Dissolve To

A Gradual and Meaningful Transition

A dissolve is an editing transition that creates a soft, overlapping blend between two consecutive scenes. As the first scene (Image A) fades away, the second scene (Image B) simultaneously fades into view, with the two images momentarily superimposed on top of each other. This is a much gentler and more noticeable transition than a standard ‘cut,’ and its use is always a deliberate stylistic choice.

The primary narrative function of a dissolve is to indicate a significant passage of time. A dissolve can smoothly transport the audience from one day to the next, or it can be used to show the changing of seasons, or even the passing of many years. Beyond its temporal function, the dissolve can also be used to create a strong thematic or metaphorical link between two scenes, suggesting that the image fading out is connected in a meaningful way to the image fading in. It can create a dreamlike, nostalgic, or melancholic mood.

Usage in Screenplays

In a screenplay, the transition is written in all caps and aligned to the right-hand side of the page:

...John looks at the old photograph.

DISSOLVE TO:

EXT. PARK - DAY (20 YEARS EARLIER) A young John plays on the swings.

A Note on Modern Screenwriting

While the dissolve was a staple of classic Hollywood cinema, its use in contemporary screenplays is much more sparing. Modern screenwriting philosophy generally advises writers to avoid specifying camera shots and editing transitions unless they are absolutely essential to the story’s meaning. Overusing transitions like DISSOLVE TO: or FADE TO BLACK: is often considered a sign of an amateur writer. In most cases, it is best to simply use a new slugline and let the director and editor decide how to transition between scenes. An exception would be if the dissolve itself is a key storytelling moment, such as a thematic link between a character and an object that represents their past. It’s also worth noting that CROSS FADE TO: is a direct synonym, though ‘dissolve’ is the more common term in film.