Dialogue: Classical Roots
Dialogue owes debts to stage tradition; early screenwriters transcribed theatrical cadence until sound recording evolved. Screwball comedies like His Girl Friday accelerated banter to exploit newly reliable microphones.
Functions in Screenwriting
- Exposition — delivering plot efficiently.
- Characterisation — idiolects signal class, region, or worldview.
- Subtext — what’s unsaid often matters more, as David Mamet’s works show.
Dialogue: Directorial Approaches
Robert Altman embraces overlapping dialogue to mimic chaos; Aaron Sorkin’s walk-and-talk scripts turn corridors into rhetorical racetracks. In contrast, minimalist auteurs like Kelly Reichardt prioritise silence, making each spoken line seismic.