
- Week 47 $7.2M
- Week 48 $52M
- Week 49 $71.4M
- Week 50 $251.2M
- Week 51 $101.1M
- Week 52 $407M
- Week 53 $632K
FAQ
Crime Box Office Week 6 of 2013: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing crime movie in week 6 of 2013 (Feb 3–9)?
Identity Thief (2013) leads with $174M worldwide, $134.5M of it in the US & Canada. Next come Side Effects (2013) at $63.4M and Special 26 (2013) at $647.1K.
How much did crime movies released in week 6 of 2013 (Feb 3–9) earn?
4 crime films released in week 6 of 2013 (Feb 3–9) report a worldwide gross, $238M in all, or $59.5M per film on average. Week 5, 2013 releases took $33.8M.
How many crime movies released in week 6 of 2013 (Feb 3–9) made $1 billion?
None. 1 film crossed $100 million, led by Identity Thief (2013) with $174M.
How is the week 6, 2013 crime box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 6 of 2013 (Feb 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 6, 2013 crime box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.