#1 of 8 2004 · Action, Comedy
$170.3M worldwide · 61% of the chart's total
Starsky & Hutch (2004) is the highest-grossing crime movie released in March 2004, with $170.3M worldwide, ahead of The Ladykillers (2004) at $76.7M and Spartan (2004) at $8.1M. 8 crime films released in March 2004 report a worldwide gross, $279.1M in all, 50% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 177% on February 2004, whose releases took $100.9M. By language, English leads with $267.6M across 5 crime releases.
#1 of 8 2004 · Action, Comedy
$170.3M worldwide · 61% of the chart's total
Starsky & Hutch (2004) leads with $170.3M, 61% of the total. The top 5 together took $267.8M, 96% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in March 2004.
Mar 5, 2004 US and Canada: $88.2M Rest of the world: $82M Worldwide: $170.3M
Mar 26, 2004 US and Canada: $39.8M Rest of the world: $36.9M Worldwide: $76.7M
Mar 12, 2004 US and Canada: $4.4M Rest of the world: $3.7M Worldwide: $8.1M
Mar 26, 2004 US and Canada: $87K Rest of the world: $6.5M Worldwide: $6.6M
Mar 3, 2004 US and Canada: – Rest of the world: – Worldwide: $6.2M
Mar 26, 2004 US and Canada: $5.6M Rest of the world: $277.7K Worldwide: $5.9M
Mar 19, 2004 US and Canada: $897K Rest of the world: $4.3M Worldwide: $5.2M
Mar 12, 2004 US and Canada: – Rest of the world: – Worldwide: $180.5K Of the top 8, Never Die Alone (2004) earned the biggest share at home (95% in the US & Canada), while Ned Kelly (2004) made 99% of its gross abroad. Across all 8 films, $139.1M (50%) came from the US & Canada. 2 films of the top 8 report no US & Canada figure.
Films released in week 10 (Feb 29–Mar 6) took $176.4M, led by Starsky & Hutch (2004). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, March 2001 earned the most: $343.3M from 6 films, led by The Mexican (2001). March 2004 took $279.1M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| March 1995 2 films | 2 | $26M | – | Dolores Claiborne (1995) $24.4M |
| March 1996 1 film · +133% | 1 | $60.6M | +133% | Fargo (1996) $60.6M |
| March 1997 2 films · +135% | 2 | $142.4M | +135% | The Devil's Own (1997) $140.8M |
| March 1998 6 films · −37% | 6 | $89.4M | −37% | The Big Lebowski (1998) $48.3M |
| March 1999 6 films · +189% | 6 | $258.3M | +189% | Analyze This (1999) $176.9M |
| March 2000 5 films · −12% | 5 | $227.9M | −12% | Romeo Must Die (2000) $91M |
| March 2001 6 films · +51% | 6 | $343.3M | +51% | The Mexican (2001) $147.8M |
| March 2002 5 films · −67% | 5 | $113.3M | −67% | Showtime (2002) $77.9M |
| March 2003 9 films · −8% | 9 | $103.9M | −8% | The Hunted (2003) $46.1M |
| March 2004 8 films · +168% | 8 | $279.1M | +168% | Starsky & Hutch (2004) $170.3M |
English-language crime films took $267.6M across 5 films, 96% of the total, ahead of French-language crime films ($6.2M) and Greek-language crime films ($180.5K).
The months of 2004 with their totals: April leads with $389.6M, led by Kill Bill: Vol. 2 (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Starsky & Hutch (2004) leads with $170.3M worldwide, $88.2M of it in the US & Canada. Next come The Ladykillers (2004) at $76.7M and Spartan (2004) at $8.1M.
8 crime films released in March 2004 report a worldwide gross, $279.1M in all, or $34.9M per film on average. February 2004 releases took $100.9M.
None. 1 film crossed $100 million, led by Starsky & Hutch (2004) with $170.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in March 2004. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.