#1 of 3 #1 crime movie of Week 10, 2013
2013 · Action, Drama
$18.1M worldwide · 88% of the chart's total
$10.9M US & Canada · 60% $7.2M elsewhere · 40%
Crime box office · Week 10 · Mar 3–9, 2013
Crime Box Office, Week 10 of 2013: Crime Releases of Mar 3–9
Dead Man Down (2013) is the highest-grossing crime movie released in week 10 of 2013 (Mar 3–9), with $18.1M worldwide, ahead of Amiche da morire (2013) at $2.4M and The Silence (2013) at $157.9K. 3 crime films released that week report a worldwide gross, $20.6M in all, 53% of it from the US & Canada. That is up 94% on Week 9, 2013, whose releases took $10.6M.
- week 10 releases with a gross
- 3
- combined worldwide
- $20.6M
- Dead Man Down (2013), the #1
- $18.1M
- vs Week 9, 2013
- +94%
#1 of 3 Top 3
What Were the Biggest Crime Hits of Week 10 of 2013?
Dead Man Down (2013) leads with $18.1M, 88% of the total. The top 3 together took $20.6M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Crime Release of Week 10 of 2013, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 10 of 2013 (Mar 3–9).
- 1 Mar 8, 2013 US and Canada: $10.9M Rest of the world: $7.2M Worldwide: $18.1M
- 2 Mar 7, 2013 US and Canada: – Rest of the world: – Worldwide: $2.4M
- 3 Mar 8, 2013 US and Canada: $109.1K Rest of the world: $48.8K Worldwide: $157.9K
Weeks around it
How Does Week 10 Compare With the Weeks Around It?
Week 10 releases took $20.6M. The biggest of these 9 weeks is week 7 (Feb 10–16) with $304.8M, led by A Good Day to Die Hard (2013).
- Week 4 Wk 4 Jan 20–26 Parker (2013) $69M Parker (2013)
- Week 5 Wk 5 Jan 27–Feb 2 Bullet to the Head (2013) $33.8M Bullet to the Head (2013)
- Week 6 Wk 6 Feb 3–9 Identity Thief (2013) $238M Identity Thief (2013)
- Week 7 Wk 7 Feb 10–16 A Good Day to Die Hard (2013) $304.8M A Good Day to Die Hard (2013)
- Week 8 Wk 8 Feb 17–23 8-Ball (2013) $720.7K 8-Ball (2013)
- Week 9 Wk 9 Feb 24–Mar 2 The Sweeney (2013) $10.6M The Sweeney (2013)
- Week 10 Wk 10 Mar 3–9 Dead Man Down (2013) $20.6M Dead Man Down (2013)
- Week 11 Wk 11 Mar 10–16 Spring Breakers (2013) $32.3M Spring Breakers (2013)
- Week 12 Wk 12 Mar 17–23 Everybody Has a Plan (2013) $1.9M Everybody Has a Plan (2013)
Earlier years
How Does Week 10 of 2013 Compare With Earlier Years?
Of these 10 years, Week 10, 2004 earned the most: $176.4M from 2 films, led by Starsky & Hutch (2004). Week 10, 2013 took $20.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 10, 2004 Feb 29–Mar 6 2 films | 2 | $176.4M | – | Starsky & Hutch (2004) $170.3M |
| Week 10, 2005 Feb 27–Mar 5 2 films · −46% | 2 | $95.8M | −46% | Be Cool (2005) $95.8M |
| Week 10, 2006 Mar 5–11 3 films · −93% | 3 | $6.6M | −93% | Malamaal Weekly (2006) $5.9M |
| Week 10, 2007 Mar 4–10 1 film · +15% | 1 | $7.6M | +15% | The Vexxer (2007) $7.6M |
| Week 10, 2008 Mar 2–8 5 films · +855% | 5 | $72.4M | +855% | The Bank Job (2008) $64.8M |
| Week 10, 2009 Mar 1–7 4 films · −91% | 4 | $6.4M | −91% | 12 (2009) $3.8M |
| Week 10, 2010 Feb 28–Mar 6 1 film · +585% | 1 | $44M | +585% | Brooklyn's Finest (2010) $44M |
| Week 10, 2011 Feb 27–Mar 5 1 film · −71% | 1 | $13M | −71% | I Saw the Devil (2011) $13M |
| Week 10, 2012 Mar 4–10 3 films · −96% | 3 | $510.2K | −96% | Sound of Noise (2012) $424.1K |
| Week 10, 2013 Mar 3–9 3 films · +3943% | 3 | $20.6M | +3943% | Dead Man Down (2013) $18.1M |
Archive
Crime Box Office in 2013, Week by Week
51 weeks of 2013 with reported grosses; the biggest is week 27 (Jun 30–Jul 6) with $1B, led by Despicable Me 2 (2013).
- Week 1 No grosses
- Week 2 $131M
- Week 3 $35.5M
- Week 4 $69M
- Week 5 $33.8M
- Week 6 $238M
- Week 7 $304.8M
- Week 8 $720.7K
- Week 9 $10.6M
- Week 10 $20.6M
- Week 11 $32.3M
- Week 12 $1.9M
- Week 13 $51.1M
- Week 14 $28.6M
- Week 15 $4.9M
- Week 16 $26.3K
- Week 17 $105.2M
- Week 18 $5.1M
- Week 19 $1.2M
- Week 20 $14.3M
- Week 21 $823.6M
- Week 22 $361.8M
- Week 23 No grosses
- Week 24 $20.2M
- Week 25 $49.6M
- Week 26 $281.7M
- Week 27 $1B
- Week 28 $10.1K
- Week 29 $237.8M
- Week 30 $60.3M
- Week 31 $138.4M
- Week 32 $278.1M
- Week 33 $65.7M
- Week 34 $5.6M
- Week 35 $18.1M
- Week 36 $8M
- Week 37 $29.4M
- Week 38 $122.8M
- Week 39 $99.2M
- Week 40 $62.8M
- Week 41 $255.2M
- Week 42 $139M
- Week 43 $71.7M
- Week 44 $2.7M
- Week 45 $5.6M
- Week 46 $20.4M
- Week 47 $7.2M
- Week 48 $52M
- Week 49 $71.4M
- Week 50 $251.2M
- Week 51 $101.1M
- Week 52 $407M
- Week 53 $632K
FAQ
Crime Box Office Week 10 of 2013: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing crime movie in week 10 of 2013 (Mar 3–9)?
Dead Man Down (2013) leads with $18.1M worldwide, $10.9M of it in the US & Canada. Next come Amiche da morire (2013) at $2.4M and The Silence (2013) at $157.9K.
How much did crime movies released in week 10 of 2013 (Mar 3–9) earn?
3 crime films released in week 10 of 2013 (Mar 3–9) report a worldwide gross, $20.6M in all, or $6.9M per film on average. Week 9, 2013 releases took $10.6M.
How many crime movies released in week 10 of 2013 (Mar 3–9) made $1 billion?
None. The biggest, Dead Man Down (2013), earned $18.1M.
How is the week 10, 2013 crime box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 10 of 2013 (Mar 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 10, 2013 crime box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.