#1 of 9 1995 · Drama, Comedy
$39.5M worldwide · 52% of the chart's total
Nobody's Fool (1995) is the highest-grossing comedy movie released in January 1995, with $39.5M worldwide, ahead of Houseguest (1995) at $26.3M and Miami Rhapsody (1995) at $5.2M. 9 comedy films released in January 1995 report a worldwide gross, $76.6M in all, 98% of it from the US & Canada. That is down 84% on December 1994, whose releases took $473.3M. By language, English leads with $74M across 7 comedy releases.
#1 of 9 1995 · Drama, Comedy
$39.5M worldwide · 52% of the chart's total
Nobody's Fool (1995) leads with $39.5M, 52% of the total. The top 5 together took $74.8M, 98% of what all 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in January 1995.
Jan 13, 1995 US and Canada: $39.5M Rest of the world: Worldwide: $39.5M
Jan 6, 1995 US and Canada: $26.3M Rest of the world: Worldwide: $26.3M
Jan 27, 1995 US and Canada: $5.2M Rest of the world: Worldwide: $5.2M
Jan 18, 1995 US and Canada: $1M Rest of the world: Worldwide: $1M
1995 US and Canada: $240.3K Rest of the world: Worldwide: $240.3K
Jan 14, 1995 US and Canada: $9.5K Rest of the world: Worldwide: $9.5K Of the top 9, Nobody's Fool (1995) earned the biggest share at home (100% in the US & Canada), while Open Season (1995) made 0% of its gross abroad. Across all 9 films, $75.1M (98%) came from the US & Canada. 1 film of the top 9 reports no US & Canada figure.
Films released in week 2 (Jan 8–14) took $39.5M, led by Nobody's Fool (1995). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, January 1988 earned the most: $162.3M from 7 films, led by Good Morning, Vietnam (1988). January 1995 took $76.6M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| January 1986 7 films | 7 | $86.4M | – | Down and Out in Beverly Hills (1986) $62.1M |
| January 1987 5 films · +30% | 5 | $112M | +30% | Outrageous Fortune (1987) $52.9M |
| January 1988 7 films · +45% | 7 | $162.3M | +45% | Good Morning, Vietnam (1988) $123.9M |
| January 1989 4 films · −72% | 4 | $46.2M | −72% | Three Fugitives (1989) $40.6M |
| January 1990 7 films · −36% | 7 | $29.7M | −36% | Tremors (1990) $16.7M |
| January 1991 4 films · +66% | 4 | $49.3M | +66% | Green Card (1991) $29.9M |
| January 1992 7 films · −30% | 7 | $34.4M | −30% | Kuffs (1992) $21.1M |
| January 1993 5 films · −37% | 5 | $21.7M | −37% | Chaplin (1993) $9.5M |
| January 1994 4 films · +30% | 4 | $28.3M | +30% | The Air Up There (1994) $21M |
| January 1995 9 films · +170% | 9 | $76.6M | +170% | Nobody's Fool (1995) $39.5M |
English-language comedy films took $74M across 7 films, 97% of the total, ahead of Cantonese-language comedy films ($1.5M) and French-language comedy films ($1M).
The months of 1995 with their totals: November leads with $794.4M, led by Toy Story (1995).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
Nobody's Fool (1995) leads with $39.5M worldwide, $39.5M of it in the US & Canada. Next come Houseguest (1995) at $26.3M and Miami Rhapsody (1995) at $5.2M.
9 comedy films released in January 1995 report a worldwide gross, $76.6M in all, or $8.5M per film on average. December 1994 releases took $473.3M.
None. The biggest, Nobody's Fool (1995), earned $39.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in January 1995. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.