Directed by

Ray Enright
Made by

Warner Bros. Pictures
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Read the complete plot summary and ending explained for We’re in the Money (1935). From turning points to emotional moments, uncover what really happened and why it matters.
Ginger Stewart and Dixie Tilton are approached by a ditsy lawyer, Homer Bronson, who offers them $1000 to serve subpoenas on reluctant witnesses in a breach-of-promise suit brought by Claire LeClaire against wealthy C. Richard Courtney. They have a deadline: a new state law will take effect in a few weeks banning such suits.
Unbeknownst to Ginger, she and Courtney, masquerading as a chauffeur named Carter, have fallen in love; and Courtney himself does not know that Ginger is the process server.
Through trickery, Ginger and Dixie manage to serve papers on three targets: Phil Logan, Butch Gonzola, and Man Mountain Dean, the last in the middle of a bout with Chief Pontiac. On the lawyer’s advice, Stephen Dinsmore helps arrange for Courtney to sail away on his yacht.
However, Ginger jumps from a motorboat piloted by the erratic Bronson and pretends to be in distress. She is rescued by Courtney’s crewmen, and the two finally learn each other’s true identities. They admit they love each other and decide to marry.
Ginger sends a message to Dixie, asking her to bring a few things for the honeymoon. Dixie misreads the situation and, thinking Ginger is merely luring Courtney in, boards the dock and serves the last subpoena. Courtney, believing Ginger was only acting, angrily breaks off the engagement.
At the trial, Bronson produces a photograph showing LeClaire cosily nestled in Courtney’s lap, prompting him to agree to marry LeClaire. Later, Bronson confides to Ginger and Dixie that the photo was faked by combining two others. Ginger rushes to stop the wedding just in time, and the two reconcile.
Follow the complete movie timeline of We’re in the Money (1935) with every major event in chronological order. Great for understanding complex plots and story progression.
Subpoenas offered and deadline looming
Ginger and Dixie are recruited by Homer Bronson for $1000 to serve subpoenas in a breach-of-promise suit brought by Claire LeClaire against C. Richard Courtney. They must work fast because a new state law banning such suits will take effect in a few weeks. The stakes are high, since missing the deadline could derail the case.
Love blooms under cover
Ginger and Courtney, masquerading as a chauffeur named Carter, have fallen in love. Unaware of Ginger's real job, Courtney remains in the dark about her as a process server. Ginger already knows the defendant, adding a dangerous twist to their romance.
Subpoenas served to three targets
Using trickery, Ginger and Dixie manage to serve papers on three wary targets: nightclub singer Phil Logan, gangster Butch Gonzola, and professional wrestler Man Mountain Dean, who is in the middle of a bout with Chief Pontiac. The operations take place across a nightclub and a wrestling arena, heightening the tension. Each service tightens the stakes of the looming deadline.
Courtney plans to flee by yacht
On the advice of his lawyer Stephen Dinsmore, Courtney prepares to sail away to safety on his yacht. The plan is to escape the scandal by disappearing abroad. The clock is ticking as legal trouble closes in.
Rescue on the water ignites feelings
Ginger jumps from a motorboat piloted by the erratic Bronson and feigns distress, hoping to catch Courtney's attention. She is rescued by Courtney's crewmen, and the close encounter makes the lovers confront their feelings. The brush with danger begins to clear the air between them.
True identities revealed and love confirmed
During the recovery, they finally learn each other's true identities, though the revelation comes with its own complications. They admit they love each other and decide to marry.
Honeymoon prep sparks misunderstanding
Ginger sends a message to Dixie asking her to bring a few things for the honeymoon. Dixie misreads the situation, believing Ginger is merely luring Courtney in. The exchange foreshadows trouble at the dock.
Subpoena delivered at the dock
When the couple steps onto the dock, Dixie serves the last subpoena, a move that catches everyone off guard. The situation reinforces the strain between Ginger, Courtney, and the plaintiff's case.
Breakup amid suspicion
Courtney believes Ginger was merely acting and angrily breaks up with her. The couple's trust fractures, and they drift apart as the wedding looms.
Trial drama and a fateful engagement
At the trial, Bronson produces a photograph showing LeClaire cosily nestled in Courtney's lap, casting doubt on Ginger's relationship with Courtney. Courtney agrees to marry LeClaire, yielding to social pressure. The courtroom tension heightens as loyalties and love collide.
Bronson's confession
Bronson confides to Ginger and Dixie that he faked the picture by combining two others. The confession reveals his motive and undermines the wedding plan.
Final reconciliation and a hopeful future
Ginger rushes to stop the wedding ceremony just in time. She and Courtney reconcile and decide to pursue their future together.
Explore all characters from We’re in the Money (1935). Get detailed profiles with their roles, arcs, and key relationships explained.
Ginger Stewart (Joan Blondell)
A quick-witted process server who uses charm and nerve to navigate subpoenas and social intrigue. She is bold, resourceful, and capable of turning a tense moment into a clever ploy. Her growing romance with Courtney tests her loyalty to professional duty.
Dixie Tilton (Glenda Farrell)
Ginger's brash, loyal partner who brings humor and persistence to the subpoenas. She misreads situations but remains supportive and bold. Her antics highlight the lighter side of the caper while she stands by Ginger.
C. Richard Courtney (Ross Alexander)
Wealthy defendant who falls for Ginger while posing as a chauffeur. He is resourceful, conflicted between fear and love, and ultimately grapples with whether to escape or face the consequences. His ignorance of Ginger's knowledge adds tension to the romance.
Claire LeClaire (Anita Kerry)
The plaintiff in the breach-of-promise case, a figure of wealth whose relationship with Courtney kickstarts the legal plot. She becomes a potential obstacle for the couple, representing social status and the stakes of public reputation.
Homer Bronson (Hugh Herbert)
The ditsy lawyer who engineers the scheme, orchestrating subpoenas and a fake photograph. His bumbling confidence masks a sharp, calculating mind as he manipulates others to advance his case. He provokes the central conflict by blurring truth and profit.
Phil Logan (Phil Regan)
A nightclub singer drawn into the web of subpoenas, embodying the showbiz milieu that frames the comedy. His presence adds a musical element to the caper and mirrors the era's entertainment culture.
Butch Gonzola (Lionel Stander)
A gangster figure who becomes one of the targets of the subpoenas, representing the criminal underworld that intersects with the courtly farce. He contributes to the film's energy with menace tempered by humor.
Man Mountain Dean (Frank Leavitt)
A professional wrestler who provides a dramatic action beat in the middle of a bout, showcasing the mix of sport, spectacle, and danger in the story. His presence heightens the film's lively, varied cast.
Chief Pontiac (Myron Cox)
A supporting character who contributes to the film's ensemble dynamic with a blend of humor and bravado, reflecting the era's colorful cast of minor roles. He adds to the film's lively, sometimes risky humor.
Stephen Dinsmore (Henry O'Neill)
The lawyer friend who counsels Courtney and contributes to the courtroom plan. He embodies the professional voice in the farce, balancing seriousness with moments of comic relief. His involvement anchors the legal maneuvers that drive the plot.
Max (Hobart Cavanaugh)
A supporting character who helps populate the social world around the main cast, reflecting the ensemble nature of the film's setting. He adds to the film's texture with a practical, sometimes wry presence.
Learn where and when We’re in the Money (1935) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1930s
The story unfolds in the United States during the 1930s, a period of glamorous show business and evolving social norms. Subpoenas, a yacht, nightclubs, and a courtroom caper all align with the era's lighthearted, fast-paced farce. The plot relies on disguises, quick dialogue, and a last-minute rescue that typifies mid-1930s screwball comedies.
Discover the main themes in We’re in the Money (1935). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Romance
Love complicates the scheme as Ginger and Courtney fall for each other while pretending to be strangers. Their romance rides on secrets, miscommunications, and the tension between duty and desire. The couple must navigate trust and truth before a wedding becomes a farce.
🎭
Disguise
Masquerade and mistaken identity drive the plot, with Ginger and Courtney hiding true identities to manipulate subpoenas and the trial. The humor hinges on how disguises unravel at crucial moments, revealing loyalties and true feelings. The comedy plays with appearance versus reality in a high-spirited way.
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Legal farce
A breach-of-promise case, fake photographs, and last-minute courtroom reversals create a playful legal labyrinth. The schemers bend rules and expectations to shape outcomes, only to have the truth surface at the crucial moment. The movie uses the law as a springboard for farcical misunderstandings and romance.

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Discover the spoiler-free summary of We’re in the Money (1935). Get a concise overview without any spoilers.
In the bustling corridors of a city where legal paperwork shuffles as quickly as the traffic, Ginger Stewart makes a living as a sharp‑tongued process server, forever chasing the next subpoena. She shares the hustle with her loyal partner, Dixie Tilton, whose humor balances Ginger’s daring edge. Their world collides with the whims of an eccentric, scatter‑brained attorney, Homer Bronson, who offers them a tidy sum to deliver a quartet of subpoenas that could tip the scales of a high‑stakes breach‑of‑promise suit. The deadline looms: a new state law threatens to outlaw exactly the kind of suit they’re trying to enforce, adding a ticking clock to their already frantic routine.
The case centers on the affluent and enigmatic C. Richard Courtney, a man whose public persona hides a tangled private life. Adding to the intrigue, Claire LeClaire—the determined plaintiff—has set her sights on Courtney, further complicating the already delicate legal dance. As Ginger and Dixie set out to serve the papers, they find themselves navigating a maze of mistaken identities and romantic entanglements that blur the line between professional duty and personal curiosity.
Within this screwball setting, the film gleams with witty banter, rapid‑fire dialogue, and a playful sense of absurdity that turns ordinary legal work into a comedic caper. The chemistry between Ginger’s bold swagger and Dixie’s quick‑witted charm fuels the narrative, while Homer’s endearing cluelessness adds a layer of chaotic charm. The backdrop of courtroom intrigue, looming legislative changes, and the secretive allure of Courtney’s hidden relationships promises a delightful blend of romance, humor, and legal farce that keeps the audience guessing what will be served next.
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