#1 of 8 Scott Pilgrim vs. the World (2010)
2010 · Action, Adventure
$51.8M worldwide · 69% of the chart's total
Scott Pilgrim vs. the World (2010) is the highest-grossing comedy movie released in week 33 of 2010 (Aug 8–14), with $51.8M worldwide, ahead of Peepli Live (2010) at $9.5M and Love in Disguise (2010) at $8.7M. 8 comedy films released that week report a worldwide gross, $74.8M in all, 46% of it from the US & Canada. That is down 57% on Week 32, 2010, whose releases took $175.7M. By language, English leads with $52.9M across 3 comedy releases.
#1 of 8 Scott Pilgrim vs. the World (2010)
2010 · Action, Adventure
$51.8M worldwide · 69% of the chart's total
Scott Pilgrim vs. the World (2010) leads with $51.8M, 69% of the total. The top 5 together took $73.8M, 99% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 33 of 2010 (Aug 8–14).
Aug 13, 2010 US and Canada: $758K Rest of the world: $8.7M Worldwide: $9.5M
Aug 12, 2010 US and Canada: – Rest of the world: – Worldwide: $8.7M
Aug 12, 2010 US and Canada: – Rest of the world: – Worldwide: $2.7M
Aug 12, 2010 US and Canada: – Rest of the world: – Worldwide: $691.3K
Aug 13, 2010 US and Canada: – Rest of the world: – Worldwide: $354.3K
Aug 9, 2010 US and Canada: – Rest of the world: – Worldwide: $39.2K Week 33 releases took $74.8M. The biggest of these 9 weeks is week 28 (Jul 4–10) with $596.4M, led by Despicable Me (2010).
Of these 10 years, Week 33, 2007 earned the most: $235.5M from 6 films, led by Superbad (2007). Week 33, 2010 took $74.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 33, 2001 Aug 12–18 3 films | 3 | $86.5M | – | Rat Race (2001) $85.5M |
| Week 33, 2002 Aug 11–17 3 films · −79% | 3 | $17.8M | −79% | Mostly Martha (2002) $9.9M |
| Week 33, 2003 Aug 10–16 8 films · +247% | 8 | $61.9M | +247% | Uptown Girls (2003) $44.6M |
| Week 33, 2004 Aug 8–14 5 films · +123% | 5 | $138.1M | +123% | The Princess Diaries 2: Royal Engagement (2004) $134.7M |
| Week 33, 2005 Aug 7–13 4 films · −55% | 4 | $62.4M | −55% | Deuce Bigalow: European Gigolo (2005) $45.1M |
| Week 33, 2006 Aug 13–19 7 films · +46% | 7 | $90.8M | +46% | Accepted (2006) $38.6M |
| Week 33, 2007 Aug 12–18 6 films · +159% | 6 | $235.5M | +159% | Superbad (2007) $170.8M |
| Week 33, 2008 Aug 10–16 5 films · −6% | 5 | $220.2M | −6% | Tropic Thunder (2008) $195.7M |
| Week 33, 2009 Aug 9–15 9 films · −70% | 9 | $66.7M | −70% | Neuilly Yo Mama! (2009) $22.2M |
| Week 33, 2010 Aug 8–14 8 films · +12% | 8 | $74.8M | +12% | Scott Pilgrim vs. the World (2010) $51.8M |
English-language comedy films took $52.9M across 3 films, 71% of the total, ahead of Chinese-language comedy films ($9.8M) and Hindi-language comedy films ($9.5M).
53 weeks of 2010 with reported grosses; the biggest is week 25 (Jun 13–19) with $1.1B, led by Toy Story 3 (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Scott Pilgrim vs. the World (2010) leads with $51.8M worldwide, $33.5M of it in the US & Canada. Next come Peepli Live (2010) at $9.5M and Love in Disguise (2010) at $8.7M.
8 comedy films released in week 33 of 2010 (Aug 8–14) report a worldwide gross, $74.8M in all, or $9.4M per film on average. Week 32, 2010 releases took $175.7M.
None. The biggest, Scott Pilgrim vs. the World (2010), earned $51.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 33 of 2010 (Aug 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.