Visiting Hours 1982

Deborah Ballin, Lee Grant, a determined feminist activist, sits at the center of a scorched confrontation when a misogynistic psychopath targets her on a televised talk show. The ferocity of the attack leaves her alive but scarred, and she is rushed to County General Hospital to begin the long road toward recovery. The event does more than threaten her life; it sets in motion a chilling game of cat and mouse that will test her resilience and belief in safety and justice.

Colt Hawker, Michael Ironside, a calculating killer haunted by a warped hatred of self-defending women, escalates his intimidation after the public assault. He quietly begins to stalk Deborah, weaving himself into the world around her with a cold precision. His fixation soon draws him toward Sheila Munroe, Linda Purl, a nurse who admires Deborah’s unwavering commitment to women’s rights. Colt’s brutality becomes personal when he murders Mrs. Corrigan, an elderly patient, and Connie Wexler, a nurse, signaling that Deborah’s safety is a myth he intends to shatter. He overhears Sheila voicing her criticisms of Deborah, including language about “that bastard” who attacked her, and with that seed of anger, he shifts his focus onto Sheila and her children, moving the threat from Deborah herself to those she loves.

As the danger tightens, Colt attempts to lure a young girl named Lisa into his orbit, first charming her and then brutalizing her in a display of power that leaves no room for doubt about his menace. The following day, Deborah discovers the grim tally of the day’s violence and realizes that the danger is personal and immediate once more. She tries to sound the alarm with her boss, Gary Baylor, William Shatner, and with Sheila, but the fear of being dismissed as paranoid makes their response tepid and hesitant, complicating Deborah’s quest for protection.

Colt’s backstory adds a chilling layer to his violence. He visits his father, a man who bears deep physical scars from a past abuse—his wife Elizabeth Hawker, Maureen McRae, fought back and fatally oil-flung him in a moment that warped Colt’s view of justice and self-defense. This memory fuels Colt’s resolve to annihilate anyone who embodies resistance to his distorted sense of control. The visit underscores a theme of cycles of violence and the way trauma begets further violence, shaping Colt’s ruthless worldview.

A desperate Sheila, paged in a panic, discovers that Lisa is wounded but still alive, and she realizes that Deborah’s danger might be more imminent than she feared. Lisa, who holds crucial knowledge about Colt’s whereabouts, hints that she knows where he lives and who he is, but before she can share more, Colt’s chilling reach intrudes again. The cat-and-mouse game intensifies as Sheila receives an ominous phone call from Colt himself, revealing he is at her home with her daughter Bridget and babysitter Denise. Lisa rushes to warn Deborah and the police, but Sheila’s attempt to reach Deborah is cut short when Colt bursts into the room, stabbing Sheila in the stomach and shoving her to the floor. He grips the phone to deny Deborah a last connection to the outside world, while Sheila’s terror-filled screams echo as he stalks toward Bridget.

Colt slips away back to his own domain, where he crafts one final plan to murder Deborah. He wounds himself deliberately by breaking a beer bottle to imitate a fatal struggle, hoping to stage a scene of brutal culmination. An ambulance carries Sheila to County General, where she fights to hold on, while Deborah’s fear turns into determination. Gary accompanies the police to Colt’s apartment and finds a cache of photographs detailing past victims, including Deborah and Sheila, confirming the scale of Colt’s predatory pattern. The wounded Colt is brought to County General, and the tension in the hospital corridors mirrors the night’s earlier alarms.

In a tense, climactic showdown, Deborah—now aware that Colt has targeted her and her ally Sheila—deliberately lures him away from the vulnerable Sheila. She leads him toward a radiography room in the basement, where Sheila waits, frightened yet alive. The hospital hums with the quiet desperation of those who know they are running out of time. Deborah, acting with cool resolve, uses a switchblade to defend herself and to end Colt’s threat once and for all. Colt is killed in the confrontation, and Sheila is safely transported away as Deborah is joined by Gary in a moment of hard-won relief. The film closes on a note of fragile triumph, with Deborah finding solace in the fact that her fight for safety and autonomy has not been in vain, even as the scars—physical and psychological—linger.

This story unfolds with a clinical, restrained gaze at fear, control, and the cost of defending one’s rights. It threads together personal trauma, a community’s complicity or indifference, and a survivor’s unwavering determination to live free from the terror of a man who believes violence can erase resistance. The end marks not just a victory over a killer, but a reaffirmation that courage, when paired with support, can outlast a culture that would threaten it.