#1 of 8 2004 · Action, Fantasy
$82.4M worldwide · 60% of the chart's total
Catwoman (2004) is the highest-grossing crime movie released in July 2004, with $82.4M worldwide, ahead of The Blind Swordsman: Zatoichi (2004) at $34.2M and Maria Full of Grace (2004) at $12.6M. 8 crime films released in July 2004 report a worldwide gross, $136.5M in all, 35% of it from the US & Canada. That is up 17% on June 2004, whose releases took $116.2M. By language, English leads with $95.1M across 3 crime releases.
#1 of 8 2004 · Action, Fantasy
$82.4M worldwide · 60% of the chart's total
Catwoman (2004) leads with $82.4M, 60% of the total. The top 5 together took $136.2M, almost all of what the 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in July 2004.
Jul 23, 2004 US and Canada: $40.2M Rest of the world: $42.2M Worldwide: $82.4M
Jul 16, 2004 US and Canada: $6.5M Rest of the world: $6.1M Worldwide: $12.6M
Jul 16, 2004 US and Canada: $155.9K Rest of the world: $5.5M Worldwide: $5.7M
Jul 9, 2004 US and Canada: – Rest of the world: – Worldwide: $1.3M
Jul 9, 2004 US and Canada: – Rest of the world: – Worldwide: $160.8K
Jul 20, 2004 US and Canada: – Rest of the world: – Worldwide: $104.5K
Jul 30, 2004 US and Canada: $58.2K Rest of the world: $431 Worldwide: $58.6K Of the top 8, Gozu (2004) earned the biggest share at home (99% in the US & Canada), while Killing Cabos (2004) made 97% of its gross abroad. Across all 8 films, $48.1M (35%) came from the US & Canada. 3 films of the top 8 report no US & Canada figure.
Films released in week 30 (Jul 18–24) took $116.7M, led by Catwoman (2004). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, July 2002 earned the most: $483.8M from 6 films, led by Austin Powers in Goldmember (2002). July 2004 took $136.5M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| July 1995 1 film | 1 | $110.6M | – | The Net (1995) $110.6M |
| July 1996 2 films · +53% | 2 | $169.3M | +53% | A Time to Kill (1996) $152.3M |
| July 1997 2 films · −74% | 2 | $44.5M | −74% | Nothing to Lose (1997) $44.5M |
| July 1998 2 films · +642% | 2 | $330M | +642% | Lethal Weapon 4 (1998) $285.4M |
| July 1999 2 films · −94% | 2 | $19.3M | −94% | Summer of Sam (1999) $19.3M |
| July 2000 1 film · −98% | 1 | $355.4K | −98% | 19 (2000) $355.4K |
| July 2001 7 films · +38457% | 7 | $137M | +38457% | The Score (2001) $113.6M |
| July 2002 6 films · +253% | 6 | $483.8M | +253% | Austin Powers in Goldmember (2002) $296.9M |
| July 2003 8 films · −3% | 8 | $469.6M | −3% | Bad Boys II (2003) $273.3M |
| July 2004 8 films · −71% | 8 | $136.5M | −71% | Catwoman (2004) $82.4M |
English-language crime films took $95.1M across 3 films, 70% of the total, ahead of Japanese-language crime films ($34.3M) and Spanish-language crime films ($7M).
The months of 2004 with their totals: April leads with $389.6M, led by Kill Bill: Vol. 2 (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Catwoman (2004) leads with $82.4M worldwide, $40.2M of it in the US & Canada. Next come The Blind Swordsman: Zatoichi (2004) at $34.2M and Maria Full of Grace (2004) at $12.6M.
8 crime films released in July 2004 report a worldwide gross, $136.5M in all, or $17.1M per film on average. June 2004 releases took $116.2M.
None. The biggest, Catwoman (2004), earned $82.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in July 2004. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.