#1 of 10 1975 · Biography, Drama
$50M worldwide · 34% of the chart's total
Dog Day Afternoon (1975) is the highest-grossing crime movie released in 1975, with $50M worldwide, ahead of The Return of the Pink Panther (1975) at $41.8M and Lucky Lady (1975) at $24.4M. 10 crime films released in 1975 report a worldwide gross, $145.7M in all, 100% of it from the US & Canada. That is down 27% on 1974, whose releases took $199.1M. By language, English leads with $145.6M across 9 crime releases.
#1 of 10 1975 · Biography, Drama
$50M worldwide · 34% of the chart's total
Dog Day Afternoon (1975) leads with $50M, 34% of the total. The top 5 together took $143M, 98% of what all 10 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in 1975.
Dec 25, 1975 US and Canada: $50M Rest of the world: $5.7K Worldwide: $50M
Dec 25, 1975 US and Canada: $24.4M Rest of the world: Worldwide: $24.4M
May 21, 1975 US and Canada: $14.2M Rest of the world: Worldwide: $14.2M
May 21, 1975 US and Canada: $12.5M Rest of the world: Worldwide: $12.5M
Aug 1, 1975 US and Canada: $2.1M Rest of the world: Worldwide: $2.1M
Dec 25, 1975 US and Canada: – Rest of the world: – Worldwide: $465.8K
Jan 14, 1975 US and Canada: – Rest of the world: – Worldwide: $65.3K
Jan 5, 1975 US and Canada: $51.3K Rest of the world: Worldwide: $51.3K
Jun 2, 1975 US and Canada: – Rest of the world: – Worldwide: $684 Of the top 10, Lucky Lady (1975) earned the biggest share at home (100% in the US & Canada), while Dog Day Afternoon (1975) made <1% of its gross abroad. Across all 10 films, $145.1M (100%) came from the US & Canada. 3 films of the top 10 report no US & Canada figure.
None of the 10 films reached $100M. 5 films, 50% of the list, earned under $10M. Each band shows its films and its share of the $145.7M total.
December releases took the most, $74.9M from 3 films, led by Dog Day Afternoon (1975). June was the quietest month ($684). Each column is a release month and links to that month's chart.
Of these 10 years, 1973 earned the most: $281.5M from 16 films, led by The Sting (1973). 1975 took $145.7M.
| Year | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| 1966 5 films | 5 | $143.5K | – | Made in U.S.A (1966) $95.3K |
| 1967 8 films · +4397% | 8 | $6.5M | +4397% | The War Wagon (1967) $6M |
| 1968 7 films · −42% | 7 | $3.7M | −42% | Coogan’s Bluff (1968) $3.1M |
| 1969 6 films · +2659% | 6 | $102.7M | +2659% | Butch Cassidy and the Sundance Kid (1969) $102.3M |
| 1970 8 films · −80% | 8 | $20.4M | −80% | Joe (1970) $19.3M |
| 1971 11 films · +588% | 11 | $140.3M | +588% | The French Connection (1971) $51.7M |
| 1972 5 films · +78% | 5 | $250.4M | +78% | The Godfather (1972) $250.3M |
| 1973 16 films · +12% | 16 | $281.5M | +12% | The Sting (1973) $156M |
| 1974 14 films · −29% | 14 | $199.1M | −29% | The Godfather: Part II (1974) $48M |
| 1975 10 films · −27% | 10 | $145.7M | −27% | Dog Day Afternoon (1975) $50M |
English-language crime films took $145.6M across 9 films, 100% of the total, ahead of Hindi-language crime films ($65.3K).
Every year from 1920 to 2026 with its total and its biggest film. 2013 leads with $6.1B, led by Despicable Me 2 (2013).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 10 films as the chart.
Dog Day Afternoon (1975) leads with $50M worldwide, $50M of it in the US & Canada. Next come The Return of the Pink Panther (1975) at $41.8M and Lucky Lady (1975) at $24.4M.
10 crime films released in 1975 report a worldwide gross, $145.7M in all, or $14.6M per film on average. 1974 releases took $199.1M.
None. The biggest, Dog Day Afternoon (1975), earned $50M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in 1975. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.